Old Fellas New Music Episode 24 Notes

This week’s show

Episode 24 – Wednesday, September 15 7:00 PM On Mixcloud and 8:00 PM on VoicEd Radio

Haska, Salif Keita – Madan 


Whitehorse – Strike Me Down

Whitehorse –Strike Me Down from 2021 album Strike Me Down

This is the second album from the Hamilton based duo this year.  From the early 2000’s,  Luke Doucet and Melissa McClelland were both recording and touring artists with numerous recordings under their belts. They married in 2006 and since have collaborated under the banner , Whitehorse.  Here are two versions of this week’s selected song.


Matt Mays – NYC Girls (Acoustic) 

Elvis Costello $ The Attractions & Nina Diaz – No Action

Salif Keita, Angelique Kidjo, MHD –  Itarafo 

St. Etienne – Pond House

Natalia Lafourcade – Tú Sí Sabes 

Lucy Dacus – Gone Gone Gone (edit) 

Claudia Sierra, Los Macorinos, Clayton – Voy  

Haska, Salif Keita – Madan 

Very hard to find much information on Haska, but Salif Keita is a legend in Africa and we feature him on two tracks for this show.

Haska – Madan (with Salif Keita) Visualiser

Taken from the website Inflyte

Blending their love of music from across the globe with progressive production, they kick off their catalogue with a massive statement.

Centred around the infectious vocals of Salif Keita, described as the ‘Golden Voice of Africa’, ‘Madan’ sees Haska weave together intricate rhythms, edgy synths and pulsating bass grooves to create an uplifting and inspiring modern classic.

 Inflyte website

The story of Salif Keita’s royal heritage is interested and is quotes here from Wikipedia

Salif Keita was born a traditional prince in the village of Djoliba.[1] He was born to the Keita royal family, who trace their lineage to Sundiata Keita, founder of the Mali Emp  ire. He was cast out by his family and ostracized by the community because of his albinism, a sign of bad luck in Mandinka culture.[2] He decided to pursue music in his teenage years, further distancing him from his family as that was against occupational prohibitions of his noble status.[3] In 1967, he left Djoliba for Bamako, where he joined the government-sponsored Super Rail Band de Bamako. In 1973 Keita joined the group, Les Ambassadeurs (du motel de Bamako). Keita and Les Ambassadeurs fled political unrest in Mali during the mid-1970s and subsequently changed the group’s name to “Les Ambassadeurs Internationaux”. The reputation of Les Ambassadeurs Internationaux grew internationally in the late-1970s, leading to Keita pursuing a solo career in the following years.

my dream is to see him live in Africa one sunny day!

Matt Mays – NYC Girls (Acoustic) 

Album Twice Upon a Hell of a Time

Love this acoustic version of an earlier song on Once Upon a Hell of a Time 2017

Twice Upon a Hell of a Time is the seventh studio album by Matt Mays, released on October 19, 2018.[1] It comprises acoustic rerecordings of the songs from his 2017 album Once Upon a Hell of a Time

 Yes, this may repeat those same thirteen songs, but as an acoustic offering, “Twice…” sees everything reimagined in a completely different context.  And instantly apparent upon the first listen is just how different these songs appear to be. “Once Upon a Hell of a Time … is a Saturday night record,” says Matt.  “This version is for the hangover on Sunday.”

With “NYC Girls,” for instance, the up-tempo beat is toned down significantly through a simple drum rhythm and piano, that accompany some multi-vocal harmonies to provide a choir-like rendition much more in the spirit of Sunday morning church.  “I think if a song has meaning and is played with heart it can be done in a million different styles, tempos, time signatures and colours,” offers Mays when asked about his willingness to take these original compositions and reconstruct them this way.

Great Dark Wonder Review

Elvis Costello $ The Attractions & Nina Diaz – No Action

this is such an amazing song!!

Ever the pioneer , Costello along with producer Sebastian Krys, have taken the classic 1978 album “This Years Model”, removed the vocals and invited artists from across the Spanish-speaking world to adapt the songs.  

From the Variety article

With Krys’ contact list, it wasn’t an insurmountable feat to sign up a guest list that includes Juanes, Luis Fonsi, Draco Rosa, Cami, La Santa Cecilia’s La Marisoul, Jesse & Joy, Morat, Jorge Drexler, Fito Páez, Gian Marco, Vega and others, representing Mexico, Colombia, Chile, Spain, Uruguay, Argentina, Peru, Puerto Rico and, yes, even the mainland U.S. Underneath all these star turns remains the thrilling work accomplished in the late ‘70s by as great a backing band as ever lived, the Attractions,

San Antonio singer Nina Diaz of the group Girl in a Coma  lends her vocals to the opening track, “No Action”

Salif Keita, Angelique Kidjo, MHD –  Itarafo

Album – un autre blanc 2018

Such a powerful collaboration, you can listen to it here

I actually didn’t write up any notes for this track, but I love to see the collaboration that is going on in a whole collection of albums by various new and established groups.

A littler note on MHD who is the young one on this great track.

stage name MHD, is a French rapper from Paris, who is known for blending trap music with music of West Africa; a genre he coined as “Afro Trap“.[1][2][3] He was previously part of the rap collective 1.9 Réseaux.

Born in Vendée to a family of West African extraction, MHD began his career as a rapper in Paris at the age of 18. He found success in the mid-2010s through material he published on social media (notably music videos on YouTube) and in 2016 released his debut album MHD, which sold more than 200,000 copies in 6 months.[4][5][6] He later received international recognition, and toured in Guinea[citation needed]EnglandSenegal and Morocco.[7] His second album, titled 19, was released in September 2018.

Wikipedia


St. Etienne – Pond House

Saint Etienne are an English band from London, formed in 1990. The band consists of Sarah Cracknell, Bob Stanley and Pete Wiggs. They created a buzz in the UK in the 90’s which really didn’t translate to this side of the Atlantic.

According to Wikipedia,  “their work has been described as uniting 1990s club culture with 1960s pop.”   Since the nineties they have consistently released new music.  Stanley and Wiggs also have been responsible for curating interesting compilations for UK reissue label Ace Records.

Pitchfork reviews Saint Etienne’s latest.  

On their 10th studio album, the UK electro-pop heroes look back on the end of the 20th century, when hooks and choruses dissolved into blissed-out loops and vibe became paramount.

Pitchfork Magazine

Tú Sí Sabes – Natalia Lafourcade with Los Macorinos

a bit of an interview with Natalia Lafourcade and Los Macorinos who I featured on my last two tracks. I wish these guys would put out their own album.

Lafourcade has made a career out of her search for new sounds to adorn her melodies. In each of her efforts, she demonstrates a deep love for melody in all its forms, exploring it every way she can, and garnering a huge following in the Spanish-speaking world. Throughout the years, she has evolved into one of Mexico’s best songwriters and singers, thanks to her deep knowledge of music history and her ability to craft picturesque songs.

You told me you wanted to collaborate with Los Macorinos, but what was it like to finally have them in the studio with you? You also have a duet with Omara Portuondo. How was that experience?

I have collaborated with so many awesome people, but then I had this idea of making every collaboration much more deep and focused. They have to bring something new to me. In this case, it was a completely new experience to have Los Macorinos with me in the studio. We reached a whole new level because it wasn’t a very comfortable choice to work with them. How was I to play with these gentlemen? They have so much more experience.

Natalia Lafourcade – Tú sí sabes quererme (en manos de Los Macorinos)


Lucy Dacus – Gone Gone Gone (edit)

Lucy Dacus – Gone Gone Gone  from 2021 album,  Home Video

Dacus is an American singer-songwriter She is also a member of boygenius with Phoebe Bridgers and Julien Baker.  Here’s a really nice live version of this selection. 

To quote Dacus From Pitchfork, “When I wrote this one, I didn’t like it so much because it had that campfire vibe, and I thought it was too twee. For a long time, I’ve tried to establish myself in people’s minds as Not Americana, because people go to such lengths to show girls with guitars as country adjacent. People have called me alt-country… Genre is dead, and yet, I make rock music. But I felt more comfortable doing whatever the song wanted this time around. So if it’s a campfire song, then let’s get people on the refrains, and let’s do it with acoustic guitars and make it super cozy. My favorite moment is the talking at the end. I like that it’s the exact center of the record because it feels like an intermission.”

On a final note,  we aren’t the only Old Fellas enjoying new music! From The Guardian

 

Claudia Sierra, Los Macorinos, Clayton- Voy

Another one of the many collaborations by Los Macorinos

Nostalgia Entre Amigos 2 – 2018

And that’s all I have, I actually could find no more information about this singer. Any leads? Please let us know.

Old Fellas New Music Episode 23 Notes

This week’s tracks

Valley – Oh shit … are we in Love?

Status/Non Status – Find a Home

Elwins – For Love to Come and Find You(Don’t Wait)

Anika – Change

Wapums – Sunray

Angelique Kidjo – Africa One of a Kind

Milky Chance – Colorado

El Michels Affair – Zaharila

Dan Mangan – Troubled Mind


Valley – Oh shit … are we in Love?

After 21- 22 weeks of the podcast, the time has come to repeat some fine artists.  Here is Valley with their brand spanking new release, “ Oh shit … are we in Love?” 

Status/Non Status – Find a Home 

snippets from a CBC article (Holly Gordon · CBC Music · Posted: Jun 08, 2021 9:00 AM ET)

How a new EP and name are helping Status/Non-Status interrogate the effects of colonization

The band formerly known as Whoop-Szo questions who holds status — and who doesn’t

‘It’s been my whole life in many ways, but the reconnection process to culture, it’s been 10 or 15 years as well…. And I’ve learned a lot about my family and our history and the true stories around that, why maybe we were disconnected.’ — Adam Sturgeon (Savanah Sewell)

“The first song I wrote was called ‘Boozhoo,’ and I was just learning how to say the word hello [in Anishinaabemowin],” says Adam Sturgeon, lead singer of Status/Non-Status.

“‘Find a Home’ is a song about loving yourself, I think. It’s a traveling song, sort of — I think you can feel that. And so that was bringing me some sort of solace in that experience where you’re in that doldrum of wonderment. But it was comfortable and it’s kind of an older song that I was writing and reworking and yeah, just about accepting and loving yourself wherever you are on your journey.


Elwins – For Love to Come and Find You(Don’t Wait)

We have played The Elwins before as well and we are including this track as  The Elwins finally returned to the stage a couple of weeks ago to do 2 shows at the Phoenix Theatre in Toronto.

This song is taken from the 2021 ep  release  IV More  

Anika – Change

From Album of the Year website – how can you do this, it is only September!

On Change, Anika delivers a call to action that she takes to heart. Though her first solo album in over a decade is indebted to the spooky, surreal sounds of her early solo releases and her work with Exploded View, it also sheds a decidedly different light on her music. Since much of her 2010 debut album and 2013 EP consisted of frosty covers of ’60s pop songs that ranged from ironic to heartbroken, listeners actually got to know more of Anika as a songwriter on Exploded View‘s albums, where she expounded on timely and timeless subjects in elliptical but gripping fashion. Even though she recorded Change with her bandmate Martin Thulin, it’s apparent that this is a solo album: Its songs are leaner and more flexible than her work with Exploded View


Wapums – Sunray

Bob heard Wapums – Sunray on the always dependable CBC radio 3.  There isn’t a lot of info available on the internet about this artist but here is the link to the artist’s Bandcamp page.

https://wampums.bandcamp.com/album/sunray-3 

This is First Nations music at its finest.  

Angelique Kidjo – Africa One of a Kind

Album – Mother Nature

Africa, One Of A Kind

Kicking off our Back To School special with a song featuring @angeliquekidjo and @YoYo_Ma

Angelique wanted to drop out of school but her dad wasn’t having it. 

The singer and activist went on to found Batonga, an organization that supports higher education for girls in Africa.

Mother Nature finds 4-time GRAMMY-winner Angelique Kidjo joining forces with some of the most captivating young creators of West African music, Afrobeats, Afro-pop, hip hop and r&b, and represents a newly heightened awareness of her own musical legacy and remarkable influence she’s had on younger generations

She has a great website where there is lots to explore.

Angelique Sings for the Opening Ceremony of the 2021 Olympic Games in Tokyo

Angelique Kidjo – UNICEF – no Pata Pata Official Video

Covid 19 video – what to do to stay safe from Covid – no touch time

This is a great song that I added to the extended version of the show. From her website:

UNICEF is excited to announce the official release of Angelique Kidjo’s music video for “Pata Pata”, a fresh take on Miriam Makeba’s 1967 hit song. Once called the “world’s most defiantly joyful song”, Makeba’s ‘Pata Pata’ has been re-recorded by UNICEF Goodwill Ambassador, Angélique Kidjo, to spread information about COVID-19, with a focus on hundreds of millions of people in remote communities around the world. 


Milky Chance – Colorado

Milky Chance is a German rock band who seemed to combine the vocals of Fontaines DC  with the instrumentation of The Cars.

This track was heard on an Alt Nation  live concert set from the Bottle Rocket Festival in Napa Valley.  The crowd there seemed to know this 2021 song thoroughly as they lustily sang along…

Here’s the studio version  

El Michels Affair – Zaharila

Album – Yeti Season 2021

this song is described as ‘languid, psyched-out’

El Michels Affair – Zaharila

I had to keep in this paragraph about the inspiration for Yeti Season – this is from Rolling Stone:

Covid upended that rhythm last spring. Suddenly, the kids were home 24/7, and Michels was looking for ways to fill the time while still finding ways to clock hours in the studio. He was also cut off from the close friends and collaborators who had been an integral part of El Michels Affair’s music and his own personal support system. So, one day last year as the snow was falling in Rhinebeck, he got out an old Yeti costume and decided to chase his kids around the yard. 

Rolling Stone Magazine

Dan Mangan – Troubled Mind

Dan Magnan  is a Juno award winning Canadian musician. He has toured extensively throughout North America, Europe and Australia, having released 5 studio LPs

The song “Troubled Mind”  is taken from his 2018 lp “More or Less” The video is kinda fun  

In 2017, Magnan started Side Door  concert company where artists could put on shows online.  Little did he know that three years later due to COVID, these types of shows would take off on platforms like Zoom.

How Dan Mangan’s Side Door Is Paving the Way for the Brave New World of Live Music

“I do believe that this new world is going to stick around,” he says of the company’s highly profitable livestreams

How Dan Mangan's Side Door Is Paving the Way for the Brave New World of Live Music

When Vancouver songwriter Dan Mangan co-founded the concert company Side Door in 2017, he thought he was creating an “Airbnb for gigs” — an online platform to allow artists and unconventional venues to connect and put on DIY shows. Once coronavirus lockdowns began, however, he quickly realized that he had accidentally stumbled onto the perfect platform for interactive online shows.

By Alex Hudson Published May 21, 2020 Exclaim! Magazine

Old Fellas New Music – Episode 22 Notes

We are back! Last week we did a show but we never got to the show notes. These are the notes from last Thursday’s show – a little late, sorry – here goes!

Our episode poster

Episode 22

Real Sickies – Destructive Nights

Mungos Hi Fi/Marina P – Divorce A  L’Italienne

Los Poetas – Siembra Cultiva Cosecha 

Low – More

Touché Amoré – Lament

Big Red Machine – Latter Days

Liam Corcoran – Tick Toc

Kurt Vile – Run Run Run

Lorde – Stoned at the Nail Station


Real Sickies – Destructive Nights

After 2020’s Quarantined, love is what the world needs now, and the Real Sickies’ take on it was worth the wait.

Officially released last Friday, Love Is For Lovers is a fast-paced, 14-track concept album of the band’s insights, anecdotes, musings and messages exploring our most complicated of emotions.

The band has plenty of experience with relationships in many different forms. Since its 2014 inception, new members have appeared on every album — this being the fourth, full-length on vinyl, and the second release with Montreal’s Stomp Records, a discography bolstered through the years by digital drops and EPs. Being a long time coming, this album encompasses all the Sickies through the years, active or not.

Endlessly creative, Crossman has conceived some of the most fantastic videos on a budget, collecting various props through the years and applying a lot of imagination and elbow grease. While the video for the title track is being released today, another for Communication Breakdown, the album’s self-explanatory opening track, came out last month and had the band at an air hanger where a frazzled controller sends the plane’s crew through wild scenes in time.

 

Real Sickies – a fun video


Mungos Hi Fi/Marina P – Divorce A  L’Italienne

Mungo’s Hi Fi is Glasgow’s biggest reggae sound system and named after the city’s patron saint. You may not be expecting such a thing in the rainswept streets of Scotland’s biggest city, but since 2001 Mungo’s Hi Fi has been producing reggae music, putting out over 90 releases on its own Scotch Bonnet record label, building a sound system and running numerous club nights. They have collaborated with some of reggae’s biggest vocalists, including Sugar Minott and Cornell Campbell, as well as current voices such as Soom T, Eva Lazarus, and Charlie P. This latest release from September 2020 brings to the mic Italian vocalist and songwriter Marina P.

Analog Planet.


Siembra Cultiva Cosecha – Los Poetas


From Los Poetas website https://www.wearelospoetas.com/

I heard this track on Frequencies and I just had to add it here. This screenshot from their website says it all.

With members hailing from El Salvador, Chile, Argentina, Panama and Colombia, via Canada, Latin Hip Hop collective Los Poetas sounds like nothing you’ve ever heard before.

“Listen to the poets,” says Che. “There’s power in the word.”


Low – More

Low is an American indie rock band from Minnesota, formed in 1993. The group is mainly the husband/wife duo Alan Sparhawk (guitar and vocals) and Mimi Parker (drums and vocals). The music of Low is characterized by slow tempos and minimalist arrangements. Descriptions sometimes referred to it as a rock subgenre called “slowcore”  This new track from the lp, Hey What is quite a departure from the slowcore description. Pitchfork has an excellent article about the band’s new record

Touché Amoré – Lament

From Pitchfork Best New Music

On their phenomenal fifth album, the post-hardcore band work with famed producer Ross Robinson and come away with their most affecting and resonant music yet. 

It’s a long overdue revelation that he alone can’t be there for everyone at all times, which makes Lament their capstone—a Touché Amoré album that can reach the most people as possible from the greatest distance.

From Pitchfork

Soft guitar chords ripple with tremolo then vanish. Weeping pedal steel wafts upward over distant acoustic strums. “It’s that special kind of quiet where one might be concerned,” sings Jeremy Bolm in a softened version of his blunt, frantic bark. “But even with this silence, my voice can be misheard.”

From Sterogum (yes, the barking vocals are stunning!)


Big Red Machine – Latter Days

Big Red Machine is a that began as a collaboration between musicians Aaron Dessner and Justin Vernon. The band is named after the nickname for the  Cincinnati Reds baseball teams which won the 1976 World Series.

This song is from second record, “How Long Do You Think It’s Gonna Last?”  The album is a collaborative effort, featuring guest vocals from Taylor Swift, Fleet Foxes, Ilsey,  Sharon Van Etten,  and others. “Latter Days” featuring American singer-songwriter Anaïs Mitchell and is the first single from the album,  Dessner stated, “It was clear to Anaïs that the early sketch Justin and I made of ‘Latter Days’ was about childhood, or loss of innocence and nostalgia for a time before you’ve grown into adulthood — before you’ve hurt people or lost people and made mistakes. She defined the whole record when she sang that, as these same themes kept appearing again and again.”


Liam Corcoran – Tic Toc

Album Nevahland 2017

Earnestness is still en vogue; character-driven lyrics are cutting edge; and the ’80s never ended.
 
That’s the vibe you’re left with listening to NEVAHLAND, the debut solo LP by Liam Corcoran of Two Hours Traffic. There’s absolutely nothing wrong with the throwback quality that the Charlottetown indie rocker instils NEVAHLAND with.
 

read more here in Exclaim!

Kurt Vile – Run Run Run

Kurt Vile  is an American performer from Pennsylvania. He is known for his solo work and as the former lead guitarist of rock band The War on Drugs. Both in the studio and during live performances, Vile is accompanied by his backing band, The Violators.  Vile is one of the many artists featured on the upcoming Velvet Underground and Nico  tribute album.

Former SNL music director Hal Wilner who is responsible for producing many memorable tribute albums, died of COVID before the album’s release.

Look for a the highly anticipated documentary on the Velvet Underground in the fall.  

It’s directed by Todd Haynes known for the feature films such as “Carol”, “Far From Heaven” and “Dark Waters”


Lorde – Stoned at the Nail Station

Album Solar POwer 2021

There is a great article on Lorde in the latest Exclaim! magazine – you can read it here

here is a bit of the article

Lorde would rather be outside, basking in the sun. Instead, she is speaking to Exclaim! on a video call from a New York hotel room, where she is doing press for her upcoming third album, Solar Power.

“I felt very centred [and] grounded in nature,” she says of her latest work. “That feeling was a very calm one, and also one of joy. It felt almost like sun-worship that was happening. It’s kind of an emotional album.”

It’s a new perspective for the singer, born Ella Yelich-O’Connor in New Zealand. At 16, she became one of the biggest pop stars in the world with 2013’s Pure Heroine and its chart-topping single “Royals,” which captured moody adolescence and gave teens a new lens through which to experience youth. At 20, she distilled love and heartbreak with 2017’s Melodrama, its booming drums and powerful synths feeling like a never-ending night at a house party.

Much of Solar Power feels experimental. She worked with co-writer and producer Jack Antonoff to create what she calls the album’s “nutty” sound. “[Solar Power] sounds crazy,” she enthuses. “There’s heaps of crazy vocals and live drums. There’s guitars on this album — like, 16-year-old me was not letting a guitar anywhere near anything,” she says. Multiple tracks also feature cicada sounds.

Last week’s show

And our updated playlist on Spotify
AND a new show coming this Thursday! Right here on Mixcloud

Old Fellas make it to week 20! Our notes

This is our updated playlist – I think you should put this on and chill
This was a fun show – hope you take a listen

OK, we know these are notes written by other people, but we go out and research this stuff

Now for our music for this week

Katherine Priddy – Wolf

album – The Eternal Rocks Beneath

Katherine Priddy – great song

from The Guardian, really one of the best sources I know of for new music

The folk prodigy delivers an elegant debut, infused with soaring vocals and nimble guitar-picking

Feted as a folk prodigy as a teenager, Katherine Priddy has wisely taken several years to reach this debut, an accomplished set of original songs delivered in a breathtaking voice and launched on a reputation as a great live act. Her nimble guitar-picking helps. Not that this is a strictly solo album; producer Simon Weaver has supplied a rhythm section and a parade of accordion, fiddle and string quartet, but in judicious measure. The star turn remains Priddy’s voice and its soaring, lark-like turns, meaning a song such as Wolf, the title track of her 2018 EP, can suddenly take unexpected flight.

That several numbers were written when she was young perhaps accounts for their unevenness; the banjo-backed Letters from a Travelling Man doesn’t pass muster with a poetic piece such as Icarus – a fond farewell to a lover seen as “a radiant stain falling like rain” – or with her funny homage to a boozy night on the Hebridean isle of Eigg. The rocks of the title is a verb, not a noun, testament to a belief that life’s fundamentals don’t change, a notion resolved elegantly in opener Indigo and closer The Summer Has Flown. A classy arrival.

Guardian- Neil Spencer

and one more – she really is wonderful

Binki – Clay Pigeon

American indie artist Binki is back with his first single since 2019 from the EP Motor Function. Apparently, it is inspired by “ the wisdom of Confucius and the failings of David Bowie” Here’s the video which is directed by his brother.

Griff – One Foot in Front of the Other

another great pick from The Guardian’s July picks for albums. Really like this artist

The Brits’ show-stealing 20-year-old has earworms and wise words to burn on this tantalising mini-album

Griff – One Foot In Front Of The Other (Official Video)

The rise of Griff feels like a silver lining around the thundercloud that was 2020. While all around the 20-year-old pop powerhouse careers stalled, tours evaporated and sound engineers peed in bottles while driving delivery vans, this singer went from buzzy obscurity in Kings Langley, Hertfordshire, locked down with her family and foster siblings, to a Top 20 hit and a Brits rising star award.

One Foot in Front of the Other is, though, an odd release. A debut album in all but name, this mixtape comes with the caveat that it was written and recorded during lockdown. Griff and her label feel that her debut album proper is still ahead of her.

Pom Pom Squad – Head Cheerleader

Pom Pom squad is a band Inspired by Billie Holiday, riot grrrl bands, and  films Death of a Cheerleader/ But I’m a Cheerleader

Here’s the trailer for the 1999 cult classic  

Pom Pom squad was originally just Mia Berrin but now it it is a full fledged band.  For a better idea of what Pop Pom squad are all about, here is Pitchfork magazines review of the album.

Equally indebted to pioneering girl groups and her punk heroes, the New York singer-songwriter’s debut is a fiery exploration of love, anger, and coming-of-age.

In 1999, a satirical comedy film called But I’m a Cheerleader proposed an astonishing lead character: a cheerleader who isn’t quite like the other girls on her team. She gets whisked away to a hilariously straight-laced conversion-therapy camp on the suspicion that she might be—gasp—gay. “I’m a cheerleader!” she whines in hesitation, as if this makes it impossible to fall outside societal norms. The movie marked a memorable early instance of the divergent cheerleader, an increasingly popular trope that drives the creative mind of 23-year-old singer-songwriter Mia Berrin, who makes bratty grunge-punk as Pom Pom Squad. On her debut, Death of a Cheerleader, the New York musician stakes her claim to pleated miniskirt canon, joining the ranks of those who’ve weaponized cheer imagery to disrupt convention.

Pitchfork June 30 2021

The video  

I concur with one commenter … “this is my new favourite song”


Melissa Laveaux – Angeli-ko

Album  – Radyo Siwèl

Really need to watch this series of videos on Youtube – Mélissa Laveaux – Radyo Siwèl Series

One in the series

In 2018, Laveaux’s album Radyo Siwel was long-listed for the Polaris Music Prize.[6]

In April 2016, Mélissa Laveaux headed to Haiti in search of her roots and on a mission to honour her ancestors. Born in Canada to Haitian parents, she did not know what would emerge musically from her pilgrimage although she had a particular interest in the period of American occupation of the island between 1915-1934. Two decades had gone by since she had last set foot in Haiti when she was 12 years old. She felt like a stranger and yet, at the same time, she experienced the thrill of an exile returning home, for Haiti is an intrinsic part of her identity.

From these she built Radyo Siwèl, a unique album steeped in Haitian history and culture and yet which is also highly personal and intimate. 

Youtube

Blinker the Star – It’s Alright (Baby’s Coming Back)

Bob’s selection of a new Blinker the star track was a result of this article in the Montreal Gazette. 

Excitingly, his burbling, pitch-perfect cover of Eurythmics’ It’s Alright (Baby’s Coming Back) was chosen last month as one of the 20 “best songs of 2021 (so far)” by Esquire — ranking alongside such luminaries as Lorde (Solar Power), Doja Cat and SZA (Kiss Me More), BTS (Butter), Justin Bieber (Peaches) and FKA Twigs (Don’t Judge Me). Heady — and moneyed — company.

Montreal Gazette

Welcome back Blinker the Star!This is a cover version of an old Eurythmics song that was unfamiliar to both of us. Compare the 2 versions here 

If you would like more Blinker the Star, you can listen to a full show dedicated to his music put together by David Widmann on Mixcloud.

Rare Americans – Baggage 

I heard this one on CBC Radio 3 – a great find I think!

Rare Americans – Baggage (Official Music Video)

They also have a great website

Rare Americans – Crooked & Catchy. The band started on a whim two years ago when brothers James and Jared Priestner took an impromptu trip to the Caribbean. James joked they should try and write a song together, Jared said “A song? Fuck that, lets write an album!” Sure enough 10 days later the first Rare Americans record was born. Spring forward to 2020, the band has gained a reputation for story telling and genre bending fresh music, amassing over 50M YouTube views in the process. The bands roster includes two Slovak guitar virtuoso’s in Lubo Ivan & Jan Cajka, and Duran Ritz on drums.

(from website)

“Lubo and I were in another band before called the Lunas that toured Canada a few times and was going along really well and had recorded an EP,” said James Priester. “Then I took a trip to the Caribbean with my brother Jared and joked I would bring along my guitar so we could drink a few beers and write a song or two together. He’d never written a song before and we’d never written together, but we sat down and wrote an entire album.”

Rare Americans also put its main emphasis on producing videos. James runs a production company in Vancouver so he was up on how to concept a video. The band steadily built its online profile with high-quality clips for songs such as Balmoral Hotel and the Barry Tielman (Run the Jewels, others) animated piece for Cats, Dogs & Rats.

Vancouver Sun

Rare Americans – Cats, Dogs, & Rats (Official Video)

Angel Olsen – Eyes Without a Face

Bob’s final choice is also a cover of an 80’s chestnut.  Angel Olsen has the distinction of being the first three-peat artist on our venerable podcast. She has just released an Ep covering Laura Branigan, Men Without Hats, OMD, Madonna  and Billy Idol’s “Eyes Without a Face” 

The NME has an excellent evaluation of Olson’s latest offering. 

Angel Olsen – ‘Aisles’ EP review: ’80s classics through a warped lens

The North Carolina musician cuts right to the core of each song, before rebuilding her own mirror images with this five-track EP

“I’m really into doing shit that’s unexpected,” Angel Olsen told NME as she prepared to release the album ‘Whole New Mess’ last year. Taking the staggering orchestral ambition of her fourth album ‘All Mirrors’ and stripping it back to its rawest foundations, it marked something of a reset from an artist whose sound had grown grander and more intricate with each release. Though it was actually recorded first (and these demos later grew into ‘All Mirrors) the two records feel like subtly distorted reflections of each other when they’re placed side by side – almost as if Olsen is covering her own work.

New Music Review

Treephones – Matches

Also a CBC Radio 3 catch

Album Pink Objects

The ten song titles on Treephones’ — the musical moniker of Stephen Trothen — new album Pink Objects read like an inventory of things found stashed away in a closet or neglected drawer. With every song named after an object, the concept album takes the approach of a short story collection and focuses on the interactions and relationships of characters centred around these items. The album was written and recorded at home by Trothen who also handled all but a few of the performing duties. The result is a set of songs that weave beautifully evolving textures into a carefully arranged sound that matches the directness and understated complexity of its lyrics.

Killbeat Music

I love this video of Treephones playing in Waterloo, Ontario. A terrific song with the addition of the saxophone. How many videos have we shown that shows the band playing in their bedroom?

Live version of “Matches” from the album “Pink Objects” (out now on digital, vinyl, streaming).

Recorded July 2021 in Waterloo, Ontario.

Stephen Trothen – Vocals, Guitar

Michael Borkovic – Saxophones, Sampler

Ahmad Hachem – Drums

Chris Hull – Vibraphone, Synths

Old Fellas new Music Episode 19 Notes

This week’s songs

Duran Duran – Invisible

Matt Sweeney and Bonnie Prince Billy – Resist the Urge 

Merchant – Dead days and Gatorade

Sufjan Steven’s & Angelo De Augustine-Reach Out 

Silk Sonic –Skate

Bobby Gillespie and Jehenny Beth – Chase it Down 

John Sally Ride – Putting It Off

Hiss Golden Messenger – Sanctuary 

Olivia Rodrigo – Brutal

added after

Gram Parsons – Streets of Baltimore

Silk Sonic – Leave the Door Open

Sufjan Stevens – Mystery of love

Father John Misty – Real Love Baby 

John Sally Ride – Don’t Flatter Yourself


Duran Duran – Invisible

Bob’s first 2 selections were suggested by good friend Lisa Riipi.   Duran Duran has returned after a 5 year absence with the new single is “Invisible”. The music video for the song was created by an artificial intelligence system called Huxley.


Matt Sweeney & Bonnie “Prince” Billy          Superwolves

Song – Resist the Urge

16 years after their original underground classic, Matt Sweeney and Will Oldham reunite for an album that plays like the continuation of a decades-long conversation. 

Afew years after he’d decided to start calling himself Bonnie “Prince” Billy, Will Oldham released a song called “A Wolf Among Wolves.” It’s about a person who doesn’t feel properly seen, and it’s exceptionally sad, even for the guy who wrote “I See a Darkness.” “Why can’t I be loved as what I am?” he sighs. “A wolf among wolves, and not as a man.” Wildness, ferocity, heart, all the things wolves tend to signify—the way he sings, it’s as if they’ve all been drained away by loneliness. In the years since, Oldham has made collaboration central to his work, partly, as he recently told GQ, in the hopes of “turning aspects of an innate introversion into something that resembles extroversion.” And while he’s had innumerable artistic successes, both on his own and with others, he never sounds more at home, more fully himself, than he does when writing and recording with guitarist Matt Sweeney. Not for nothing did they name their first album together Superwolf.

From Fader – 10 Songs you need in your life right now

personally, I could really only find one or two. Bob added this song from Bonny Prince Billy. Nice song!


Merchant – Dead days and Gatorade

Lisa  also suggested the song “ Dead Days and Gatorade” by Merchant because it features Duran bassist John Taylor.  Looks like the song gives a excellent advice in how to deal with a hangover.


Sufjan Stevens & Angelo De Augustine – “Reach Out”

Heather suggested this song, and here are her notes. This sums it up for sure.

I chose this song because it has been a while since I have listened to Sufjan Stevens. I love the guitar plucking, like tiny thoughts flying through the air, the reflective lyrics and their beautiful voices together.

and from elsewhere

Last year, they released their first collaborative song, “Santa Barbara.” In April, Stevens shared “Celebration VIII,” from Celebrations, the fourth installment of his five-volume set, Convocations, which arrived in May. De Augustine dropped his latest album, Tomb, in 2019.

 Silk Sonic –Skate

Bob’s other 3 suggestions were all taken from the blog. “Burning Wood”.  This is an excellent blog that contains the musings and tastes of former New York record store owner Sal Nunziato  Explore it here.   http://burnwoodtonite.blogspot.com/ 

Silk Sonic is an American R&B superduo consisting of recording artists Bruno Mars and Anderson .Paak. The duo released their debut single, “Leave the Door Open”, on March 5, 2021, with a forthcoming debut album, An Evening with Silk Sonic, announced for release. To quote the blog’s author Sal Nunziato, “I took a walk around the neighborhood on Saturday and heard a song coming out of some guy’s car, as he was fiddling with something under his hood. I knew what it was but I couldn’t place it. The Whispers? Tavares? No! Shuggie Otis! I couldn’t place it. Then, while scrolling through one of Brooklyn Vegan’s email blasts, the word “vintage” followed by “R&B”  jumped out at me. Could it be Silk Sonic? Yes. It could. “Skate” is the brand new second single from Anderson.Paak and Bruno Mars doing business as Silk Sonic and it’s a good one. The first single “Leave The Door Open” got by me, and it too, has a classic summer soul sound, though I think “Skate” is the better of the two.

Bobby Gillespie and Jehnny Beth – Chase It Down

Album – Utopian Ashes

My choices are now from the Guardian – they released a great article last week – The Month’s Best Albums – July.

I pan to go back to this great list for our next show. Incredible what can come out in one month!

Born in Glasgow, Bobby Gillespie, 58, founded Primal Scream in 1982. The band’s third album, Screamadelica, won the 1992 Mercury music prize. Utopian Ashes, Gillespie’s album with Jehnny Beth, is released on 2 July; their single, Remember We Were Lovers, is out now. He lives in London with his wife, fashion stylist Katy England, and two sons.

The Primal Scream frontman trades brashness for contemplation in this rewarding collaboration with the former Savages singer

During the course of a 35-year career, “sensitive” and “mature” are not adjectives that have often been wheeled out to describe Bobby Gillespie’s lyrics. Indeed, the Primal Scream lead singer’s canon of work has generally favoured MC5-lite rebel posturing over insight and depth. All of which makes this collaboration with former Savages frontwoman Jehnny Beth such a welcome surprise. The pair have written a set of songs located within the wreckage of a marriage that is falling apart, with both parties torn between looking back with remorse and nostalgia on what’s been lost, and moving on and making a new start alone. We’ve come a long way from Bomb the Pentagon.

Recorded with Gillespie’s Scream bandmates, as well as Beth’s regular foil Johnny Hostile, as much care has gone into the arrangements as the lyrics. Opener Chase It Down is a gorgeous slice of southern soul, made all the more powerful for its devastating “I don’t even love you any more” line. Grievances are aired in the despairing Living a Lie. Your Heart Will Always Be Broken, meanwhile, recalls Gram Parsons’s work with Emmylou Harris. Throughout, there are echoes of the rootsier moments from Give Out But Don’t Give Up, but with the earlier swagger replaced by vulnerability. It’s as pleasing as it is unexpected.

Phil Mongredien– Guardian

Bobby Gillespie, Jehnny Beth – Chase It Down

John Sally Ride – Putting It Off

Next is “Putting it Off”   by the  John Sally Ride.  Sal Nunziato plays the drums in this trio.   Check out the band’s link for some excellent power pop

Hiss Golden Messenger – If it comes in the Morning

Album – Quietly Blowing It

MC Taylor offers up soulful Dylan-esque country rockers about the impact of the system on ordinary lives

At the start of the pandemic, MC Taylor, AKA Hiss Golden Messenger, sat in his North Carolina basement studio and began several months’ of pouring out songs about “life as I felt it”. There was a lot going on outside – protests after the murder of George Floyd, the presidential election, and fires burning across the US – but his thoughts turned to some of the deeper issues underpinning it all, from class and inequality to the climate crisis.

The title track finds him watching the news and sighing “things don’t look too good”. However, the tunes are stirring and uplifting and the overall spirit is optimistic. As the father-of-two sings in the exquisite If It Comes in the Morning: “There’s a new day coming, we’ve been a long time running … but all hope is contagious.”

Dave Simpson

Hiss Golden Messenger – Sanctuary (Official Video)

Olivia Rodrigo – Brutal

Finally we wrap it up with, at this moment, one of the most popular performers on the planet.  Olivia Rodrigo.

Rodrigo has had some controversy recently as Courtney Love accused Olivia Rodrigo of plagiarising the cover of Hole’s “Live Through This.”   https://www.spin.com/2021/06/courtney-love-says-olivia-rodrigo-ripped-off-live-through-this-album-cover/

Sal comments, ““Rodrigo’s “Brutal” is a rip of Elvis Costello’s “Pump It Up,” which it is, to some extent. Costello’s response? “This is fine by me, It’s how rock and roll works. You take the broken pieces of another thrill and make a brand new toy. That’s what I did.”  Is a rip?  You be the judge…

Just a note – this episode has extra songs, some come out of our conversations during the show. he extra songs are basically in context and were added to give the show the 90 minutes for VoicEd Radio – thank-you Stephen Hurley!

As they are extras, we are not writing about these ones.

have a great week everyone!

Episode 19 all 90 minutes!
and our updated Spotify playlist for your listening pleasure

Old Fellas New Music Episode 18

Episode 18 on Mixcloud – 1 hour 2 minutes

Songs for Thursday

 Ghost Twin – Strobe Light

The Bright Light Social Hour – Harder Out Here

Packs – Silvertongue 

Gospel Machine -That Ring

Russell Louder – Vow

White Denim – Mirrored in Reverse

Los Pinguos – Debajo del Pelo

exmagician – Kiss That Wealth Goodbye

Laura Stevenson – Don’t Think About Me 

Ghost Twin – Strobe Light

This was a big week for me picking up songs on CBC Radio 3. This is one of three great ones I listened to during the week. All are pretty obscure, all are worth a listen!

Album – Love Songs for End Times

Love Songs for End Times

Ghost Twin is a dark synthpop duo – Jaimz & Karen Asmundson from Winnipeg, that combine roaring synthlines, dirty pulsing bass, dreamy guitar, and a haunting vocal dichotomy where Baroque meets Industrial, with live video percussion that feeds cinema through a cut-up technique imbued with occult aesthetics.

Here is a sampling of some of their music:

GHOST TWIN: “Blue Sunshine” LYRIC VIDEO #ARTOFFACT

from a 2017 CBC article:

They are getting ready to release their first full-length album, three years after the couple decided to bring their own brand of dark, brooding electronic music to Winnipeg stages.

On Plastic Heart, fans will get more of the sound they love from the band’s first EP, but this time, with cranked production values.

Jaimz and Karen Asmundson started writing the album in 2015, and after two failed attempts at securing funding to make it, finally got somewhere.

“On the third try, [Michael P. Falk], who is the co-producer and engineer, said, ‘What songs are you submitting?’ and it turned out we were submitting the weirdest songs, that nobody was getting, so we submitted all the really pop-y stuff and then we got the money [from FACTOR and Manitoba Film and Music],” said Jaimz.

The album was produced by Maya Postepski, who has worked with two major sources of inspiration for Ghost Twin: Austra and Tr/st.

The pair have more than a decade of filmmaking experience, including a short film in 2009 that got so much attention it took them to Cannes. 

“We made one really silly film together called Goths on the Bus. That was stupidly successful,” said Jaimz. “I still kind of feel ashamed that that’s the most successful film I’ve ever made.”

But for fans of the “really silly” Goths on the Bus, there’s a bit of a callback in their upcoming music video. It’s set in a gym for goths. 

A couple of uber-goths ride the public transit to go to the mall and buy more lipstick.
Shot in sequence and in one take, for the One Take Super 8 Event at the WNDX Festival in Winnipeg, Manitoba. Film and Music by Karen & Jaimz Asmundson
* Winner of the Audience Favourite Award @ $100 Film Festival, Calgary
* Winner of the Audience Favourite Award (3rd Place) @ Weiterstadt Film Festival, Germany
* Winner of the Best Music Video Award @ Chicago International Movies & Music Festival

from CBC Goth synth-pop duo Ghost Twin readies for first full-length album release


All of Bob’s selections this week came from the Amazon Prime TV show Sneaky Pete.  You can find which songs are on any movie or Television show using the website TuneFind

https://www.tunefind.com/

The Bright Light Social Hour – Harder Out Here

The Bright Light Social Hour is an American psychedelic rock band from Austin, Texas.  The band performs its song, “Harder Out Here’’” over the opening credits of the show.  Here is a version of the song live. 

Packs – Silvertongue

Another CBC Radio 3 find.

Album – Take the Cake 2021

Take the Cake 2021

Initially a solo songwriting project of Link’s (Madeline Link)that she pursued between gigs as a set dresser for commercials, the band blossomed into a four piece, composed of Shane Hooper (drums), Noah O’Neil (bass), and Dexter Nash (lead guitar). Anchored by Link’s voice, which brings such an easy charm to her songs that it’s easy to miss her keen ear for acrobatic vocal lines, together they turn Link’s melodically adventurous and introspective songs into the purest and brightest kind of indie rock. The band’s debut is a collection of songs that marry the loose but incisive jangle of early Pavement with the barbed sweetness of Sebadoh and the wide-eyed wonder of the first Shins LP. It will be released in partnership with buzzy Brooklyn label Fire Talk (Dehd, Deeper, Mamalarky), and Toronto mainstays Royal Mountain (Alvvays, Wild Pink, Mac Demarco).

Bandcamp

Just a note, Bob didn’t hear Pavement in this song. Or I would say the Shins either. Still, a good song.

PACKS – Silvertongue (Official Music Video)

To celebrate the announcement, the band have shared new single “Silvertongue” and an accompanying video. The fuzzed-out tune merges Pavement’s laconic flair with Sonic Youth’s simmering menace, while the video finds vocalist Link strutting, staggering and flailing across the Toronto harbourfront, looking effortlessly cool as she rocks a series of stylish jackets.

Of the song, Link said: “It’s easy to be lured into the comforts of past relationships. What’s harder is dealing with years of exhaustion, mistrust, and always hoping. Ditch the whiplash of manipulation and decide what YOU want out of love!”

Exclaim!

Gospel Machine -That Ring

Gospel Machine is garage gospel band out of Northeast Minneapolis resurrecting the soul and R&B styles of the 1960’s. Gospel Machine formed in 2011 when leader Kyle Burdine wrote a soul/gospel liturgy for a church in  Minneapolis. Lutheran Church. 

https://wtmd.org/radio/2015/08/27/in-the-mix-gospel-machine/

 The band perform the featured track, ‘That Ring”

Russell Louder – Vow

My last CBC Radio 3 tune for this week.

Russell Louder is a trans Performance Artist and musician from Charlottetown, Prince Edward Island, now based in Montreal, Québec.

In this case I can hear some of the bands mentioned below. I would add Austra.

Borrowing inspiration from the Eurythmics, Florence and the Machine with a hint of Fleetwood Mac for good measure, the Charlottetown-born, Montreal-based Louder says the single “is the introduction. It is the wandering protagonist who sets the tone for the entire album. The idea of finding “home” is now a question, not an answer. Elements of preparation, the romanticizing of arrival, deep, deep uncertainty, pain, lack of belonging – yet bursting with hope.”

Louder’s upcoming album, Humor, is set to explore themes of liberation through an exploration of memory, grief, and identity, with each song representing different characters with some overlapping.

Louder says “some (of the songs) are written in the first person and some are witnessing other characters so it’s like the listener can be a character and also on a journey with other characters in the songs. The characters can be developed and formed in the listener’s mind from the feelings described in the songs and the questions being asked in the lyrics.


White Denim – Mirrored in Reverse

White Denim is an American four-piece rock band from Austin, Texas, United States. Even after 14 album releases, they still managed to remain active during the pandemic.

Here is a great article about the band and how they dealt with the pandemic

The Pandemic Separated These Band Members. It Didn’t Stop Them From Creating an Album. – Texas Monthly

White Denim’s Greg Clifford playing drums in Radio Milk’s live room. (Texas Monthly)

White Denim playing “Mirrored and Reversed” in Colorado  

White Denim live at Twist & Shout – “Mirrored In Reverse”

Los Pinguos – Debajo del Pelo

Debajo del Pelo | Los Pinguos | Playing For Change

Album – Hummingbird 2021

“Debajo del Pelo,” meaning “Under the Hair,” is a beautiful metaphorical song that speaks about life’s experiences and the many lessons learned throughout. Featured on Los Pinguos’ latest album, ‘Hummingbird,’ this video brings together a few of Los Pinguos’ friends across the globe in PFC style. Enjoy!

Los Pinguos’ Hummingbird

I am adding a note here about Playing for Change because they always offer such wonderful music and I think they are trying to do some pretty important things right now.

https://playingforchange.org/

Playing For Change (PFC) is a movement created to inspire and connect the world through music, born from the shared belief that music has the power to break down boundaries and overcome distances between people. The primary focus of PFC is to record and film musicians performing in their natural environments and combine their talents and cultural power in innovative videos called Songs Around The World. Creating these videos motivated PFC to form the Playing For Change Band—a tangible, traveling representation of its mission, featuring musicians met along their journey; and establish the Playing For Change Foundation—a separate 501(c)3 nonprofit organization dedicated to supporting music programs for children around the world. Through these efforts, Playing For Change aims to create hope and inspiration for the future of our planet.

and about the band

Los Pinguos came to the United States from Buenos Aires, Argentina, with a mixture of Latin rhythms, reggae, rumba flamenca and rock. The sound of the band has claimed fans worldwide. The story began in 1999 when Adrián Buono, Enzo Buono, José Agote, Juan Manzur and Juan Manuel Leguizamón (later joined by bassist Santiago Lee) formed the band. In early 2001, Los Pinguos arrived in the City of Los Angeles and began playing on the street (3rd Street Promenade in Santa Monica) and local bars.

Website


exmagician – Kiss That Wealth Goodbye

exmagician is  Belfast duo  Danny Todd and James Smith. The track Kiss the Wealth Goodbye’ was taken from their debut album, “ I Scan the Blue”

BELFAST BAND HAVE PLENTY OF TRICKS UP THEIR SLEEVES.

While it was a sad day when Cashier No. 9 fizzled out a few years ago, fans of their sterling album To The Death Of Fun can turn their frowns upside down now, as the Belfast band’s song-writing nucleus have returned in the form of Exmagician. Featuring childhood friends Danny Todd and James Smith (and not to be confused with the latter’s initial foray under that moniker a decade ago), their debut is a dazzling collection of songs that dispenses with the sunny West Coast vibes of their previous incarnation and delves deeper down the rabbit hole to explore darker, grittier themes and soundscapes.

Hot Press

exmagician – Kiss That Wealth Goodbye (Live)

Laura Stevenson

Don’t Think About Me

Because you have to have at least one Guardian pick

If her day job as one of America’s best if most underrated songwriters doesn’t work out for Laura Stevenson, her surreal lyrics could make for a poetry bestseller. But it would be criminal to miss out on the air-punching power pop showcased in her latest single, a tackling of heartbreak that’s as knotty and sticky as spaghetti chucked at the wall.

Guardian

Don’t Think About Me – lyrics

Lyrics

It’s all the same, “the kettle cools,”

that’s just the thing that we repeat when we can’t sleep cuz we hope it’s true.

But then there’s you, then I think of you, 

and I’m run through so I beg of you,

please don’t think, like I think,

like I think of you.

For a minute, I watch the scenery unfold, I think of you.

For a minute, I watch the clock and when it stops I think of you.

I think of you.

Here is our updated Spotify Playlist – hope you like this!

Episode Notes – Old Fellas New Music Episode 17

Here is our playlist for last week

Durand Jones and the Indications – Morning in America

Dominique Fils-Aime – We Are Light

Stone Foundation – The Light in Us

Alejandra Ribera – Courage

Blow Monkeys – Time Storm

Horsey – Lagoon

Gabriels – Love and Hate in a Different Time

The OBGMs – All My Friends

Paul Weller – In Another Room

All of Bob’s selections are from the sampler cd which accompanies the June 2021 issue of Mojo magazine.  Paul Weller is the guest editor who picked all the tracks.

Durand Jones and the Indications – Morning in America

Durand Jones and the Indications are a multi-racial neo-soul band from Bloomington  Indiana.  Blake Rhein and Aaron Frazer, two students at Indiana University  got together with singer Durand Jones

This is a 2019 song but sounds like a early 70’s soul classic reminscent of The Isley Brothers or  Curtis Mayfield.  It’s called, “Morning in America” Neo soul at it’s finest.


Dominique Fils-AimeThree Little Words

Fils-Aime’s “Three Little Words UPDATED MAR 8, 2021 9:39PM EST – With touring off the table, Canadian musicians with anticipated new records are finding new ways to approach the traditional release cycle – PUBLISHED MAR 6, 2021 9:30AM EST” completes a trilogy of albums celebrating the history of Black-American music, while Tobi’s “Elements Vol. 1” fuses hip-hop, jazz, pop and R&B.

Montreal jazz singer Dominique Fils-Aimé has been promoting her new album, Three Little Words, the final part of a trilogy exploring the history of African-American music.
ANDREANNE GAUTHIER/HANDOUT

From the Globe and Mail


Stone Foundation – The Light in Us

Stone Foundation (featuring Laville) – The Light in Us.  From Warwickshire, and Inspired by Stax Records, the Spencer Davis Group, and the Style Council, this Warwickshire, England-based modern soul band released material at a steady rate for over a decade before Paul Weller offered to produce their 2017 album, Street Rituals. That record, and its 2018 follow-up, Everybody, Anyone, were their first albums to grace the U.K. Top 30, and paved the way for the late 2020 LP Is Love Enough?


Alejandra Ribera Courage (Single)

COURAGE – Collective Lockdown Music VideoAlejandra makes her most audacious move yet – bringing us an electronic pop creation to spread courage and strength in  uncertain times.  COURAGE May 22, 2020

Alejandra Ribera is a Canadian pop and jazz singer-songwriter, who performs material in English, French and Spanish.

Of mixed Argentine and Scottish descent,[1] Ribera was born and raised in Toronto, Ontario, and has been professionally based in Montreal, Quebec.[2] She released her debut album, Navigator/Navigateher, in 2009,[3] and followed up with La Boca in 2014.[3] NPR’s Alt.Latino referred to La Boca and her voice as Alt.Latino’s favorite of 2014.[4]

Some of the proceeds from Courage will go to support Doctors Without Borders

Alejandra Ribera has written a song called ‘Courage’ to lift our spirits during these uncertain times. With the help of friends from Singapore to Switzerland – a collectively crafted “home lockdown music video” accompanies its release. 

Co-produced by Rob Wilks and Brett Shaw (Florence + the Machine, Foals), this is Alejandra’s first foray into the world of electronic pop. “I normally write quite introspective mellow stuff. When I realised I’d written a whole song about the catharsis of facing what most frightens you I thought it should sound fairly epic. I knew it would take a lot more than me and an acoustic guitar.” 

Blow Monkeys – Time Storm

The Blow Monkeys were an eighties band primarily know on this side of the pond for 1984’s “Digging Your Scene”  

The Blow Monkeys – Digging Your Scene • TopPop

The band has been close to Paul Weller since then as both groups performed in the 80’s on the anti- Margaret Thatcher Red Wedge Tour  

Horsey – Lagoon (single)

From DIY

Londoners Horsey – centred around the core duo of Jacob Read (aka DIY fave Jerkcurb) and Theo McCabeare almost certainly one of the most baffling yet brilliant new bands we’ve come across in a while.

Despite keeping a fairly low profile in terms of press and releasing only a handful of tracks online, the group have built up a firm live following, recently touring with King Krule and selling out none-too-small venues in their hometown.

Why? Because, from the glitzy gold sequinned jackets they sport onstage to the funny, noodling, dark-hearted jazz they tout, Horsey are intoxicatingly odd. Their tracks meander through chintzy piano, to shouty call and response heckles to – on occasion – something resembling a rock opera. They are basically uncategorisable and on new offering ‘Bread & Butter’ they’re doing nothing to make themselves more palatable.

This “Time Storm”from forthcoming album  

Gabriels – Love and Hate in a Different Time

Gabriels – Love and Hate in a Different Time

Gabriels is a LA based group made up of singer Jacob Lusk and producers Ari Balouzian and Ryan Hope. ‘Love and Hate in a Different Time’ is their new single.  This is anohter example fo how vintage soul music can be done in the 21st century. Gabriels explains, “Love and Hate in a Different Time is about how we appear to be losing the ability to peacefully be together in a space and express ourselves. Together. We have always endured agendas of hate, hardship and war but we have in someway always found a way to be together and put aside our differences. However in recent times with the development of the technology/disinformation it appears this is tested.”  Here is an amazing video or as they call it, “a short film”


The OBGMs – All My Friends Album – The Ends

From Exclaim Magazine!

After returning with new single “Not Again” last month, the OBGMs have lifted the curtain on a new full-length record. The Toronto punk trio will release The Ends on October 30 through Black Box Music.

“This album is about death, wanting to die, and fighting for something to live for — it’s the end of all things. I feel this is the one of the most important cross-genre albums this century,” explained vocalist/guitarist Densil McFarlane in a statement. “We are Nirvana, we are the Beatles, and the Stones. We are really changing the dimensions of which the game is played like the Steph Curry of this rock shit. We all have feelings of doubt, uncertainty, and I used to live there. I’m trying not to die there. If I’m going out, I’m going out shooting.”

Produced by Dave Schiffman and recorded at Toronto’s Dreamhouse Studios, The Ends follows the OBGMs 2017 self-titled debut. McFarlane recalled that after touring that record, “I thought me and music was over… My life wasn’t very good at the time, people around me were dying, and everything I was making sucked. I thought it was a sign that I needed to do something else.”

another great song – to Death by the OBGMs

Both Dominique Fils-Aimé and The OBGMs are on this year’s Polaris Short list.

Paul Weller – In Another Room

Paul Weller – In Another Room was is a 2019 rarity released as a 7 inch on the experimental label Ghost Box.  “Ghost Box is a record label for a group of artists exploring the misremembered musical history of a parallel world.”

 Paul Weller, a  British institution has been releasing music for almost 45 years. Whether as the leader of The Jam, Style Council or solo, Weller has had dozens of hits single and lps. In North America though,  he is mainly remembered for 1982’s “A Town Called Malice”  

Here is the Style Council Performing at Live Aid 1985.  

The Daily Telegraph said of Weller: “Apart from David Bowie, it’s hard to think of any British solo artist who’s had as varied, long-lasting and determinedly forward-looking a career. The BBC described Weller in 2007 as “one of the most revered music writers and performers of the past 30 years”

Here he is still plugging away in 2020 

Old Fellas New Music Episode 14 Notes

the artists for this weeksome of

Music for Week 14

Quivers- You Are Not Always on My Mind

Sharon Van Etten and Angel Olsen – Like I Used To

Coal Porters – The Day the Last Ramone Died

Bleachers – Chinatown 

Goon Sax – A Few Times Too Many

Japanese Breakfast – Paprika

Lambchop – A Chef’s Kiss

Mdou Moctar – Chismiten

James Elkington & Nathan Salsburg – Reel Around the Fountain

Our show on Mixcloud

Episode 14. You can find all our episodes here
And here is our ever-growing Spotify Playlist

Quivers- You Are Not Always on My Mind

The Quivers performing some pop perfection:

Quivers – You’re Not Always On My Mind (Live on KEXP)

Sharon Van Etten and Angel OlsenLike I Used To

I have to start with another fun quote from the Guardian

“I strongly believe that if Sharon Van Etten and Angel Olsen teamed up to sing anything up to and including Las Ketchup it would be a moment so emotional we’d all emerge three minutes later with dewy eyes and a strong urge to become better people. So you can imagine what they’ve done with this swirling eddy of a song. Exhaustingly amazing.”

Guardian

Sharon Van Etten & Angel Olsen – Like I Used To (Official Video)

This is another artist(s) that seem to be really popular in the UK, but I have never heard them here. Not that this is any measure of note. But everything I read about this new single is really positive and the video is pretty good too. Last word goes to Pitchfork:

Their first collaborative single, “Like I Used To,” lives up to its potential, plays to their strengths, and still manages to pack a surprise.

Pitchfork

The Coal Porters

The Coal Porters was a long time Sid Griffin led band.  Sid  in the 80’s was in the band the Long Ryders .  This is a cut from their 1984 debut ep . 

The Long Ryders – 10-5-60

2016 brought the Coal Porters tribute to the Ramones, The Day the Last Ramone Died”   

The Coal Porters – The Day the Last Ramone Died (Official Video)

The “1234” used in the lyrics is of course reference to how many Ramones song began.  

 The “Gabba Gabba Hey”  references  Tod Browing’s 1932  disturbing horror classic, “Freaks” 

Freaks (1932) – Gooba Gabba Gooba Gobble

 Sid is also an accomplished author. 


Bleachers

Bleachers is an American indie pop act based in New York City. It is the official stage name of songwriter and record producer Jack Antonoff, who is also part of the bands Steel Train, Fun, and Red Hearse. Bleachers’ pop music is heavily influenced by the late ’80s, early ’90s and the high school-based films of John Hughes while still using modern production techniques. Their first single, “I Wanna Get Better“, was released February 18, 2014.

Panned on The Guardian with song – Stop Making This Hurt

The world’s premier Springsteen tribute act is back with producer extraordinaire Jack Antonoff channelling the Boss into a skittery break-up song. It feels as if it’s trying to say one thing and do another, with the gang vocals attempting to build to euphoria, but coming off a bit like a bunch of lads worse for wear on the train after a match.

Instead, we featured the song Chinatown  and there are several Youtube videos of this song, all with Bruce Springsteen. This is the one I liked

Bleachers – Chinatown (BLEACHERS ON THE ROOF live at electric lady) ft. Bruce Springsteen

How did Jack Antonoff get Bruce Springsteen to play on this song? You will have to listen to the broadcast to get Bob’s reasoning which makes lots of sense.

Another great song, but outside our timeline is Roller Coaster

Bleachers – Rollercoaster

Their upcoming album including Chinatown and Stop Making This Hurt will be Take The Sadness Out of Saturday Night.


Goon Sax

The Goon Sax are indie pop trio from Brisbane, Australia. Formed in 2013, the band consists of Riley Jones, Louis Forster and James Harrison.

The Goon Sax – A few times too many

I think Robert Christgau, (the “ Dean of US Rock criticism “) hits the nail on the head,  

The Goon Sax

  • Up for Anything [Chapter Music, 2016] A-
  • We’re Not Talking [Wichita Recordings, 2018] A-

Consumer Guide Reviews:

Up for Anything [Chapter Music, 2016]
My brilliant wife heard Go-Betweens in this high school band well before I learned that Robert Forster’s son Louis was a cofounder or that they were “driven” by a female drummer or even that they were Australian. Nah, I told her, though I liked them fine–too crude. And indeed, they’re cruder than even the earliest Go-Betweens, who were a university band after all, and somewhat static at their worst. Usually, however, they’re charming at least. When Louis fantasizes about a “Boyfriend” or James Harrison hates the “Telephone,” it just accentuates the specifically adolescent angst they pin down so much more candidly and affectingly than any other high school band that comes to mind. “If you don’t want to hold my sweaty hands / I completely understand”? Pretty mature, in its way. A-

We’re Not Talking [Wichita Recordings, 2018]
Although Louis Forster takes fewer leads on this young threesomes’s smoother and trickier follow-up, their unpretentious affect, plain guitar, and flat groove still recall the early years of his dad’s Go-Betweens. True, Louis reports that he’s barely heard them. But I doubt de facto frontman James Harrison was so cautious, and can imagine drummer Riley Jones learning that Lindy Morrison never stepped up to the mike and deciding she’d better: “I don’t want distance / When distance always seems to be the thing / That comes and hurts us.” In any case, a university art band they’re not. Instead they’re still reflecting on adolescence with a humility and concentration that hurts. No one’s calling but they’re not picking up the phone. Passing your bus stop hurts even though they know you need time to yourself. Come to think on it, they “never knew what love meant” anyway. Yet already mortality impends in the form of “piles of books I’ll never read / And a list of things I’ll never be.” Twelve songs in half an hour that say more than they pretend and plenty they may only intuit. A-

Robert Christgau

Comparisons to the Go- Betweens are unavoidable.  Here’s a neat little 5 minute bio  with Louis Forster’s dad Robert.  

The Go-Betweens: The 80s band that never conquered the world – BBC Newsnight

Japanese Breakfast – Paprika

This is the second act that Bob and I were both planning to feature for this show. Here are some selected quotes from Exclaim Magazine.

“When the world divides into two people / Those who have felt pain and those who have yet to,” Michelle Zauner sings during the aching ballad “Posing in Bondage.” It’s clear that she falls into the former camp, but Jubilee, her third album as Japanese Breakfast, dances the pain away. Whether it’s the fashionable funk of “Be Sweet” and “Slide Tackle,” the stately Beirut horns of “Paprika,” or the honeyed pop classicism of “Kokomo, IN” and “Tactics,” Jubilee is always tinged with melancholy but never defeated by it.

I couldn’t find a good version of Paprika on Youtube so instead here is her performance on the Tonight Show with Be Sweet from the same album.

Alex Hudson – Exclaim Magazine

Japanese Breakfast: Be Sweet | The Tonight Show Starring Jimmy Fallon

# 20 0n Exclaim!’s 31 Best Albums of 2021 So Far

Japanese Breakfast is an indie rock band headed by Korean-American musician, director, and author Michelle Zauner (born March 29, 1989). The band released its first studio album Psychopomp (2016) on Yellow K Records, followed by Soft Sounds from Another Planet (2017) and Jubilee (2021) on Dead Oceans.

Zauner released her debut book, Crying in H Mart: A Memoir, via Alfred A. Knopf in 2021. The book is planned to be adapted into a feature film by Orion Pictures, with Zauner providing the soundtrack.


Lambchop –  A Chef’s Kiss

Lambchop – A Chef’s Kiss (Official Lyric Video)

Here is an interview with Lambchop’s head guy Kurt Wagner explaining the lp “Showtunes”

Lambchop’s Kurt Wagner: “I was looking for something less structured, something I hadn’t done before” – Interview by Steven Johnson

On the background to new album Showtunes, converting guitar into piano sounds, continuing to embrace technology and broadening his range of collaboratorsLambchop's Kurt Wagner

Lambchop’s Kurt Wagner (Photo: Angelina Castillo)

As frontman of Lambchop for the best part of the last 30 years, Kurt Wagner has pursued a long, satisfying musical journey where developments within the band’s sound have been gradual and considered. Yet, there have also been discreet nods to different genres along the way, pleasing embellishments and expansions to their core alt-country aesthetic. New album Showtunes provides another stylistic detour of sorts, building on the fresh direction put in place on 2019’s This (Is What I Wanted To Tell You) and 2016’s FLOTUS as Wagner takes indirect inspiration from showtunes, American standards from the first half of the 20th century.

These aren’t covers or close appropriations however, but rather typically impressionistic pieces that bring together Wagner’s songwriting strengths and his broader interest in musical experimentation. Given the sense of progression that has defined Lambchop’s recent releases it feels oddly apt that when we catch up with Wagner to talk about the album, the conversation begins on a travel-related note. “I’m out here in Las Vegas visiting my in-laws at the moment. We haven’t seen them in quite a while, so we just drove on out here. It feels weird to actually travel. I haven’t been on an interstate for over a year. It feels like things are transitioning with the pandemic. Having driven across the country, it feels like we’re on the cusp of a lot of people getting out and about.”

more here


Mdou Moctar – Chismiten

I read a few articles about this amazing musician from Niger the first one from Pitchfork. Their new album is listed as on of the top 6 you need to be listening to right now.

Some notes about who he is:

  • Mahamadou Souleymane,[1][2] known professionally as Mdou Moctar (also M.dou Mouktar; born c. 1986[3][1] or 1984[1]) is a Tuareg songwriter and musician based in Agadez, Niger, and is one of the first musicians to perform modern electronic adaptations of Tuareg guitar music.[4][5] He first became famous through a trading network of cellphones and memory cards in West Africa.[6]
  • Mdou Moctar is a popular wedding performer and sings about Islam, education, love, and peace in Tamasheq.[7][8][9] He plays a left-handed Fender Stratocaster guitar in a takamba and assouf style.

A little from the Pitchfork article:

If it were up to Mdou Moctar, the fiery, psychedelic rock music that has made him one of the most respected guitarists working today would be kept far away from professional recording studios. “With all due respect to all engineers,” the Tuareg virtuoso recently confessed to Reverb, “I find it much too square.” Late last year, the Nigerien musician gathered his bandmates outside a friend’s house in Niamey to test out material from Afrique Victime in a more comfortable environment. In the open air, the quartet quickly attracted an audience: adults dancing, children air-drumming, and others just watching in awe as Moctar’s songs ascended and burst in the desert sky like fireworks. As Sam Sodomsky writes in his Best New Music review: “You get the sense that when the lights go down and he looks out at his audience, he doesn’t just see his community: He sees the future.”

6 New Albums You Should Listen to Now: Mdou Moctar, CHAI, Erika de Casier, and More

and more from the Guardian

From the Guardian

‘We are modern slaves’: Mdou Moctar, the Hendrix of the Sahara

Kim Willsher

His first guitar was made from wood and bicycle parts and his first songs were shared via Bluetooth in the desert. But the Niger musician has become international – and is taking aim at France

How do you even dream of making music when your family and religious leaders disapprove, when you live at the edge of the Sahara desert, and you cannot afford an instrument?

It helps that the Tuareg musician Mdou Moctar, from Niger, is not easily discouraged. Unable to acquire a guitar, he made one out of a piece of wood with brake wires from an old bicycle for strings, and taught himself to play in secret. “I was from a religious family and music was not welcome, but I would go and listen to local musicians and dream of being like them,” the 32-year-old singer-songwriter says over the phone while on tour in the US.

“My parents didn’t have the means to buy me an instrument and wouldn’t have done so. To them, becoming a musician would mean I was a delinquent, a terrible person drinking beer and taking drugs. I never told them I wanted to play the guitar, I didn’t dare. So I made one.”

The next challenge was reaching an audience. Moctar, born in the village of Abalak in the Azawagh desert of northern Niger, began playing at weddings, singing in Tamasheq, the Tuareg language. His first album Anar – composed for a lost love – was recorded in Nigeria in 2008: it introduced Moctar’s simple, raw guitar sound and haunting lyrics, a style known locally as “assouf”, a word that does not easily translate, but evokes desert blues. Anar wasn’t officially released; instead, it spread across the continent via Bluetooth swaps between mobile phone data cards.

Mdou Moctar – Full Performance (Live on KEXP)

Mdou Moctar – Full Performance (Live on KEXP)

Mdou Moctar immediately stands out as one of the most innovative artists in contemporary Saharan music. His unconventional interpretations of Tuareg guitar and have pushed him to the forefront of a crowded scene. Mdou shreds with a relentless and frenetic energy that puts his contemporaries to shame.

(Bandcamp)


James Elkington & Nathan Salsburg – Reel Around the Fountain

James Elkington & Nathan Salsburg are an instrumental duo who play original compositions and a stunning diverse set of cover songs.  Who would think of covering The Smith’s, “Reel Around the Fountain”?

Reel Around the Fountain – James Elkington & Nathan Salsburg

Here’s the original version juxtaposed to scenes from the film, “Atonement.”  I guess both song and film have fountains?

The Smiths – Reel Around The Fountain

Nathan Salsburg is also the Curator of the Alan Lomax Archive at the Association for Cultural Equity. This is the website.  It is definitely worth diving into.

I mentioned Brador in passing.  In celebration of June 24th, here is a stubby of Brador!

Old Fellows with a Twist! Episode 13

some of the musicians for this week.

So, we tried something really fun and different this week. Instead of Bob and I choosing the music, we asked our wonderful grown-up kids to do the selections and then come on to talk about their choices. Almost all of them were able to make it to the show and everyone contributed.

Here is what they came up with

Misterwives – Superbloom

Dvsn – Angela

The Flatliners – Hang My Head 

The Halluci Nation – Land Back 

Andrew Bird – Sisyphus 

Bernice – He’s the Moon 

Belle & Sebastian – The Power of Three 

Gypsy Kumbia Orchestra – Pescador de Aguas Turbias 

The East Pointers – Country Cable 

What a wonderful thing to have them all together on the radio to share their music. It was a great show with lots more variety than Bob and I could have put together.

You can listen to their music and comments here on Mixcloud

Our recording from last Wednesday. Around 1:08 – hope you can listen!

So, fewer notes this week as the young ones speak best off the cuff. I will add here what they suggested plus a video or two.


Dvsn – Angela – by Colleen

This song is Angela by DVSN, who are an R&B duo from Toronto. I like this song because of their incredible vocal range, they can go really high and low which is beautiful. I heard this song on Marvin’s Room, which plays on CBC radio.”

Some of the lyrics

[Verse 1]

Everybody’s got different sides to ’em

She’s no exception to the rule

One day she’s hotter than the sun

Next she’s colder than the moon

They say you want to feel appreciated

So before you come around

Recognize how far it’s come

To be ready for us now

[Chorus]

Always thought she was the prettiest

But she don’t know

So nice to meet you, Angela

[Verse 2]

Now how shit begins, don’t represent the end

It’s not always what it’s about

There’s ups and downs, to the East and the West

Sometimes it’s north and south

I’m praying for her on my knees

And I hope to God, hope that he can hear me

Don’t let her get caught up now

Cause the world out there is less forgiving

Bob also mentioned that they are nominated for a Polaris this year – dvsn – A Muse In Her Feelings as are Lido Pimienta and William Prince who we played last week.

 


The Halluci Nation – Land Back – Liam

The Halluci Nation:

The Halluci Nation – Land Back Ft. Boogey The Beat & Northern Voice (Official Audio)

From the Toronto Star

TORONTO—A Tribe Called Red have released a free song in support of the Indigenous-led protests involving the Coastal GasLink pipeline.

The electronic producer duo say their track “Land Back” is a testament to using music as a mechanism to encourage unity and help give others a voice.

The collaboration with Boogey the Beat and Chippewa Travellers is available for free download on A Tribe Called Red’s SoundCloud page.

The performers say the song can be used by anyone working to promote Indigenous land sovereignty and “a true nation-to-nation discussion between the Indigenous nations of Turtle Island and our Canadian settlers.”

The Halluci Nation

Bernice – He’s the Moon – Mairi

They’re a Toronto based band- I haven’t listened to their other stuff but was really drawn to this song because it’s fun and different and draws on a couple different styles

We first heard it on After Dark on CBC. Perfect song to listen to on a cozy, dark evening!

Bernice – He’s the Moon (Official Video)

Gypsy Kumbia Orchestra – Pescador de Aguas Turbias – Liam

Montreal’ GKO is an explosion of music, dance and circus. The orchestra fuses Colombian Caribbean rhythms with musical styles from around the world in a melodic chaos.

Nominated for the prestigious Canadian Juno Awards, GKO is promoting their second album “VelkomBak”. A dozen songs that greatly expand the band’s musical palette and that invite us on a musical journey from the Andes to Quebec, passing through India, Spain and the Balkans.

A unique and tasty Canadian recipe, connecting disparate cultures and traditions through thecommon thread of the rhythmic language of Cumbia, with hints of ska, jazz and funk.

GKO has to its credit more than 300 concerts in Canada and 3 international tours (Colombia in 2014, France in 2015 and the Czech Republic and Austria in 2016). It is a rhythm machine getting ready to invade the world with its madness and magic.

Bob mentioned that he would love to see these folks live. I really agree. Here is a recording of a live performance

GKO Live at Le RIALTO

Here are a few videos of other bands we played this week – all would be great to see live!

This is a really fun video by the Flatliners, suggested by Brendan. You will have to listen to the show to heard about his connection to the band. I want to go!!

This is such a beautiful song. Thanks to Dylan for suggesting this one. I too love the whistling!

Andrew Bird – Sisyphus

I love this song and this great band that Brendan suggested. You really need to listen to what he has to say about the unique ability of this band. I found this, I hope it does justice to this great band.

Old Fellas New Music Episode 12 Notes

First, I want to thank Doug Peterson for giving us a shoutout on his blog. Thanks Doug, it is great to know you are listening! Here is his write-up.

So, for this week, we have two versions of the show. A 60-minute version that is already up on Mixcloud and an extended version for Saturday night on VoicEd Radio. So to make these easier to find – we will archive the 90-minute version on Spreaker and keep the recording of the live Mixcloud show archived there.

Here is the extended play version

Playing this Saturday at 7:30 PM on VoicEd Radio

Here is the 60-minute version we uploaded to Mixcloud earlier this week.

And here is our Spotify Playlist with all the tracks we have played on our show plus a few extras!

This week’s playlist!

Mother Mother – I Got Love 

The Linda Lindas – Racist Sexist Boy

Lido Pimienta – Eso Que Tu Haces

Mountain Goats – Clemency for the Wizard King

Pokey Lafarge – End of my rope

Plants and Animals – House on Fire

William Prince – The Spark from 2020 Reliever

Holly GoLightly – Satan is His Name

Real Estate – White Light


Mother Mother I Got Love

Mother Mother released two songs in March 2021 – I Got Love and Stay behind. The band has been producing great music on the west Coast of canada for years, but now seem to be best known for having a Tik Tok hit. Canadian Beats Media continues:

Mother Mother, the Vancouver-based alt-rockers have released two new songs; “I Got Love” and “Stay Behind.” The brand new music is Mother Mother’s first offering on the heels of their recent explosion on the platform TikTok. 

After over a decade of releasing music and touring, a new global audience discovered and organically began using the band’s catalogue on the platform, resulting in rapid growth in the millions across all streaming and social platforms, and a Rolling Stone feature on this unique artist development story.

The new music was written during the first wave of the COVID-19 pandemic and was produced by frontman Ryan Guldemond and Howard Redekopp, who produced much of the older music that is connecting with the global audience today. Both “I Got Love” and “Stay Behind” are available now. The release of “I Got Love” and “Stay Behind” also marks the first under the band’s deal with their new label Warner Music Canada.

Canadian Beats March 2021

A little about Mother Mother’s song Hayloft – In November 2020, Hayloft (10 years old) was the most searched set of lyrics in the US and the second most searched in the world. They were even featured in Rolling Stone Magazine!

The Linda Lindas – Racist Sexist Boy

The Linda Lindas are a group of LA youngsters playing punk rock.  In May 2021, the Los Angeles Public Library posted a video of the Linda Lindas playing “Racist, Sexist Boy” at a “TEENtastic Tuesdays” event. In the video, 10 year old Mila explains  the song’s origins. 


The band first came to Bob’s attention in Amy Poehler’s teen comedy Moxie.  Here, they perform a cover of Bikini Kill’s “Rebel Girl”

The Linda Lindas Perform REBEL GIRL (Official Video) | Moxie

Lido Pimienta – from Miss Columbia song Eso Que Tu Haces

I have loved her music and her style ever since she started out winning the Polaris for her first album.

From Pitchfork Magazine

“She is still an extreme rarity in Canadian music: an Afro-Colombian queer woman with indigenous Wayuu heritage, a single mother, a Spanish speaker. The great promise of Miss Colombia, and of her new leadership in a predominantly white scene, is that brown girls will hear it and be inspired to surge to the front.”

Pitchfork Magazine

Here is her video from the Emmys.

LIDO PIMIENTA: “ESO QUE TU HACES” | 63rd GRAMMY Awards Premiere Ceremony

Lyrics from the song

Today I understood, sitting in your sand

That it was because of you, that I stopped being me

You are not to blame for being like this

And don’t give me anything if you don’t want

You can read more about this great musician and rebel here


Mountain Goats – Clemency for the Wizard King


The Mountain Goats are an American band formed in Claremont, California, by singer-songwriter John Darnielle. The song selected was “Clemency for the Wizard King” In this Vanity Fair article, Darnielle gives some background to how Dungeons and Dragons inspired the album.

Anyone who has kept a project going for more than a quarter century has a right to be a little set in his ways. Which is why it might come as a bit of a surprise to hear that John Darnielle, songwriter and front man of the Mountain Goats, was willing to entirely change his attitude in the recording studio when he started to record his 17th album, In League with Dragons, out next month.

Vanity Fair March 2019

Here’s a video of The Mountain Goats performing their ode to reggae great Dennis Brown. 

The Mountain Goats “Song for Dennis Brown”

Pokey Lafarge – End of my rope

Pokey Lafarge is a discovery I made this week while listening to a great show on Mixcloud by David the Worm – his taste in music is amazing and I listen whenever I can. He is usually on at 2;00 PM Monday to Friday plus an extra show with his partner on Sundays.

David the Worm

More about Pokey Lafarge from his Bandcamp page

Pokey LaFarge is a musician, songwriter, bandleader, entertainer, innovator and preservationist, whose well-rounded arsenal of talents has placed him at the forefront of American music. His music transcends the confines of genre, continually challenging the notion that tradition-bearers fail to push musical boundaries.

Bandcamp

Here is a great ‘unplugged’ version on Youtube of this week’s song End of My Rope

POKEY LAFARGE END OF MY ROPE Round Chapel London 14th December 2018

If you want another great song by Pokey Lafarge, you have to listen to Something in the Water


Plants and Animals – House on Fire

Plants and Animals are a 3 piece band from Montreal. This the  video for their latest. “House on Fire”.  As one YouTuber put it, “ LCD Soundsystem meets Talking Heads. Love it.”

Plants and Animals – House on Fire (Official Video)

More on Plants and Animals, another Montreal band here from Under the Radar Magazine

“House on Fire” was inspired by Spicer’s concern for a friend of his. The band collectively further explain in more detail in a press release: “We started working on this a couple of years ago. Warren was afraid for a friend’s health. He thought he was self-medicating too much and not taking care of himself. He couldn’t let go of this image of an overworked dude swallowing too many sleeping pills and falling asleep with the stove on. So it began as the place next door, sometime before Greta Thunberg turned the expression into a rallying cry, where Earth is the house and the people are sleeping. It’s terrifying, and on the whole we’re not unlike this friend, are we?”

Under the Radar June 2020

William Prince – The Spark from 2020 Reliever

My last track is by William Prince who I saw on the underwhelming Juno production last week. His performance of this song was certainly the highlight on a show that could have done so much more.

William Prince The Spark

Holly GoLightly – Satan is His Name

Holly Golightly (born Holly Golightly Smith  is a British singer-songwriter. Her mother christened her after the main character of Truman Capote’s Breakfast at Tiffany’s.  She’s been performing her brand of garage rock for years.Perhaps she is best known for contributing the song “There is an End” to the movie Broken Flowers starring Bill Murray.

Holly Golightly & The Greenhornes – There Is An End

We featured the tempting little number “Satan is His Name” from 2018’s “Do the Get Along”

Satan is His Name

It’s a cover of an obscure  1962 single by Steve King

Steve King – Satan Is Her Name

If you like Holly,  this is the album to grab if you can find it.


Real Estate – White Light

We closed with a great indie band from New Jersey, “Real Estate”  

Real Estate – White Light (In Mind 2017)