• Old Fellas New Music Episode 43

    April 11, 2023
    Old Fellas New Music
    Our Spotify Playlist

    Episode 43

    Stephen Sanchez – Evangeline

    boygenius – Cool About It

    Momma – Bang Bang

    Valley – Good But Not Good Together

    Cassandra Lewis – Six Stars

    New Pornographers –  Really Really Light

    Rahul Sipligunj, Kala Bhairaa, M.M. Keeravani – Naatu Naatu

    Ryuichi Sakamoto – Merry Christmas Mr. Lawrence (Electric Youth Remodel)

    Begonia – Married by Elvis

    Cassandra Lewis

    I could listen to her voice all day. Maybe I’ll do that.

    “Darlin”-Official Music Video- Cassandra Lewis

    Something about her

    Portland, Oregon-based singer-songwriter Cassandra Lewis played her first real show in a retirement home. As a child, she grew up loving music and “dissecting” the voices of other singers she listened to. By five years old, she hosted little concerts in her basement, singing to a little karaoke machine her grandparents had bought her. 

    “When people ask,” says Lewis, “I just tell them [I create] Cosmic Americana. Dolly Parton on acid. Janis Joplin on Jesus. I think people are starting to get what that means. I’ve gone through a lot of phases musically, but I’ve always been deeply rooted in classic country western, the blues, soul, and psychedelic rock.”

    American Songwriter

    Hall of Fame DJ Marco Collins’ Top 10 PNW Artists He’d “Sign Right Now”

    Historic DJ Marco Collins is one of two Seattle disc-jockeys honored in the Rock and Roll Hall of Fame. Collins, who broke bands in the ‘90s like Beck and Pearl Jam on his now-infamous radio station 107.7 The End

    His number 1 choice is Cassandra Lewis:

    “Cassandra is hand’s down one of the most authentic and striking voices I’ve heard in decades. I first saw Cassandra play on the Willamette River in front of a tugboat, in her hometown of Portland, Oregon where she stunned and brought an unfamiliar audience to their feet for a standing ovation. Not many artists can bring me to tears, Cassandra does it within three songs. That’s how pure this shit is.”

    again American Songwriter

    Stephen Sanchez

    Stephen Sanchez

    With a dusty baritone as bright as an eternally lit jukebox and tattooed fingers around the fretboard of a rare guitar, Stephen Sanchez tunes into longing and love with the acuity of a triedand-tested troubadour—yet he’s only 19 years-old. Transcending eras, he writes the kind of songs that can play just as well from your parent’s vintage record player as they could from the main stages of festivals a la Bonnaroo. If somebody told you he just pulled up from the fifties in a gorgeous Caddy, you’d have a hard time disputing it. 

    From The Opera House (Toronto)

    Just love this song. It is trending in Canada – on CBC’s Top Twenty this week, so I am a little late to this, but he has a great voice and the song has a unique sound (IMO).

    Two videos featuring Stephen Sanchez – the second one is amazing – Unchained Melody!

    Unchained Melody – Stephen Sanchez The Newport Columbus Ohio

    He is ONLY 21 years old and his career seems to have started during COVID.

    A bit from Wikipedia:

    In June 2020, Sanchez posted a cover of Cage the Elephant‘s “Cigarette Daydreams” on TikTok and he built an audience through a steady stream of content, attracting over 122.1K followers on TikTok.[1]

    After sharing a snippet of “Lady by the Sea”, singer-songwriter Jeremy Zucker reached out offering to produce the official version, which was released in July 2020; as a result Sanchez signed a deal with Republic Records. Sanchez worked with producer Ian Fitchuk on his debut EP What Was, Not Now which was released in October 2021.[1]

    On November 4, 2022, he released a single with Ashe, titled “Missing You”.[2]

    January 25, 2023, he then released a single titled “Evangeline” which kicked off his upcoming headline tour.

    Sanchez appeared on The Tonight Show Starring Jimmy Fallon to help promote the new song and his headline tour. Sanchez performed his song “Evangeline” on the show.

    Rahul Sipligunj, Kala Bhairaa, M.M. Keeravani – Naatu Naatu

    “Naatu Naatu” Wins Best Original Song in a Motion Picture | 2023 Golden Globe Awards on NBC

    From Pitchfork:

    RRR’s “Naatu Naatu” Wins Best Original Song at 2023 Golden Globes

    M.M. Keeravani and Chandrabose have won Best Original Song at the 2023 Golden Globe Awards for “Naatu Naatu” from RRR. 

    “I’m very much overwhelmed with this great moment happening,” M.M. Keeravani said upon accepting the award. “It’s been an age-old practice to say that this award actually belongs to someone else. So I was planning to not say those words when I get an award like this, but I’m sorry to say I’m going to repeat the tradition because I mean my words.” Keeravani then went on to thank RRR’s director S.S. Rajamouli, actors N.T. Rama Rao Jr. and Ram Charan, and the song’s lyricist, co-composers, programmers, and scene animator.

    M.M. Keeravani and Chandrabose triumphed over Taylor Swift, Rihanna, Lady Gaga, and more – Pitchfork

    “Naatu Naatu” (transl. Native, Local, Wild)[a] is an Indian Telugu-language song composed by M. M. Keeravani, with lyrics by Chandrabose and recorded by Rahul Sipligunj and Kaala Bhairava for the soundtrack album of the 2022 Indian film RRR.[7] 

    and you have to see this!

    Naatu Naatu Full Video Song (Telugu) [4K] | RRR | NTR,Ram Charan | MM Keeravaani | SS Rajamouli

    an additional interesting story – the Naatu Naatu dance scene was filmed in the Ukraine just before the Russian invasion – From Screen Daily

    The search was on for a grand civic residence that might look as if it were in colonial India, but was actually in a part of Europe that was accessible to white western performers. The producers settled on Ukraine’s Mariinskyi Palace in Kyiv. In August 2021, just six months before the Russian invasion, Rajamouli’s team decamped to a setting that would soon be known by the wider world for very different reasons.

    Momma

    3 albums since 2019
    • Interloper (2018)
    • Two of Me (2020)
    • Household Name (2022)

    Momma consists of Etta Friedman and Allegra Weingarten, who have been friends with each other since meeting at Viewpoint School, as well as drummer Zach Capitti Fenton

    again from Pitchfork:

    The Brooklyn duo’s cheeky spin on Gen-X slacker rock asks: What does it take to become a 1990s alt-rock star right this minute?

    Should Momma indeed become household names, it’s the hooks that will get them there: The beefy riffs and call-and-response chorus of single “Speeding 72”—their best shot at a true hit—just barely outweigh its cliché of a good old-fashioned joyride. 

    Pitchfork

    Begonia

    Begonia is the stage name of Alexa Dirks, a Canadian pop singer-songwriter from Winnipeg, Manitoba.[1] She is most noted for her 2019 album Fear, which was longlisted for the 2020 Polaris Music Prize[2] and shortlisted for the Juno Award for Adult Alternative Album of the Year at the Juno Awards of 2021.[3]

    and from the Georgia Straight 2020

    The singer isn’t new to the game; before going solo as Begonia she spent years kicking around the Winnipeg music scene, perhaps most notably as a member of the prog-folk unit Chic Gamine. With Fear, she decided to rip up her own playbook and push herself artistically, supported and guided by producers Matt Peters and Matt Schellenberg of ’Peg indie heroes Royal Canoe. Two-and-a-half years went into the writing and recording process, leading to Fear being hailed as an under-the-radar masterpiece by tastemakers (NPR, CBC, The Line of Best Fit) around the world.

    A CBC video The Other Side

    Begonia | The Other Side | First Play Live

    a little too serious, this works much better

    Begonia – Married By Elvis (Official Music Video)

    Boygenius – Cool About It

    Boygenius is a group formed in 2018 by Julien Baker, Phoebe Bridgers, and Lucy Dacus. If those names sound familiar, it’s because Dacus and Bridgers have been featured on Old Fellas in the past.  This “indie supergroup” released their first full-length album simply called The Record, earlier this year.  “Cool About It” seems to be the lead single

    https://musictalkers.com/reviews/8786-review-boygenius-new-song-cool-about-it

    Lucy Dacus explains that boygenius sardonically refers to “the archetype of the tortured genius, [a] specifically male artist who has been told since birth that their every thought is not only worthwhile but brilliant. The “boy genius” trope as boys and men we know who’ve been told that they are geniuses since they could hear”

    Valley – “Good But Not Good Together”

    This is the second or third Valley song featured on the Old Fellas podcast.  The Juno-nominated band is about to embark on their first headliner North American Tour.  See them if you can.

    “ Good but not Good Together” is the latest single from the Toronto foursome. 

    A new album is forthcoming.  Valley has developed a rabid fan base in Asia.  Here’s a clip of the band performing last year in Seoul.  https://www.youtube.com/watch?v=TotigJntc30

    New Pornographers –  “Really Really Light”

    “Really Really Light” is the lead song from the New Pornographers 9th album Continue as a Guest.  Pitchfork has described the band’s sound as “peppy, gleeful, headstrong guitar pop” and “Really Really Light” is no exception.  The band welcomes back into the fold Dan Bejar (Destroyer).  

    The video is kinda fun and quirky too! 

    The New Pornographers – Really Really Light (Official Music Video)

     

    Ryuichi Sakamoto – “Merry Christmas Mr. Lawrence” (Electric Youth Remodel)

    Ryuichi Sakamoto  passed away last week at the age of 71.  Few people can claim to have made their mark on classical music, synth pop, dance music and hip-hop. His musical career began with the Japanese electronic music group Yellow Magic Orchestra, which he co-founded in 1978. The group’s fusion of pop, rock and electronic music helped to pave the way for the emergence of synthpop in the 1980s.  Sakamoto composed scores for several films, including The Last Emperor (1987), The Revenant (2015) and, perhaps most famously, Merry Christmas Mr. Lawrence (1983).  Canadian duo Electric Youth have reimagined the classic 80’s track for a new Sakamoto tribute album.

    Merry Christmas Mr. Lawrence – Electric Youth Remodel | A Tribute to Ryuichi Sakamoto (Music Video)

    I can recall picking up a second hand copy of this single at Vortex records in the early eighties

    Pitchfork pays tribute

    Share this:

    • Share on X (Opens in new window) X
    • Share on Facebook (Opens in new window) Facebook
    • Share on Reddit (Opens in new window) Reddit
    • Share on Tumblr (Opens in new window) Tumblr
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Share on Pinterest (Opens in new window) Pinterest
    • Email a link to a friend (Opens in new window) Email
    • Share on Pocket (Opens in new window) Pocket
    • Share on WhatsApp (Opens in new window) WhatsApp
    • Print (Opens in new window) Print
    Like Loading…
    1 comment on Old Fellas New Music Episode 43
  • Old Fellas New Music Episode 96

    January 25, 2026
    MixCloud, Old Fellas New Music

    Amy Grant – The 6th of January (Yasgur’s Farm)

    Lady Gaga,  – Abracadabra

    HOA – Push Man

    MJ Lenderman and This Is Lorelei – Dancing in the Club

    Mitski – Where’s My Phone

    Taylor Swift – The Fate of Ophelia

    Motorists – Frogman

    Rosalía feat. Björk and Yves Tumor, – Berghain

    Daniel Lopatin – I Love You, Tokyo

    Some Notes

    I did something a little different this week. I went to Rolling Stone Magazine and looked at their top songs of 2025. Nothing new in that, but all my choices this week are from their top 14 picks. This is a really excellent list and I think I will go to this in the following weeks. The text below each artist is taken from the article, except for Rosalia, where I added more material, some of which I have been collecting since before Christmas.

    Lady Gaga,  – Abracadabra

    (number 1)


    Lady Gaga – Abracadabra (Official Music Video)

    There’s a lot of magic on “Abracadabra”: the way the synthesizers fade in and out like a slow-strobing disco light on a foggy dance floor, the sweeping, syncopated “A-braca-da-braaaa” hook, and of course the skipping way she declares “Feel the beat under your feet, the floor’s on fiiire.” The song was an immediate hit and 2025’s most inescapable earworm anthem thanks to the way she and her sorceress’ apprentices assembled a perfect Lady Gaga pop song — one that nods to early hits like “Just Dance” and “Bad Romance” right on the edge of glory while feeling totally of her own brand-new moment. “I wanted to traverse old ground while breaking new ground, which I think is hard to do,” Gaga told Rolling Stone earlier this year. “Maybe the last four or so albums I’ve made, I moved away from that and tried some different things, but this was a return to those Gothic dreams.” —K.G.

    MJ Lenderman and This Is Lorelei – Dancing in the Club

    (number 2)

    MJ Lenderman & The Wind – Dancing in the Club (This is Lorelei) – Live in Carrboro, NC – 1/29/2025

    When This Is Lorelei’s Nate Amos released “Dancing in the Club” last year, he said it was “dreamt up for others to sing.” Those dreams came true on the new deluxe edition, when our favorite guitar hero, MJ Lenderman, was put to the task. If the original was a glittering Auto-Tune adventure into heartbreak, Lenderman’s version takes the full plunge into despair, delivering twangy, turbulent lines that rattle in every note: “A loser never wins/And I’m a loser, always been.” It’s a devastatingly great collaboration and a highlight within a massive year of highlights for Lenderman that also included a tour behind his breakthrough album, Manning Fireworks (the finale was a headlining slot at a Rolling Stone showcase), a fantastic record with Wednesday, and playing drums for the Crutchfield sisters. When it comes to Lenderman, the loser wins. —A.M.

    Taylor Swift, – The Fate of Ophelia

    (number 8)

    Taylor Swift – The Fate of Ophelia (Official Music Video)

    “The Fate of Ophelia” is Taylor’s biggest Swiftspearean drama since “Love Story,” rewriting Hamlet the way her teenage self rewrote Romeo and Juliet. Just as she did in “Love Story,” she goes back in time to rescue a tragic young heroine and give her a new story — except instead of country twang, she goes for thrillingly exuberant synth-pop. Your English teacher took this Bardcore romance to Number One for seven weeks (and counting) — that’s just her way of keeping it one hundred on the land, the sea, the sky. —R.S.

    Rosalía feat. Björk and Yves Tumor, – Berghain

    (number 14)


    ROSALÍA – Berghain (Official Video) feat. Björk & Yves Tumor

    The first release from Rosalia’s stunning album Lux was a shock to the system. From the second it starts, ‘Berghain’ feels like a surge of adrenaline — all urgent, frenzied strings and soaring operatic vocals, signaling a dark grandeur few were expecting. If that wasn’t striking enough, she keeps burying surprises into the labyrinthine arrangement, packing in a cameo from Bjork, vocals from Yves Tumor, and nods to the ever-nocturnal German nightclub the track gets its name from. The effect is intense — and breathtaking.–J.L.

    Berghain

    And NY Times

    The idea of popera isn’t new, nor is the idea of globe-traveling within an album, but in an age of small and quick and dirty innovations, the scale and ambition of “Lux” is an aggressive position statement. Rosalía is a restless and relentless consumer of the world and its many ideas, and the rare artist in any medium who wants to leave the places she goes better than she found them — and actually can.

    And this

    There is no pivot too sharp for Rosalía, the pathbreaking Spanish pop star. She emerged a decade ago as a disruptive star student of flamenco, and has since become pop’s leading avant-gardist and one of its most convincing omnivores.

    Next week, she will release “Lux,” her fourth full-length album. In the way that her radical pop breakout, “El Mal Querer,” was an implicit retort to the formal wrestling of her debut, “Los Angeles,” and the sensuous industrial churn of her third album, “Motomami,” was a retort to “El Mal Querer,” “Lux” — an album shocking in its formal audacity and its playfulness — is a retort to all of those things. Or perhaps, an elevation above them.

    and more notes

    Amy Grant –  “The 6th of January (Yasgur’s Farm)”

    Amy Grant has often been referred to as “The Queen of Christian Pop”.  At least that’s the first thing that springs to my mind.  Seemingly out of nowhere on January 6, she released this compelling song. 

    In the video she is playing a strumstick which is a three-stringed instrument that produces a sound somewhere between a dulcimer and acoustic guitar. the guitar.

    It’s interesting reading the comments at this blog regarding the meaning of the song. 

    Hoa – “Push Man” -single

    HOA band is a South Korean band who have apparently arrived via a time machine from 1965-66.  Both the song and the video are furiously channeling “A Hard Day’s Night”

    There’s not much info on these guys, but the YouTube Channel Chatting tracks is here to bail me out.  

    They are pretty fun live too.  

    Mitski – “Where’s My Phone” -Nothing’s About to Happen to Me

    Mitski, is an American singer-songwriter She has been performing and releasing music since 2012. “Where’s My Phone”  is from a soon to be released album.  The song has an absolutely bonkers video!

    Motorists – “Frogman” – Never Sing Alone

    I found out about these guys in a recent Exclaim! Article.  Originally from Calgary now Toronto based, The Motorists have that jangly sound that I love.

    Daniel Lopatin – “I Love You, Tokyo Marty Supreme OST

    Daniel Lopatin  best known as Oneohtrix Point Never, is an American electronic music composer. Lopatin has done production work for such artists as The  Weeknd and Soccer Mommy. He has done film scores in collaboration with the Safdie brothers on the movies Good Time and Uncut Gems.  The latest Safdie movie is Marty Supreme and Lopatin is back on board.

    The chosen track,  “I Love You, Tokyo ‘ plays during the closing credits.

    Share this:

    • Share on X (Opens in new window) X
    • Share on Facebook (Opens in new window) Facebook
    • Share on Reddit (Opens in new window) Reddit
    • Share on Tumblr (Opens in new window) Tumblr
    • Share on LinkedIn (Opens in new window) LinkedIn
    • Share on Pinterest (Opens in new window) Pinterest
    • Email a link to a friend (Opens in new window) Email
    • Share on Pocket (Opens in new window) Pocket
    • Share on WhatsApp (Opens in new window) WhatsApp
    • Print (Opens in new window) Print
    Like Loading…
    No comments on Old Fellas New Music Episode 96
1 2 3 … 472
Next Page

Blog at WordPress.com.

Whole-Hearted

we are all a great work in progress

  • Christie Lake Climb for Kids
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
 

Loading Comments...
 

    • Subscribe Subscribed
      • Whole-Hearted
      • Join 190 other subscribers
      • Already have a WordPress.com account? Log in now.
      • Whole-Hearted
      • Subscribe Subscribed
      • Sign up
      • Log in
      • Report this content
      • View site in Reader
      • Manage subscriptions
      • Collapse this bar
    %d