A Broadcast for July 1st in Canada – Old Fellas New Music Episode 15

LAND ACKNOWLEDGEMENT – we are broadcasting from unceded Algonquin Anishinaabe territory

Week 15 – July 1st Track List

Link for all our shows – https://www.mixcloud.com/paul-mcguire3/

Tracklist and contributors

Sequence

  1. Classified – Powerless  (Bob)
  2. Buffy Ste Marie – You’ve Got to Run (Spirit of the Wind) (Bob)
  3.  iskwe & Tom Wilson – Blue Moon Drive (Karen)
  4. Greg Keelor – Black Feather (Karen)
  5. The Jerry Cans – Northern lights (Andrea)
  6. Snotty Nose Rez Kids – The Warriors (Andrea)
  7.  Jeremy Dutcher –  Eqpahak (Steve)
  8. Lido Pimienta – Nada (Mairi)
  9. Piqsiq – Arctic Hallows (Claire)
  10.  Ms.PANIK – Open Hearts (Claire)
  11.  Jeremy Dutcher  – Mehcinut (Debbie)Emma Stevens – Blackbird (Youtube recording)(Heather) (pronounced MEH-jin-nud)
  12.  Gord Downey – “The Stranger” (Heather)
  1.  Rose Cousins – The Benefits of being Alone (Colleen)
  1.  Ahead By a Century – The Jerry Cans (Liam)
  2. Julian Taylor- “The Ridge” (Beth)
  3. Marito Marques – Manjerico (Paul)
  4. Leanne Betasamosake Simpson – I Pity the Country (Paul)

Our updated Playlist


Classified – Powerless

selection by Bob

According to Classified, whose real name is Luke Boyd, the song, titled “Powerless,” is drawn from the experiences of multiple people who’ve reached out to the Nova Scotia musician.

Premiere: Classified’s ‘Powerless’ music video is an incredible ode to missing and murdered Indigenous women

Justin Chandler · CBC Music · Posted: Apr 04, 2018 12:00 AM ET | Last Updated: April 9, 2019

Classified’s new music video for ‘Powerless’ focuses on the missing and murdered Indigenous women of Canada. (Screenshot from ‘Powerless,’ by Classified)

When rapper Classified released his new single “Powerless” two weeks ago, he wrote an impassioned post on his Facebook that concluded: “We need to speak up for these kids … don’t let them feel powerless.”

The track was inspired by responses Classified received when he posted about the news of a Newfoundland man who was sentenced to five years in prison for the rape of an 11-year-old girl. “I thought it was unbelievable,” he said, explaining his outrage towards the case, which led to his post on social media. As a result, he began writing “Powerless” to give a voice to children and women who have experienced abuse.

CBC April 4, 2018

Buffy Ste Marie – You’ve Got to Run (Spirit of the Wind)

Selection by Bob

You Got to Run (Spirit of the Wind)” was inspired by champion dogsled racer George Attla, who competed in the inaugural Iditarod dog sled race in 1973 and whose story was the subject of 1979 film Spirit of the Wind.

Buffy Sainte-Marie & Tanya Tagaq “You Got To Run (Spirit Of The Wind)”

For further exploration,  try premier reissue label Light in the Attic’s compilation “Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985.”  The following review from Pitchfork appears to hit the nail right on the head.  

Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985

Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985 features artists from all over Canada combining Native American culture and popular music. The tracklist has been carefully curated to not only to emphasize the diversity of the artists and their ideas, but to reveal the vibrancy and energy of this large and largely undocumented scene.

Pitchfork Magazine

and a video about the compilation – pretty interesting

Light In The Attic Docs Presents – Native North America (Vol. 1)

you can purchase the collection here

Also worth viewing is Rumble:The Indians Who Rocked the World.   

RUMBLE: The Indians Who Rocked the World – Official Trailer

iskwe & Tom Wilson – Blue Moon Drive

selection and notes by Karen

Tom Wilson and Iskwe- Blue Moon Drive

Tom Wilson-  I saw and heard him sing with Iskwe on an online music show during covid and I was so impressed by his stories and their beautiful voices which sound so great together.

He is a 62 year old Canadian rock musician from Hamilton Ont. whose career has included work in Blues, rock, psychedlic folk and folk you may have heard him as he has also been a major part of Blackie and the Rodeo Kings, Junkhouse and Lee Harvey Osmond along with members of the Cowboy Junkies and Skydiggers

He had a rough and tumble life, battled demons and addictions -with music and visual arts being a real life saver for him

He was raised by his great aunt and uncle but only recently found out that the woman he thought of as his cousin was actually his mother who is part Mohawk.  His father was also Mohawk but Wilson didn’t learn of his Mohawk heritage until quite recently.

Tom was commissioned by the city of Hamilton to paint a mural depicting the history of music in that city and he has published a memoir in 2017 titled Beautiful Scars which discusses his discovery of his Mohawk heritage

His son Thompson Wilson is also a musician (formerly part of Harlan Pepper ) and they have toured together 

Tom Wilson is very interested in learning more about and sharing his Mohawk culture. He partnered up with Ojibway trumpeter Chuck Copenace who sprinkles his notes, fluttering in the air, in space, and contributing a different breath to song and with 

Iskwe( who has been featured on your podcast previously) whose name means blue sky woman- is an artist and creator and communicator of music and movements, pictures, poetry and prose.  She’s a teller of stories that impacted our past and will inform our future.  She has 3 albums and has performed 100s of shows in Canada and internationally and has been nominated for a Juno. She has a Cree- Metis background from Treaty One Territory who was born and raised in Winnipeg. She refers to herself as an urban indigenous 2-spirited woman from Red River Valley.

The single Blue Moon Drive is an incredible collaboration of 3 amazing artists, a celebration of 4 Indegenous nations uniting together to celebrate their art.

Greg Keelor – Black Feather

selection and notes by Karen

Greg Keelor – Black Feather (Official Lyric Video)

Most of you know him from Blue Rodeo fame but he also has 6 solo albums with the most recent one- Share the Love- coming out during the pandemic.

Greg had a studio version of the songs ready to go when the pandemic hit and decided to record them live in a community centre near Rice Lake with the same musicians.  He actually liked the live version but both albums are available for purchase.

Greg says that writing songs is how he deals with “stuff”.  He had recently lost a dear mother-like figure and his girlfriend of 5 years left and he was feeling rudderless.  His good friend, Frank, who is Cree and from Saskatchewan invited Greg to go to a sweat lodge to pray and he realized Frank’s prayers were all about gratitude- thanking everyone and everything, sun, moon, everything.  Frank had brought his pipe, sage and eagle feather and did a smoke ceremony and Greg felt relief for the first time in months.

During that same period, he visited Waskaganish Reserve in James Bay for a gig with Blue Rodeo and he felt a kindred connection to the place.  The album grew out of a desire to get away somewhere and be isolated and think.  He spent more time there and his friend Charlie Hester ( the director of culture, sports, leisure and tourism for the Cree nation of Waskaganish) took him on a tour of the community which Greg found to be healing in its own way- big beautiful landscape and generous and kind people. Greg had a lot of questions about the pipeline and other Indigenous issues across Canada and he found it a great place to gather his thoughts.

While there he saw a piece of art on the side of a local radio station and it said “Share the Love” on the front of a teepee with a heart in the centre.  He found out it was there to honour the life of deceased resident- Claudia Stephen – who had shown many acts of love and kindness in the community and had passed away too soon.  Greg obtained permission from Claudia’s family to use the design on his album covers as he was so touched by the 15 ft by 15 ft wall art in her memory.

A combination of his loss along with the generosity of spirit he found in Waskaganish and the example set by Claudia and the love the people had for her energized Keelor from his melancholy.  Behind melancholy and sorrow and hardship, there is a river of love or energy that unites everybody and he felt that connection in James Bay very strongly.

Share the Love is a paradox of an album both reflective and uplifting and perfect for the times.  Even though we are all isolated, we are all connected. There are many references to feathers on this album and their association with freedom, transcendence and communication with spiritual realms.

The Jerry Cans – Northern lights

selection and notes by Andrea

The Jerry Cans

Shortly after Gord Downie passed away,  I heard The Jerry Cans perform “Ahead by a Century” in Inuktitut. Having taught in an Inuit community, I loved hearing a familiar song performed in this beautiful language. The Jerry Cans are a band from Iqaluit, Nunavut. They combine traditional Inuit throat singing with folk music and rock. Their music is largely written in Inuktitut. “Northern Lights” incorporates throat singing and captures the power of the breath-taking land of the Arctic.

The Jerry Cans – Northern Lights

  Snotty Nose Rez Kids – The Warriors

Selection and notes by Andrea

Snotty Nose Rez Kids

I first heard Snotty Nose Rez Kids during an interview with  Eden Robinson, the Haisla and Heiltsuk author of Monkey Beach. They are a Haisla hip hop duo composed  of rappers Darren “Young D” Metz and Quinton “Yung Trybez” Nyce.  “Warriors” is a protest song as part of a benefit album for The Tiny House Warriors, a group that is fighting the Kinder Morgan TransMountain pipeline expansion into Secwepemc Territory in British Columbia, Canada.

                              


 Eqpahak by Jeremy Dutcher

Selection by Steve Ferracuti- family friend who is hunkering down in Nova Scotia having finally been able to pierce the Atlantic Bubble and see his new grandson, Fred, and 2-year old, Flo.

 

Aik pa HUK – where the tide stops Passamaquoddy-Maliseet Language

It is hard to know whether and what to celebrate and how to combine this with mourning. I don’t know how we approach all this apart from bringing a sense of humility and respect for our indigenous people and also a sense that these are present issues, not only historical ones, and I hope that we can also bring a sense of real responsibility to all of this. One little tiny part of the “answer” is the theme to this song, that is the songs. I thought it appropriate to celebrate that.

Lido Pimienta – Nada

selection by Mairi

Piqsiq – Artic Hallows – from their 2020 Album TAAQTUQ UBLURIAQ

selections by Claire

2 songs I chose:

1 – I have always been captivated by throat singing. Throat singing, katajjaq, ka TA jjaq was banned in the 20thcentury among many other Inuit traditions when Christian Missionaries went North. They believed throat singing was ‘Satanic’. The ban was only lifted in the 1980s. Watching a duet live has always given me goosebumps and is a beautiful tradition to be celebrated, not oppressed. Listening to throat singing is a reminder of the strength of the Inuit culture and their resilience. I am happy to share a song by this group named Piqsiq. The group consists of 2 sisters, Tiffany Kuliktana Ayalik and Kayley Inuksuk Mackay, with roots in Nunavut’s Kitikmeot and Kivalliq Regions, the sisters grew up in Yellowknife, NWT. They perform ancient traditional songs and eerie new compositions. 

 

Ms.PANIK – Open Hearts from her 2018 Album Open Hearts 

Another artist who is new to me is from the West Coast, Ms.PANIK. I was drawn to her beautiful voice, her mesmerizing musical loops and powerful lyrics. She lives in Tofino and the ancestral lands of the klaw-OH-kwee-awt Nation  and is originally from the unceded Territory of the (Haida) Nation and member of the southern Kaayahl Laanaas Clan. Tla-o-qui-aht

An additional note from Claire

I wanted to share two artists that didn’t make the list because of the year cut-off. I thought you could hold onto them and add them to another show. Thank you again for organizing this episode. I truly enjoyed the process of consciously looking for Indigenous artists and love discovering new music. 


Cris Derksen – Hindsight 20/20 – from the 2010 Album ‘the cusp’. Cris Derksen is from Alberta and is an Indigenous cellist and composer.  


Digging Roots – Hwy 17 – from the 2014 Album ‘For The Light’. This song was written to raise awareness about the MMIWG and is a call to action. 


Debbie   – Claire’s mom who works actively in reconciliation in the Ottawa community and across Canada.

I would love to hear almost anything from Jeremy Dutcher 

Maybe ‘Mehcinut’ – first song on his album (pronounced MEH-jin-nud)

 I first heard Jeremy Dutcher about 4-5 years ago on CBC when I was driving somewhere. I had to pull over. My eyes filled with tears at his powerful voice,  the haunting sounds and the voices from the past captured on wax cylinders. I told everyone about him.  His music still stirs something deep within me. So thanks for playing one of his pieces today.


Blackbird sing by high school student, Emma Stevens, in Mi’qmaw, 2019

selections by Heather


Adapted from Paul McCartney’s song, re-written in Mi’kmaq to bring awareness to indigenous languages in 2019, International Year of Indigenous Languages.

Sung by Emma Stevens, performed by students at Allison Bernard Memorial High School in Eskasoni, Cape Breton.

“The Stranger” from Secret Path, Gord Downey, 2016

I chose “The Stranger” by Gord Downie as my second piece. It tells the story of Chanie Wenjack, a 12-year old boy who escaped from the Kenora residential school to make the 600 km journey home back to his family and never made it. He was found by the railroad tracks. This happened on 1966 and was actually reported on in 1967 by Macleans. Here is Downie’s introduction, better said:

 Mike Downie introduced me to Chanie Wenjack; he gave me the story from Ian Adam’s Maclean’s magazine story dating back to February 6, 1967, “The Lonely Death of Charlie Wenjack.”

Chanie was a young boy who died on October 22, 1966, walking the railroad tracks, trying to escape from the Cecilia Jeffrey Indian Residential School to walk home. Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor know how to find it, but, like so many kids – more than anyone will be able to imagine – he tried. I never knew Chanie, the child his teachers misnamed Charlie, but I will always love him.

I have always wondered why, even as a kid, I never thought of Canada as a country – It’s not a popular thought; you keep it to yourself – I never wrote of it as so. The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, “Canada.”

Downie’s music and Lemire’s illustrations inspired The Secret Path, an animated film broadcast by CBC in an hour-long commercial-free television special in Sunday, October 23.

I used the book – illustrated by Jeff Lamire and the video in my grade 7 and 8 classes. In 2017, I had the opportunity to hear Gord Downie and Chaney’s sisters, Pearl and Daisy, sing an Ojibwe – Anishinaabe blessing.

Rose Cousins – The Benefits of Being Alone, 2020

selection by Colleen

a video about Rose Cousins. She mentioned that hers was the last concert we saw before the pandemic changed everything.

Rose Cousins – The Benefits Of Being Alone (Live on eTown)

 

Ahead By a Century – The Jerry Cans

selection by Liam

The Jerry Cans are a band out of Iqaluit, who combine traditional Inuit throat singing with folk music and country rock. The band’s music is written mostly in Inuktitut, and reflects “the challenges and beauty of life in the far north.” The band had local success, but their popularity began to grow after Tanya Tagac won the Polaris prize in 2014 and gave prominence to Inuit throat singing. The band’s name comes from the band trying to rig up a drum set out of jerry cans.

I chose this cover of Ahead by a Century because it reminded me of a couple of things. First, the Jerry Cans and other artists are bringing Inuit music to the forefront, and reminding us that Canada or Turtle Island has many different languages, each of which should be celebrated. Second, this song feels like a bit of a bridge. Ahead by a Century was the last song played in concert by Gord Downie and the Hip. In that same concert, Gord called on us as Canadians to inform ourselves about the ongoing impact of colonialism on Indigenous peoples, and “figure it out.” To me, this song is an ode to Gord and the Hip, but a bridge towards an expanse of Canadian music beyond our traditional understanding, and a reminder of our collective responsibilities towards the process of truth and reconciliation in our country. 

Julian Taylor- “The Ridge”

selection by Beth

Julian Taylor started out with Staggered Crossing, a band he formed while still in high school in the mid 90’s. They were fairly successful playing around clubs in his hometown Toronto. They were classified as rock music. In the early 2000’s he formed the Julian Taylor Band which is hard to classify as it mixed many genres but was still within the realms of rock. With his very different introspective 2020 album, The Ridge (of which I chose the title song), he writes about his Black and Indigenous roots. The song The Ridge speaks about this as he reminisces about his childhood and the family members who formed his sense of identity. “The ridge is like a cut- a divide, in half, of me- not only from an emotional standpoint but also from a social standpoint as a Black and Indigenous person growing up in a predominantly white experience .”

Marito Marques – Manjerico

selections by Paul

Hailing from Portugal, Marito Marques is a Grammy, Latin Grammy and Juno nominee drummer and producer, he takes the sounds of the world into his soul to produce melodies that bring the audience together in an unparalleled unity. Born July 11, 1987 in Arganil, Portugal, Marito began playing the drums at the age of 2, quickly moving on to live performances, including television appearances at 5 years old. Marques pursued his formal instruction at CETM in Coimbra, Portugal. Afterward, Marques moved to New York City to further his studies at the Drummers’ Collective and later at the Manhattan School of Music where he studied under some of the best instructors the school had to offer, including John Riley, Kendrick Scott, Ignacio Berroa or Greg Hutchinson.

Currently living in Toronto, Marques is considered one of the most requested and versatile drummers and producers in Europe and Canada, having performed World Tours with artists in the most diverse music genres; some of which include two Grammy Winners Ivan Lins and Carlos do Carmo, Camane, the Grammy nominees Helik Hadar, Adonis Puentes, Hilario Duran and Jeff Coffin, Anna Maria Jopek, Mino Cinelu. Larnell Lewis, Gregoire Maret, The Wilderness of Manitoba, Sara Tavares, Jesse Cook etc.

Leanne Betasamosake Simpson

I Pity the Country – Theory of Ice 

 Leanne Betasamosake Simpson is a renowned Michi Saagiig Nishnaabeg scholar, writer and artist, who has been widely recognized as one of the most compelling Indigenous voices of her generation. Her work breaks open the intersections between politics,  story and song—bringing audiences into a rich and layered world of sound, light, and sovereign creativity.

A Note on Leanne’s Familythis I had to include, it is amazing how many hurdles Indigenous people have had to go through just to keep their own status!

Leanne’s grandmother, Audrey Williamson (nee Franklin) was born in Alderville First Nation in 1925, and moved to Peterborough, Ontario at the age of three, as her Dad and Leanne’s Great Grandfather, Hartley Franklin, previously a fishing guide on Rice Lake got a job in town building canoes. Leanne’s grandmother regained her Indian Status under Bill C-31 at the same time as her mom, Dianne Simpson (nee Williamson) in the early 1990s. Leanne and her sisters, Shannon, Ansley,  and several of their cousins, regained their Indian Status under Bill C-3 after the bill became law in 2011, and their children regained their status after Bill S-3 became law in 2019. They are all off reserve band members of Alderville First Nation. Leanne was born and raised by her mom Dianne and her dad Barry, who is of Scottish ancestry, in Wingham, Ontario.

The lyrics to a very powerful song

I pity the country

I pity the state

And the mind of a man

Who thrives on hate

Small are the lives

Of cheats and of buyers

Of bigoted news press

Fascist town criers

Deception annoys me

Deception destroys me

The Bill of Rights throws me

In jails they all know me

Frustrated are churchmen

From saving a soul man

The tinker, the tailor

The colonial governor

They pull and they paw me

They’re seeking to draw me

Away from the roundness

Of the light

[Verse 2]

Silly civil servants

They thrive off my body

Their trip is with power

Backbacon and welfare

Police, they arrest me

Materialists detest me

Pollution, it chokes me

Movies, they joke me

Politicians exploit me

City life, it jades me

Hudson Bay flees me

Hunting laws freak me

Government is bumbling

Revolution is rumbling

To be ruled in impunity

Is tradition continuity

I pity the country

I pity the state

And the mind of a man

Who thrives on hate

Willie Dunn

we have broadcasted from the un-ceded territory of the Algonquin Anishinaabe peoples

Miigwech, thank you

Old Fellas new Music – Episode 10 Show Notes

Music This Week

Art D’Ecco – Desires

Sadies – Riverview Fog

Austra – Messiah

Kathleen Edwards – Options Open

Pierre Kwenders and Clément Bazin –  Ego 

Sloan – The Day Will Be Mine

Rae Spoon – There’s No End

John K Samson – Fantasy Baseball at the End of the World 

Rural Alberta Advantage – Beacon Hill

Our updated playlist
Our shows on MixCloud – you can follow us here!!

Art D’Ecco – Desires from the album In Standard Definition, May 19th 2021

Art d’Ecco – Full Performance (LIve on KEXP) – on 2019 album release  Trespasser 

I am the dancefloor from Art D’Ecco’s latest album

Reference – Grant Lawrence on CBC Radio 3 did a great feature on him.

CBC’s Grant Lawrence

There is more on Art D’Ecco in the article from the Georgia Straight

After years of self-doubt and spinning his wheels, Art d’Ecco is now on a mission to make his own fantastical myths (2018)

Consider this the latest page in a story he’s spent the past few years writing. His back story includes fleeing Vancouver years ago to hole up in a sprawling island home to care for an ailing grandmother, the relative solitude giving him ample time to invent the character that would become analogue-obsessed rocker Art d’Ecco. And what a great character that creation is, all pageboy hair, greasepaint-and-rouge makeup, and Rodney Bingenheimer fashion cues—right down to the retina-searing flares and platform shoes.

More on how he came up with his unique look:

I was getting my keys cut, and kind of stewing while I waiting,” the singer recalls with laugh. “Out of the corner of my eye I saw a wig store that had this $300 human-hair bob wig. I was like ‘I’ve never been more excited in my entire life.’ I was walking through the Bay on the way back to my car at after getting my keys cut, and figured I might as well go whole hog and buy some makeup. I had no idea what I was doing. I was just freewheeling.

Bob picked his selections from groups that he saw over the last five years at the wonderful Beau’s Oktoberfest in Vankleek Hill, Ontario.

Bob and Karen

Sadies – Riverview Fog

A group never fails to put on a great show, The Sadies.  Here performing this Riverview Fog

Bob mentioned on the show this very cool trick that the Sadies can do. Hard to imagine doing this!

Austra – Messiah Album Hirudin 2020

Austra is a singer I have liked for a long time. I first heard her on CBC with her 2011 song Lose It. Pretty amazing display. You can see a 2017 version of the song on CBC here. The voice is something very different.

This Pitchfork article explains the power of her voice better than I ever can:

Katie Stelmanis has a voice like a beacon, a sound that can shear through any accompaniment, no matter how drab. She shares this power with ANOHNI and Zola Jesus, singers who enchant their surroundings with the depth and richness of their timbres, who are instantly recognizable in any setting. Her voice comprises the central pillar of her synthpop project Austra, the feature around which her music crystallizes. The Canadian artist’s previous album, 2017’s Future Politics, shifted deeper into the icy trappings of club music, laminating Stelmanis’ voice inside the production styles of deep house and trance. On HiRUDiN, Austra’s fourth LP, the project breaks from that rut, swinging for big, embodied pop moments that let the warmth of Stelmanis’ voice shine through.

Pitchfork May 6 2020

Kathleen Edwards – Options Open

Kathleen Edwards is represented here this week with a song from her “return from exile” album, ” Total Freedom”. The song is “Options Open” and it looks like she hasn’t missed a beat.

Kathleen Edwards – Options Open (LIVE from her home)

A David Lettermen fave, Edwards was a frequent guest on The Late Show.  Dave discards his  usual sarcastic goof persona here as shows is a genuine fan.

Kathleen Edwards – “Change the Sheets” on Letterman 01-17-12

Ego by Pierre Kwenders and Clément Bazin

album – Classe Tendresse 2020 – on Bandcamp 

This is another artist heard first on CBC Frequencies, my go to place to hear new and exciting music.

From the bandcamp bio:

Born in Kinshasa and settled in Montréal since 2001, Pierre Kwenders learned music and found his voice in a catholic choir in the city. With his two EPs and two full-length records, the singer-songwriter has earned multiple awards. Passionate about offering music without borders, he’s also one of the founders of Moonshine, a collective that throws some of the best parties around the world.  

Bandcamp

Here is the great video we are playing from his most recent release, the song is Ego

Clément Bazin & Pierre Kwenders – Ego (Official Music Video)

From Exclaim MagazinePublished Oct 21, 2020

Pierre Kwenders has been known to allow every style of music he hears to influence his own. This is even more remarkable given the diversity of influence that would have entered his realm; he emigrated from Kinshasa to Montreal at the age of 16. French-Acadian, hip-hop and Congolese Catholic church music are just some of the many influences in his path. His latest project, Classe Tendresse, is a collaboration with Parisian musician Clément Bazin, who is equally in love with technology and the steelpan.

The blending of traditional African melodies with post-human electronica is complete and seamless. In a sense, this is nothing new. All popular music is influenced by traditional African music and is impacted by advances in musical technology. What is interesting here is that it is not really a blend at all, as one cannot tease out traditional and electronic elements; this is traditional African music as heard through digital technology.

Sloan – The Day Will Be Mine

Sloan perform “The Day Will Be Mine” as part of the East Coast Music Awards (ECMA’s) at the Marquee in Halifax, NS on May 3, 2018.  The Marquee is a legendary club in Halifax  which is one of the 2 bars immortalized in  the song, “ Marquee and the Moon” from the 1999 album “Between Two Bridges.” The Misty Moon closed down a number of years ago, but the Marquee lives on.   

Sloan – Live at the Marquee – The Day Will Be Mine

A clip advertising their upcoming 2018 appearance at Oktoberfest.  The concert clips were taken from the June 28 show at Ottawa’s 27 Club.  We were lucky to see both performances.

Rae Spoon There’s No End, album Mental Health 2019

Another feature heard on CBC Radio 3 Grant Lawrence. Very happy I heard this one. Rae Spoon is an artist I was totally unfamiliar with (I say that a lot).

A wonderful musician and author Rae Spoon is versatile and prolific with albums and books stretching back tp 2000

again from Georgia Straight:

Trailblazers 2021: Rae Spoon’s Green Glass Ghosts reflects Vancouver through lens of young trans adult

Georgia Straight – Apr 28 2021

The narrator is a queer, guitar-wielding musician who arrives in Vancouver in 2000 at the age of 19. Written in Spoon’s usual highly accessible style, the story of youthful exuberance, excessive drinking, and emotional angst plays out across Vancouver—on the bus system, at the beaches, and in various neighbourhoods.

It’s astonishing to consider how far the trailblazing Spoon has come from being a poor couch-surfing, sometimes homeless trans youth living on the East Side. In addition to four books, including the Lambda Award finalist collection of short stories that kicked off their career, Spoon has created a dozen albums. In addition, they achieved their dream of touring extensively.

Here is the trailer from the NFB film made about Rae Spoon. All the music in the film was composed and performed by them.

John K Samson – Fantasy Baseball at the End of the World 

“I manage my fantasy baseball team better than I manage my anger these days,” Samson sings. “And I’d trade my best pitcher for a draft-pick and picture of the president writhing in pain.” John K. Samson.  Great video from Manitoba’s finest that combines his love of baseball with his loathing of Trump.

Here he is at Beau’s Oktoberfest performing his classic “One Great City”

Rural Alberta Advantage – Beacon Hill

Bob asked during the show which Beacon Hill the Rural Alberta Advantage is singing about. This is another band that he saw at Oktoberfest.

I think if you look at the video below you may get a clue.