Old Fellas make it to week 20! Our notes

This is our updated playlist – I think you should put this on and chill
This was a fun show – hope you take a listen

OK, we know these are notes written by other people, but we go out and research this stuff

Now for our music for this week

Katherine Priddy – Wolf

album – The Eternal Rocks Beneath

Katherine Priddy – great song

from The Guardian, really one of the best sources I know of for new music

The folk prodigy delivers an elegant debut, infused with soaring vocals and nimble guitar-picking

Feted as a folk prodigy as a teenager, Katherine Priddy has wisely taken several years to reach this debut, an accomplished set of original songs delivered in a breathtaking voice and launched on a reputation as a great live act. Her nimble guitar-picking helps. Not that this is a strictly solo album; producer Simon Weaver has supplied a rhythm section and a parade of accordion, fiddle and string quartet, but in judicious measure. The star turn remains Priddy’s voice and its soaring, lark-like turns, meaning a song such as Wolf, the title track of her 2018 EP, can suddenly take unexpected flight.

That several numbers were written when she was young perhaps accounts for their unevenness; the banjo-backed Letters from a Travelling Man doesn’t pass muster with a poetic piece such as Icarus – a fond farewell to a lover seen as “a radiant stain falling like rain” – or with her funny homage to a boozy night on the Hebridean isle of Eigg. The rocks of the title is a verb, not a noun, testament to a belief that life’s fundamentals don’t change, a notion resolved elegantly in opener Indigo and closer The Summer Has Flown. A classy arrival.

Guardian- Neil Spencer

and one more – she really is wonderful

Binki – Clay Pigeon

American indie artist Binki is back with his first single since 2019 from the EP Motor Function. Apparently, it is inspired by “ the wisdom of Confucius and the failings of David Bowie” Here’s the video which is directed by his brother.

Griff – One Foot in Front of the Other

another great pick from The Guardian’s July picks for albums. Really like this artist

The Brits’ show-stealing 20-year-old has earworms and wise words to burn on this tantalising mini-album

Griff – One Foot In Front Of The Other (Official Video)

The rise of Griff feels like a silver lining around the thundercloud that was 2020. While all around the 20-year-old pop powerhouse careers stalled, tours evaporated and sound engineers peed in bottles while driving delivery vans, this singer went from buzzy obscurity in Kings Langley, Hertfordshire, locked down with her family and foster siblings, to a Top 20 hit and a Brits rising star award.

One Foot in Front of the Other is, though, an odd release. A debut album in all but name, this mixtape comes with the caveat that it was written and recorded during lockdown. Griff and her label feel that her debut album proper is still ahead of her.

Pom Pom Squad – Head Cheerleader

Pom Pom squad is a band Inspired by Billie Holiday, riot grrrl bands, and  films Death of a Cheerleader/ But I’m a Cheerleader

Here’s the trailer for the 1999 cult classic  

Pom Pom squad was originally just Mia Berrin but now it it is a full fledged band.  For a better idea of what Pop Pom squad are all about, here is Pitchfork magazines review of the album.

Equally indebted to pioneering girl groups and her punk heroes, the New York singer-songwriter’s debut is a fiery exploration of love, anger, and coming-of-age.

In 1999, a satirical comedy film called But I’m a Cheerleader proposed an astonishing lead character: a cheerleader who isn’t quite like the other girls on her team. She gets whisked away to a hilariously straight-laced conversion-therapy camp on the suspicion that she might be—gasp—gay. “I’m a cheerleader!” she whines in hesitation, as if this makes it impossible to fall outside societal norms. The movie marked a memorable early instance of the divergent cheerleader, an increasingly popular trope that drives the creative mind of 23-year-old singer-songwriter Mia Berrin, who makes bratty grunge-punk as Pom Pom Squad. On her debut, Death of a Cheerleader, the New York musician stakes her claim to pleated miniskirt canon, joining the ranks of those who’ve weaponized cheer imagery to disrupt convention.

Pitchfork June 30 2021

The video  

I concur with one commenter … “this is my new favourite song”


Melissa Laveaux – Angeli-ko

Album  – Radyo Siwèl

Really need to watch this series of videos on Youtube – Mélissa Laveaux – Radyo Siwèl Series

One in the series

In 2018, Laveaux’s album Radyo Siwel was long-listed for the Polaris Music Prize.[6]

In April 2016, Mélissa Laveaux headed to Haiti in search of her roots and on a mission to honour her ancestors. Born in Canada to Haitian parents, she did not know what would emerge musically from her pilgrimage although she had a particular interest in the period of American occupation of the island between 1915-1934. Two decades had gone by since she had last set foot in Haiti when she was 12 years old. She felt like a stranger and yet, at the same time, she experienced the thrill of an exile returning home, for Haiti is an intrinsic part of her identity.

From these she built Radyo Siwèl, a unique album steeped in Haitian history and culture and yet which is also highly personal and intimate. 

Youtube

Blinker the Star – It’s Alright (Baby’s Coming Back)

Bob’s selection of a new Blinker the star track was a result of this article in the Montreal Gazette. 

Excitingly, his burbling, pitch-perfect cover of Eurythmics’ It’s Alright (Baby’s Coming Back) was chosen last month as one of the 20 “best songs of 2021 (so far)” by Esquire — ranking alongside such luminaries as Lorde (Solar Power), Doja Cat and SZA (Kiss Me More), BTS (Butter), Justin Bieber (Peaches) and FKA Twigs (Don’t Judge Me). Heady — and moneyed — company.

Montreal Gazette

Welcome back Blinker the Star!This is a cover version of an old Eurythmics song that was unfamiliar to both of us. Compare the 2 versions here 

If you would like more Blinker the Star, you can listen to a full show dedicated to his music put together by David Widmann on Mixcloud.

Rare Americans – Baggage 

I heard this one on CBC Radio 3 – a great find I think!

Rare Americans – Baggage (Official Music Video)

They also have a great website

Rare Americans – Crooked & Catchy. The band started on a whim two years ago when brothers James and Jared Priestner took an impromptu trip to the Caribbean. James joked they should try and write a song together, Jared said “A song? Fuck that, lets write an album!” Sure enough 10 days later the first Rare Americans record was born. Spring forward to 2020, the band has gained a reputation for story telling and genre bending fresh music, amassing over 50M YouTube views in the process. The bands roster includes two Slovak guitar virtuoso’s in Lubo Ivan & Jan Cajka, and Duran Ritz on drums.

(from website)

“Lubo and I were in another band before called the Lunas that toured Canada a few times and was going along really well and had recorded an EP,” said James Priester. “Then I took a trip to the Caribbean with my brother Jared and joked I would bring along my guitar so we could drink a few beers and write a song or two together. He’d never written a song before and we’d never written together, but we sat down and wrote an entire album.”

Rare Americans also put its main emphasis on producing videos. James runs a production company in Vancouver so he was up on how to concept a video. The band steadily built its online profile with high-quality clips for songs such as Balmoral Hotel and the Barry Tielman (Run the Jewels, others) animated piece for Cats, Dogs & Rats.

Vancouver Sun

Rare Americans – Cats, Dogs, & Rats (Official Video)

Angel Olsen – Eyes Without a Face

Bob’s final choice is also a cover of an 80’s chestnut.  Angel Olsen has the distinction of being the first three-peat artist on our venerable podcast. She has just released an Ep covering Laura Branigan, Men Without Hats, OMD, Madonna  and Billy Idol’s “Eyes Without a Face” 

The NME has an excellent evaluation of Olson’s latest offering. 

Angel Olsen – ‘Aisles’ EP review: ’80s classics through a warped lens

The North Carolina musician cuts right to the core of each song, before rebuilding her own mirror images with this five-track EP

“I’m really into doing shit that’s unexpected,” Angel Olsen told NME as she prepared to release the album ‘Whole New Mess’ last year. Taking the staggering orchestral ambition of her fourth album ‘All Mirrors’ and stripping it back to its rawest foundations, it marked something of a reset from an artist whose sound had grown grander and more intricate with each release. Though it was actually recorded first (and these demos later grew into ‘All Mirrors) the two records feel like subtly distorted reflections of each other when they’re placed side by side – almost as if Olsen is covering her own work.

New Music Review

Treephones – Matches

Also a CBC Radio 3 catch

Album Pink Objects

The ten song titles on Treephones’ — the musical moniker of Stephen Trothen — new album Pink Objects read like an inventory of things found stashed away in a closet or neglected drawer. With every song named after an object, the concept album takes the approach of a short story collection and focuses on the interactions and relationships of characters centred around these items. The album was written and recorded at home by Trothen who also handled all but a few of the performing duties. The result is a set of songs that weave beautifully evolving textures into a carefully arranged sound that matches the directness and understated complexity of its lyrics.

Killbeat Music

I love this video of Treephones playing in Waterloo, Ontario. A terrific song with the addition of the saxophone. How many videos have we shown that shows the band playing in their bedroom?

Live version of “Matches” from the album “Pink Objects” (out now on digital, vinyl, streaming).

Recorded July 2021 in Waterloo, Ontario.

Stephen Trothen – Vocals, Guitar

Michael Borkovic – Saxophones, Sampler

Ahmad Hachem – Drums

Chris Hull – Vibraphone, Synths

Old Fellas new Music Episode 19 Notes

This week’s songs

Duran Duran – Invisible

Matt Sweeney and Bonnie Prince Billy – Resist the Urge 

Merchant – Dead days and Gatorade

Sufjan Steven’s & Angelo De Augustine-Reach Out 

Silk Sonic –Skate

Bobby Gillespie and Jehenny Beth – Chase it Down 

John Sally Ride – Putting It Off

Hiss Golden Messenger – Sanctuary 

Olivia Rodrigo – Brutal

added after

Gram Parsons – Streets of Baltimore

Silk Sonic – Leave the Door Open

Sufjan Stevens – Mystery of love

Father John Misty – Real Love Baby 

John Sally Ride – Don’t Flatter Yourself


Duran Duran – Invisible

Bob’s first 2 selections were suggested by good friend Lisa Riipi.   Duran Duran has returned after a 5 year absence with the new single is “Invisible”. The music video for the song was created by an artificial intelligence system called Huxley.


Matt Sweeney & Bonnie “Prince” Billy          Superwolves

Song – Resist the Urge

16 years after their original underground classic, Matt Sweeney and Will Oldham reunite for an album that plays like the continuation of a decades-long conversation. 

Afew years after he’d decided to start calling himself Bonnie “Prince” Billy, Will Oldham released a song called “A Wolf Among Wolves.” It’s about a person who doesn’t feel properly seen, and it’s exceptionally sad, even for the guy who wrote “I See a Darkness.” “Why can’t I be loved as what I am?” he sighs. “A wolf among wolves, and not as a man.” Wildness, ferocity, heart, all the things wolves tend to signify—the way he sings, it’s as if they’ve all been drained away by loneliness. In the years since, Oldham has made collaboration central to his work, partly, as he recently told GQ, in the hopes of “turning aspects of an innate introversion into something that resembles extroversion.” And while he’s had innumerable artistic successes, both on his own and with others, he never sounds more at home, more fully himself, than he does when writing and recording with guitarist Matt Sweeney. Not for nothing did they name their first album together Superwolf.

From Fader – 10 Songs you need in your life right now

personally, I could really only find one or two. Bob added this song from Bonny Prince Billy. Nice song!


Merchant – Dead days and Gatorade

Lisa  also suggested the song “ Dead Days and Gatorade” by Merchant because it features Duran bassist John Taylor.  Looks like the song gives a excellent advice in how to deal with a hangover.


Sufjan Stevens & Angelo De Augustine – “Reach Out”

Heather suggested this song, and here are her notes. This sums it up for sure.

I chose this song because it has been a while since I have listened to Sufjan Stevens. I love the guitar plucking, like tiny thoughts flying through the air, the reflective lyrics and their beautiful voices together.

and from elsewhere

Last year, they released their first collaborative song, “Santa Barbara.” In April, Stevens shared “Celebration VIII,” from Celebrations, the fourth installment of his five-volume set, Convocations, which arrived in May. De Augustine dropped his latest album, Tomb, in 2019.

 Silk Sonic –Skate

Bob’s other 3 suggestions were all taken from the blog. “Burning Wood”.  This is an excellent blog that contains the musings and tastes of former New York record store owner Sal Nunziato  Explore it here.   http://burnwoodtonite.blogspot.com/ 

Silk Sonic is an American R&B superduo consisting of recording artists Bruno Mars and Anderson .Paak. The duo released their debut single, “Leave the Door Open”, on March 5, 2021, with a forthcoming debut album, An Evening with Silk Sonic, announced for release. To quote the blog’s author Sal Nunziato, “I took a walk around the neighborhood on Saturday and heard a song coming out of some guy’s car, as he was fiddling with something under his hood. I knew what it was but I couldn’t place it. The Whispers? Tavares? No! Shuggie Otis! I couldn’t place it. Then, while scrolling through one of Brooklyn Vegan’s email blasts, the word “vintage” followed by “R&B”  jumped out at me. Could it be Silk Sonic? Yes. It could. “Skate” is the brand new second single from Anderson.Paak and Bruno Mars doing business as Silk Sonic and it’s a good one. The first single “Leave The Door Open” got by me, and it too, has a classic summer soul sound, though I think “Skate” is the better of the two.

Bobby Gillespie and Jehnny Beth – Chase It Down

Album – Utopian Ashes

My choices are now from the Guardian – they released a great article last week – The Month’s Best Albums – July.

I pan to go back to this great list for our next show. Incredible what can come out in one month!

Born in Glasgow, Bobby Gillespie, 58, founded Primal Scream in 1982. The band’s third album, Screamadelica, won the 1992 Mercury music prize. Utopian Ashes, Gillespie’s album with Jehnny Beth, is released on 2 July; their single, Remember We Were Lovers, is out now. He lives in London with his wife, fashion stylist Katy England, and two sons.

The Primal Scream frontman trades brashness for contemplation in this rewarding collaboration with the former Savages singer

During the course of a 35-year career, “sensitive” and “mature” are not adjectives that have often been wheeled out to describe Bobby Gillespie’s lyrics. Indeed, the Primal Scream lead singer’s canon of work has generally favoured MC5-lite rebel posturing over insight and depth. All of which makes this collaboration with former Savages frontwoman Jehnny Beth such a welcome surprise. The pair have written a set of songs located within the wreckage of a marriage that is falling apart, with both parties torn between looking back with remorse and nostalgia on what’s been lost, and moving on and making a new start alone. We’ve come a long way from Bomb the Pentagon.

Recorded with Gillespie’s Scream bandmates, as well as Beth’s regular foil Johnny Hostile, as much care has gone into the arrangements as the lyrics. Opener Chase It Down is a gorgeous slice of southern soul, made all the more powerful for its devastating “I don’t even love you any more” line. Grievances are aired in the despairing Living a Lie. Your Heart Will Always Be Broken, meanwhile, recalls Gram Parsons’s work with Emmylou Harris. Throughout, there are echoes of the rootsier moments from Give Out But Don’t Give Up, but with the earlier swagger replaced by vulnerability. It’s as pleasing as it is unexpected.

Phil Mongredien– Guardian

Bobby Gillespie, Jehnny Beth – Chase It Down

John Sally Ride – Putting It Off

Next is “Putting it Off”   by the  John Sally Ride.  Sal Nunziato plays the drums in this trio.   Check out the band’s link for some excellent power pop

Hiss Golden Messenger – If it comes in the Morning

Album – Quietly Blowing It

MC Taylor offers up soulful Dylan-esque country rockers about the impact of the system on ordinary lives

At the start of the pandemic, MC Taylor, AKA Hiss Golden Messenger, sat in his North Carolina basement studio and began several months’ of pouring out songs about “life as I felt it”. There was a lot going on outside – protests after the murder of George Floyd, the presidential election, and fires burning across the US – but his thoughts turned to some of the deeper issues underpinning it all, from class and inequality to the climate crisis.

The title track finds him watching the news and sighing “things don’t look too good”. However, the tunes are stirring and uplifting and the overall spirit is optimistic. As the father-of-two sings in the exquisite If It Comes in the Morning: “There’s a new day coming, we’ve been a long time running … but all hope is contagious.”

Dave Simpson

Hiss Golden Messenger – Sanctuary (Official Video)

Olivia Rodrigo – Brutal

Finally we wrap it up with, at this moment, one of the most popular performers on the planet.  Olivia Rodrigo.

Rodrigo has had some controversy recently as Courtney Love accused Olivia Rodrigo of plagiarising the cover of Hole’s “Live Through This.”   https://www.spin.com/2021/06/courtney-love-says-olivia-rodrigo-ripped-off-live-through-this-album-cover/

Sal comments, ““Rodrigo’s “Brutal” is a rip of Elvis Costello’s “Pump It Up,” which it is, to some extent. Costello’s response? “This is fine by me, It’s how rock and roll works. You take the broken pieces of another thrill and make a brand new toy. That’s what I did.”  Is a rip?  You be the judge…

Just a note – this episode has extra songs, some come out of our conversations during the show. he extra songs are basically in context and were added to give the show the 90 minutes for VoicEd Radio – thank-you Stephen Hurley!

As they are extras, we are not writing about these ones.

have a great week everyone!

Episode 19 all 90 minutes!
and our updated Spotify playlist for your listening pleasure

Feeling our Pain

Taken on a quiet paddle

We all have preferred styles of attention and ways that we perceive what is happening to us. It takes lifelong practice of what I call “mirror-wiping” to see things as they are, instead of as we are! “I” am always my first problem, and if I deal with “me,” then I can deal with other problems much more effectively. Similarly, grief work begins with cleansing the lens of my perception, and simply being “here” to what is. Buddhist teacher Cuong Lu is a student of Thich Nhat Hanh, and here he describes a practical way to be present to our pain.

Do you want to put an end to the dark thoughts racing through your mind, the pressures you feel every day, the many ways you don’t feel seen or heard? What do you really want? What do you really want to end? Your thoughts bombarding you 24/7? Your loneliness? Your despair? What do you think happens when life ends? Do you think you won’t feel anything, that you won’t suffer anymore? . . .

Instead of acting on these impulses—stop, wait, and study the details of your life: the skin on your hands, the despair in your throat, the searing currents running through your veins. Study these things as if your life depended on it. When you stay fully present with your feelings, your sensations, and the world around you, even when it seems dark and cold, joy will arise. Joy and suffering are two sides of the same coin.

The way to free yourself from pain is to feel it, not to run away, as difficult as that may be. Be a mountain and be porous at the same time. Become interested in yourself, your thoughts, your emotions, your sensations. This might not make sense now, but it will. . . .

Pain and suffering make life beautiful. This might be hard to believe while you’re suffering, but the lessons you can learn from hardships are jewels to cherish. If you’re suffering, it means you have a heart. Suffering is evidence of your capacity to love, and only those who understand suffering can understand life and help others.

The world needs your suffering, your courage, and your strength. Don’t try to kill your pain. Share it with another, communicate it. If the first person you talk to isn’t the right one, find someone else. Somebody somewhere wants to listen to your pain, to connect with you and understand you. When you find them, when you lighten your burden and discover the jewels and joy that are alive beneath the pain, later you’ll be present for others who are suffering.

Richard Rohr Center of Action and Contemplation


I never do this in a blog post, but I am making an exception

The most important part of this post is the quote by Cuong Lu. I found it yesterday by chance after I clicked on Richard Rohr’s site – something I haven’t done in a very long time. It certainly speaks to me and what I am going through now as a result of a year and a half of Covid, and I think there are lots of people out there who could benefit from these words, so I am putting it all out there.

One of the distressing byproducts of Covid is the anxiety and depression it can induce in people. One of the high risk groups are people who have dealt with anxiety disorders in the past. In my case, Covid has led to a recurrence of an old anxiety condition that has not surfaced in seven years.

Now it is back and I am working really hard on drawing myself out from a prolonged period of pretty high anxiety. It is certainly a very slow road.

Many others I suspect are going through this too so I hope this is helpful to those who read my blog. These are extraordinary times and I really think we need to be communicating about how we are doing right now. To do so normalizes the distress and helps everyone to feel part of a community that is struggling with the prolonged pandemic.

No one likes to feel bad, whatever form this takes, but I sincerely believe there is value in times of distress. When we suffer, it causes us to lean in, to learn more about ourselves and grow. Growth and learning can be really hard, but it still is an opportunity to look inside with compassion and interest to see ourselves in a new way.

I have written about my own mental health struggles in the past and these posts are usually the ones that get the most response. That is a good thing. I don’t mind putting myself out there, especially if it helps someone else who is suffering.

We don’t like suffering and we usually do whatever we can to avoid this. While this is natural, I suggest that we have to be present to the challenging times, not just the good ones. We need to learn not to judge these times as ‘bad’, they really are just a part of what it means to be human and we all go through these at various times in our lives.

The best response is to take the time to settle in and reflect.

As Cuong Lu says, “Become interested in yourself, your thoughts, your emotions, your sensations. This might not make sense now, but it will. . . .”

I hope people respond to this post, especially if this helps. I hope people post on how they are doing right now so we can all realize we are a brave bright community that is struggling. I do believe that there is comfort in all of this and that this particular post may help out as people contribute to what I am writing here now.

Even if you don’t write anything, I hope you find some comfort in the notion that the dark times are times of opportunity to learn and grow. Even in discomfort and distress there can be the beginnings of joy.

Could this be a dialogue? I sincerely hope so.

Old Fellas New Music Episode 18

Episode 18 on Mixcloud – 1 hour 2 minutes

Songs for Thursday

 Ghost Twin – Strobe Light

The Bright Light Social Hour – Harder Out Here

Packs – Silvertongue 

Gospel Machine -That Ring

Russell Louder – Vow

White Denim – Mirrored in Reverse

Los Pinguos – Debajo del Pelo

exmagician – Kiss That Wealth Goodbye

Laura Stevenson – Don’t Think About Me 

Ghost Twin – Strobe Light

This was a big week for me picking up songs on CBC Radio 3. This is one of three great ones I listened to during the week. All are pretty obscure, all are worth a listen!

Album – Love Songs for End Times

Love Songs for End Times

Ghost Twin is a dark synthpop duo – Jaimz & Karen Asmundson from Winnipeg, that combine roaring synthlines, dirty pulsing bass, dreamy guitar, and a haunting vocal dichotomy where Baroque meets Industrial, with live video percussion that feeds cinema through a cut-up technique imbued with occult aesthetics.

Here is a sampling of some of their music:

GHOST TWIN: “Blue Sunshine” LYRIC VIDEO #ARTOFFACT

from a 2017 CBC article:

They are getting ready to release their first full-length album, three years after the couple decided to bring their own brand of dark, brooding electronic music to Winnipeg stages.

On Plastic Heart, fans will get more of the sound they love from the band’s first EP, but this time, with cranked production values.

Jaimz and Karen Asmundson started writing the album in 2015, and after two failed attempts at securing funding to make it, finally got somewhere.

“On the third try, [Michael P. Falk], who is the co-producer and engineer, said, ‘What songs are you submitting?’ and it turned out we were submitting the weirdest songs, that nobody was getting, so we submitted all the really pop-y stuff and then we got the money [from FACTOR and Manitoba Film and Music],” said Jaimz.

The album was produced by Maya Postepski, who has worked with two major sources of inspiration for Ghost Twin: Austra and Tr/st.

The pair have more than a decade of filmmaking experience, including a short film in 2009 that got so much attention it took them to Cannes. 

“We made one really silly film together called Goths on the Bus. That was stupidly successful,” said Jaimz. “I still kind of feel ashamed that that’s the most successful film I’ve ever made.”

But for fans of the “really silly” Goths on the Bus, there’s a bit of a callback in their upcoming music video. It’s set in a gym for goths. 

A couple of uber-goths ride the public transit to go to the mall and buy more lipstick.
Shot in sequence and in one take, for the One Take Super 8 Event at the WNDX Festival in Winnipeg, Manitoba. Film and Music by Karen & Jaimz Asmundson
* Winner of the Audience Favourite Award @ $100 Film Festival, Calgary
* Winner of the Audience Favourite Award (3rd Place) @ Weiterstadt Film Festival, Germany
* Winner of the Best Music Video Award @ Chicago International Movies & Music Festival

from CBC Goth synth-pop duo Ghost Twin readies for first full-length album release


All of Bob’s selections this week came from the Amazon Prime TV show Sneaky Pete.  You can find which songs are on any movie or Television show using the website TuneFind

https://www.tunefind.com/

The Bright Light Social Hour – Harder Out Here

The Bright Light Social Hour is an American psychedelic rock band from Austin, Texas.  The band performs its song, “Harder Out Here’’” over the opening credits of the show.  Here is a version of the song live. 

Packs – Silvertongue

Another CBC Radio 3 find.

Album – Take the Cake 2021

Take the Cake 2021

Initially a solo songwriting project of Link’s (Madeline Link)that she pursued between gigs as a set dresser for commercials, the band blossomed into a four piece, composed of Shane Hooper (drums), Noah O’Neil (bass), and Dexter Nash (lead guitar). Anchored by Link’s voice, which brings such an easy charm to her songs that it’s easy to miss her keen ear for acrobatic vocal lines, together they turn Link’s melodically adventurous and introspective songs into the purest and brightest kind of indie rock. The band’s debut is a collection of songs that marry the loose but incisive jangle of early Pavement with the barbed sweetness of Sebadoh and the wide-eyed wonder of the first Shins LP. It will be released in partnership with buzzy Brooklyn label Fire Talk (Dehd, Deeper, Mamalarky), and Toronto mainstays Royal Mountain (Alvvays, Wild Pink, Mac Demarco).

Bandcamp

Just a note, Bob didn’t hear Pavement in this song. Or I would say the Shins either. Still, a good song.

PACKS – Silvertongue (Official Music Video)

To celebrate the announcement, the band have shared new single “Silvertongue” and an accompanying video. The fuzzed-out tune merges Pavement’s laconic flair with Sonic Youth’s simmering menace, while the video finds vocalist Link strutting, staggering and flailing across the Toronto harbourfront, looking effortlessly cool as she rocks a series of stylish jackets.

Of the song, Link said: “It’s easy to be lured into the comforts of past relationships. What’s harder is dealing with years of exhaustion, mistrust, and always hoping. Ditch the whiplash of manipulation and decide what YOU want out of love!”

Exclaim!

Gospel Machine -That Ring

Gospel Machine is garage gospel band out of Northeast Minneapolis resurrecting the soul and R&B styles of the 1960’s. Gospel Machine formed in 2011 when leader Kyle Burdine wrote a soul/gospel liturgy for a church in  Minneapolis. Lutheran Church. 

https://wtmd.org/radio/2015/08/27/in-the-mix-gospel-machine/

 The band perform the featured track, ‘That Ring”

Russell Louder – Vow

My last CBC Radio 3 tune for this week.

Russell Louder is a trans Performance Artist and musician from Charlottetown, Prince Edward Island, now based in Montreal, Québec.

In this case I can hear some of the bands mentioned below. I would add Austra.

Borrowing inspiration from the Eurythmics, Florence and the Machine with a hint of Fleetwood Mac for good measure, the Charlottetown-born, Montreal-based Louder says the single “is the introduction. It is the wandering protagonist who sets the tone for the entire album. The idea of finding “home” is now a question, not an answer. Elements of preparation, the romanticizing of arrival, deep, deep uncertainty, pain, lack of belonging – yet bursting with hope.”

Louder’s upcoming album, Humor, is set to explore themes of liberation through an exploration of memory, grief, and identity, with each song representing different characters with some overlapping.

Louder says “some (of the songs) are written in the first person and some are witnessing other characters so it’s like the listener can be a character and also on a journey with other characters in the songs. The characters can be developed and formed in the listener’s mind from the feelings described in the songs and the questions being asked in the lyrics.


White Denim – Mirrored in Reverse

White Denim is an American four-piece rock band from Austin, Texas, United States. Even after 14 album releases, they still managed to remain active during the pandemic.

Here is a great article about the band and how they dealt with the pandemic

The Pandemic Separated These Band Members. It Didn’t Stop Them From Creating an Album. – Texas Monthly

White Denim’s Greg Clifford playing drums in Radio Milk’s live room. (Texas Monthly)

White Denim playing “Mirrored and Reversed” in Colorado  

White Denim live at Twist & Shout – “Mirrored In Reverse”

Los Pinguos – Debajo del Pelo

Debajo del Pelo | Los Pinguos | Playing For Change

Album – Hummingbird 2021

“Debajo del Pelo,” meaning “Under the Hair,” is a beautiful metaphorical song that speaks about life’s experiences and the many lessons learned throughout. Featured on Los Pinguos’ latest album, ‘Hummingbird,’ this video brings together a few of Los Pinguos’ friends across the globe in PFC style. Enjoy!

Los Pinguos’ Hummingbird

I am adding a note here about Playing for Change because they always offer such wonderful music and I think they are trying to do some pretty important things right now.

https://playingforchange.org/

Playing For Change (PFC) is a movement created to inspire and connect the world through music, born from the shared belief that music has the power to break down boundaries and overcome distances between people. The primary focus of PFC is to record and film musicians performing in their natural environments and combine their talents and cultural power in innovative videos called Songs Around The World. Creating these videos motivated PFC to form the Playing For Change Band—a tangible, traveling representation of its mission, featuring musicians met along their journey; and establish the Playing For Change Foundation—a separate 501(c)3 nonprofit organization dedicated to supporting music programs for children around the world. Through these efforts, Playing For Change aims to create hope and inspiration for the future of our planet.

and about the band

Los Pinguos came to the United States from Buenos Aires, Argentina, with a mixture of Latin rhythms, reggae, rumba flamenca and rock. The sound of the band has claimed fans worldwide. The story began in 1999 when Adrián Buono, Enzo Buono, José Agote, Juan Manzur and Juan Manuel Leguizamón (later joined by bassist Santiago Lee) formed the band. In early 2001, Los Pinguos arrived in the City of Los Angeles and began playing on the street (3rd Street Promenade in Santa Monica) and local bars.

Website


exmagician – Kiss That Wealth Goodbye

exmagician is  Belfast duo  Danny Todd and James Smith. The track Kiss the Wealth Goodbye’ was taken from their debut album, “ I Scan the Blue”

BELFAST BAND HAVE PLENTY OF TRICKS UP THEIR SLEEVES.

While it was a sad day when Cashier No. 9 fizzled out a few years ago, fans of their sterling album To The Death Of Fun can turn their frowns upside down now, as the Belfast band’s song-writing nucleus have returned in the form of Exmagician. Featuring childhood friends Danny Todd and James Smith (and not to be confused with the latter’s initial foray under that moniker a decade ago), their debut is a dazzling collection of songs that dispenses with the sunny West Coast vibes of their previous incarnation and delves deeper down the rabbit hole to explore darker, grittier themes and soundscapes.

Hot Press

exmagician – Kiss That Wealth Goodbye (Live)

Laura Stevenson

Don’t Think About Me

Because you have to have at least one Guardian pick

If her day job as one of America’s best if most underrated songwriters doesn’t work out for Laura Stevenson, her surreal lyrics could make for a poetry bestseller. But it would be criminal to miss out on the air-punching power pop showcased in her latest single, a tackling of heartbreak that’s as knotty and sticky as spaghetti chucked at the wall.

Guardian

Don’t Think About Me – lyrics

Lyrics

It’s all the same, “the kettle cools,”

that’s just the thing that we repeat when we can’t sleep cuz we hope it’s true.

But then there’s you, then I think of you, 

and I’m run through so I beg of you,

please don’t think, like I think,

like I think of you.

For a minute, I watch the scenery unfold, I think of you.

For a minute, I watch the clock and when it stops I think of you.

I think of you.

Here is our updated Spotify Playlist – hope you like this!