Episode Notes – Old Fellas New Music Episode 17

Here is our playlist for last week

Durand Jones and the Indications – Morning in America

Dominique Fils-Aime – We Are Light

Stone Foundation – The Light in Us

Alejandra Ribera – Courage

Blow Monkeys – Time Storm

Horsey – Lagoon

Gabriels – Love and Hate in a Different Time

The OBGMs – All My Friends

Paul Weller – In Another Room

All of Bob’s selections are from the sampler cd which accompanies the June 2021 issue of Mojo magazine.  Paul Weller is the guest editor who picked all the tracks.

Durand Jones and the Indications – Morning in America

Durand Jones and the Indications are a multi-racial neo-soul band from Bloomington  Indiana.  Blake Rhein and Aaron Frazer, two students at Indiana University  got together with singer Durand Jones

This is a 2019 song but sounds like a early 70’s soul classic reminscent of The Isley Brothers or  Curtis Mayfield.  It’s called, “Morning in America” Neo soul at it’s finest.


Dominique Fils-AimeThree Little Words

Fils-Aime’s “Three Little Words UPDATED MAR 8, 2021 9:39PM EST – With touring off the table, Canadian musicians with anticipated new records are finding new ways to approach the traditional release cycle – PUBLISHED MAR 6, 2021 9:30AM EST” completes a trilogy of albums celebrating the history of Black-American music, while Tobi’s “Elements Vol. 1” fuses hip-hop, jazz, pop and R&B.

Montreal jazz singer Dominique Fils-Aimé has been promoting her new album, Three Little Words, the final part of a trilogy exploring the history of African-American music.
ANDREANNE GAUTHIER/HANDOUT

From the Globe and Mail


Stone Foundation – The Light in Us

Stone Foundation (featuring Laville) – The Light in Us.  From Warwickshire, and Inspired by Stax Records, the Spencer Davis Group, and the Style Council, this Warwickshire, England-based modern soul band released material at a steady rate for over a decade before Paul Weller offered to produce their 2017 album, Street Rituals. That record, and its 2018 follow-up, Everybody, Anyone, were their first albums to grace the U.K. Top 30, and paved the way for the late 2020 LP Is Love Enough?


Alejandra Ribera Courage (Single)

COURAGE – Collective Lockdown Music VideoAlejandra makes her most audacious move yet – bringing us an electronic pop creation to spread courage and strength in  uncertain times.  COURAGE May 22, 2020

Alejandra Ribera is a Canadian pop and jazz singer-songwriter, who performs material in English, French and Spanish.

Of mixed Argentine and Scottish descent,[1] Ribera was born and raised in Toronto, Ontario, and has been professionally based in Montreal, Quebec.[2] She released her debut album, Navigator/Navigateher, in 2009,[3] and followed up with La Boca in 2014.[3] NPR’s Alt.Latino referred to La Boca and her voice as Alt.Latino’s favorite of 2014.[4]

Some of the proceeds from Courage will go to support Doctors Without Borders

Alejandra Ribera has written a song called ‘Courage’ to lift our spirits during these uncertain times. With the help of friends from Singapore to Switzerland – a collectively crafted “home lockdown music video” accompanies its release. 

Co-produced by Rob Wilks and Brett Shaw (Florence + the Machine, Foals), this is Alejandra’s first foray into the world of electronic pop. “I normally write quite introspective mellow stuff. When I realised I’d written a whole song about the catharsis of facing what most frightens you I thought it should sound fairly epic. I knew it would take a lot more than me and an acoustic guitar.” 

Blow Monkeys – Time Storm

The Blow Monkeys were an eighties band primarily know on this side of the pond for 1984’s “Digging Your Scene”  

The Blow Monkeys – Digging Your Scene • TopPop

The band has been close to Paul Weller since then as both groups performed in the 80’s on the anti- Margaret Thatcher Red Wedge Tour  

Horsey – Lagoon (single)

From DIY

Londoners Horsey – centred around the core duo of Jacob Read (aka DIY fave Jerkcurb) and Theo McCabeare almost certainly one of the most baffling yet brilliant new bands we’ve come across in a while.

Despite keeping a fairly low profile in terms of press and releasing only a handful of tracks online, the group have built up a firm live following, recently touring with King Krule and selling out none-too-small venues in their hometown.

Why? Because, from the glitzy gold sequinned jackets they sport onstage to the funny, noodling, dark-hearted jazz they tout, Horsey are intoxicatingly odd. Their tracks meander through chintzy piano, to shouty call and response heckles to – on occasion – something resembling a rock opera. They are basically uncategorisable and on new offering ‘Bread & Butter’ they’re doing nothing to make themselves more palatable.

This “Time Storm”from forthcoming album  

Gabriels – Love and Hate in a Different Time

Gabriels – Love and Hate in a Different Time

Gabriels is a LA based group made up of singer Jacob Lusk and producers Ari Balouzian and Ryan Hope. ‘Love and Hate in a Different Time’ is their new single.  This is anohter example fo how vintage soul music can be done in the 21st century. Gabriels explains, “Love and Hate in a Different Time is about how we appear to be losing the ability to peacefully be together in a space and express ourselves. Together. We have always endured agendas of hate, hardship and war but we have in someway always found a way to be together and put aside our differences. However in recent times with the development of the technology/disinformation it appears this is tested.”  Here is an amazing video or as they call it, “a short film”


The OBGMs – All My Friends Album – The Ends

From Exclaim Magazine!

After returning with new single “Not Again” last month, the OBGMs have lifted the curtain on a new full-length record. The Toronto punk trio will release The Ends on October 30 through Black Box Music.

“This album is about death, wanting to die, and fighting for something to live for — it’s the end of all things. I feel this is the one of the most important cross-genre albums this century,” explained vocalist/guitarist Densil McFarlane in a statement. “We are Nirvana, we are the Beatles, and the Stones. We are really changing the dimensions of which the game is played like the Steph Curry of this rock shit. We all have feelings of doubt, uncertainty, and I used to live there. I’m trying not to die there. If I’m going out, I’m going out shooting.”

Produced by Dave Schiffman and recorded at Toronto’s Dreamhouse Studios, The Ends follows the OBGMs 2017 self-titled debut. McFarlane recalled that after touring that record, “I thought me and music was over… My life wasn’t very good at the time, people around me were dying, and everything I was making sucked. I thought it was a sign that I needed to do something else.”

another great song – to Death by the OBGMs

Both Dominique Fils-Aimé and The OBGMs are on this year’s Polaris Short list.

Paul Weller – In Another Room

Paul Weller – In Another Room was is a 2019 rarity released as a 7 inch on the experimental label Ghost Box.  “Ghost Box is a record label for a group of artists exploring the misremembered musical history of a parallel world.”

 Paul Weller, a  British institution has been releasing music for almost 45 years. Whether as the leader of The Jam, Style Council or solo, Weller has had dozens of hits single and lps. In North America though,  he is mainly remembered for 1982’s “A Town Called Malice”  

Here is the Style Council Performing at Live Aid 1985.  

The Daily Telegraph said of Weller: “Apart from David Bowie, it’s hard to think of any British solo artist who’s had as varied, long-lasting and determinedly forward-looking a career. The BBC described Weller in 2007 as “one of the most revered music writers and performers of the past 30 years”

Here he is still plugging away in 2020 

Old Fellas New Music Episode 14 Notes

the artists for this weeksome of

Music for Week 14

Quivers- You Are Not Always on My Mind

Sharon Van Etten and Angel Olsen – Like I Used To

Coal Porters – The Day the Last Ramone Died

Bleachers – Chinatown 

Goon Sax – A Few Times Too Many

Japanese Breakfast – Paprika

Lambchop – A Chef’s Kiss

Mdou Moctar – Chismiten

James Elkington & Nathan Salsburg – Reel Around the Fountain

Our show on Mixcloud

Episode 14. You can find all our episodes here
And here is our ever-growing Spotify Playlist

Quivers- You Are Not Always on My Mind

The Quivers performing some pop perfection:

Quivers – You’re Not Always On My Mind (Live on KEXP)

Sharon Van Etten and Angel OlsenLike I Used To

I have to start with another fun quote from the Guardian

“I strongly believe that if Sharon Van Etten and Angel Olsen teamed up to sing anything up to and including Las Ketchup it would be a moment so emotional we’d all emerge three minutes later with dewy eyes and a strong urge to become better people. So you can imagine what they’ve done with this swirling eddy of a song. Exhaustingly amazing.”

Guardian

Sharon Van Etten & Angel Olsen – Like I Used To (Official Video)

This is another artist(s) that seem to be really popular in the UK, but I have never heard them here. Not that this is any measure of note. But everything I read about this new single is really positive and the video is pretty good too. Last word goes to Pitchfork:

Their first collaborative single, “Like I Used To,” lives up to its potential, plays to their strengths, and still manages to pack a surprise.

Pitchfork

The Coal Porters

The Coal Porters was a long time Sid Griffin led band.  Sid  in the 80’s was in the band the Long Ryders .  This is a cut from their 1984 debut ep . 

The Long Ryders – 10-5-60

2016 brought the Coal Porters tribute to the Ramones, The Day the Last Ramone Died”   

The Coal Porters – The Day the Last Ramone Died (Official Video)

The “1234” used in the lyrics is of course reference to how many Ramones song began.  

 The “Gabba Gabba Hey”  references  Tod Browing’s 1932  disturbing horror classic, “Freaks” 

Freaks (1932) – Gooba Gabba Gooba Gobble

 Sid is also an accomplished author. 


Bleachers

Bleachers is an American indie pop act based in New York City. It is the official stage name of songwriter and record producer Jack Antonoff, who is also part of the bands Steel Train, Fun, and Red Hearse. Bleachers’ pop music is heavily influenced by the late ’80s, early ’90s and the high school-based films of John Hughes while still using modern production techniques. Their first single, “I Wanna Get Better“, was released February 18, 2014.

Panned on The Guardian with song – Stop Making This Hurt

The world’s premier Springsteen tribute act is back with producer extraordinaire Jack Antonoff channelling the Boss into a skittery break-up song. It feels as if it’s trying to say one thing and do another, with the gang vocals attempting to build to euphoria, but coming off a bit like a bunch of lads worse for wear on the train after a match.

Instead, we featured the song Chinatown  and there are several Youtube videos of this song, all with Bruce Springsteen. This is the one I liked

Bleachers – Chinatown (BLEACHERS ON THE ROOF live at electric lady) ft. Bruce Springsteen

How did Jack Antonoff get Bruce Springsteen to play on this song? You will have to listen to the broadcast to get Bob’s reasoning which makes lots of sense.

Another great song, but outside our timeline is Roller Coaster

Bleachers – Rollercoaster

Their upcoming album including Chinatown and Stop Making This Hurt will be Take The Sadness Out of Saturday Night.


Goon Sax

The Goon Sax are indie pop trio from Brisbane, Australia. Formed in 2013, the band consists of Riley Jones, Louis Forster and James Harrison.

The Goon Sax – A few times too many

I think Robert Christgau, (the “ Dean of US Rock criticism “) hits the nail on the head,  

The Goon Sax

  • Up for Anything [Chapter Music, 2016] A-
  • We’re Not Talking [Wichita Recordings, 2018] A-

Consumer Guide Reviews:

Up for Anything [Chapter Music, 2016]
My brilliant wife heard Go-Betweens in this high school band well before I learned that Robert Forster’s son Louis was a cofounder or that they were “driven” by a female drummer or even that they were Australian. Nah, I told her, though I liked them fine–too crude. And indeed, they’re cruder than even the earliest Go-Betweens, who were a university band after all, and somewhat static at their worst. Usually, however, they’re charming at least. When Louis fantasizes about a “Boyfriend” or James Harrison hates the “Telephone,” it just accentuates the specifically adolescent angst they pin down so much more candidly and affectingly than any other high school band that comes to mind. “If you don’t want to hold my sweaty hands / I completely understand”? Pretty mature, in its way. A-

We’re Not Talking [Wichita Recordings, 2018]
Although Louis Forster takes fewer leads on this young threesomes’s smoother and trickier follow-up, their unpretentious affect, plain guitar, and flat groove still recall the early years of his dad’s Go-Betweens. True, Louis reports that he’s barely heard them. But I doubt de facto frontman James Harrison was so cautious, and can imagine drummer Riley Jones learning that Lindy Morrison never stepped up to the mike and deciding she’d better: “I don’t want distance / When distance always seems to be the thing / That comes and hurts us.” In any case, a university art band they’re not. Instead they’re still reflecting on adolescence with a humility and concentration that hurts. No one’s calling but they’re not picking up the phone. Passing your bus stop hurts even though they know you need time to yourself. Come to think on it, they “never knew what love meant” anyway. Yet already mortality impends in the form of “piles of books I’ll never read / And a list of things I’ll never be.” Twelve songs in half an hour that say more than they pretend and plenty they may only intuit. A-

Robert Christgau

Comparisons to the Go- Betweens are unavoidable.  Here’s a neat little 5 minute bio  with Louis Forster’s dad Robert.  

The Go-Betweens: The 80s band that never conquered the world – BBC Newsnight

Japanese Breakfast – Paprika

This is the second act that Bob and I were both planning to feature for this show. Here are some selected quotes from Exclaim Magazine.

“When the world divides into two people / Those who have felt pain and those who have yet to,” Michelle Zauner sings during the aching ballad “Posing in Bondage.” It’s clear that she falls into the former camp, but Jubilee, her third album as Japanese Breakfast, dances the pain away. Whether it’s the fashionable funk of “Be Sweet” and “Slide Tackle,” the stately Beirut horns of “Paprika,” or the honeyed pop classicism of “Kokomo, IN” and “Tactics,” Jubilee is always tinged with melancholy but never defeated by it.

I couldn’t find a good version of Paprika on Youtube so instead here is her performance on the Tonight Show with Be Sweet from the same album.

Alex Hudson – Exclaim Magazine

Japanese Breakfast: Be Sweet | The Tonight Show Starring Jimmy Fallon

# 20 0n Exclaim!’s 31 Best Albums of 2021 So Far

Japanese Breakfast is an indie rock band headed by Korean-American musician, director, and author Michelle Zauner (born March 29, 1989). The band released its first studio album Psychopomp (2016) on Yellow K Records, followed by Soft Sounds from Another Planet (2017) and Jubilee (2021) on Dead Oceans.

Zauner released her debut book, Crying in H Mart: A Memoir, via Alfred A. Knopf in 2021. The book is planned to be adapted into a feature film by Orion Pictures, with Zauner providing the soundtrack.


Lambchop –  A Chef’s Kiss

Lambchop – A Chef’s Kiss (Official Lyric Video)

Here is an interview with Lambchop’s head guy Kurt Wagner explaining the lp “Showtunes”

Lambchop’s Kurt Wagner: “I was looking for something less structured, something I hadn’t done before” – Interview by Steven Johnson

On the background to new album Showtunes, converting guitar into piano sounds, continuing to embrace technology and broadening his range of collaboratorsLambchop's Kurt Wagner

Lambchop’s Kurt Wagner (Photo: Angelina Castillo)

As frontman of Lambchop for the best part of the last 30 years, Kurt Wagner has pursued a long, satisfying musical journey where developments within the band’s sound have been gradual and considered. Yet, there have also been discreet nods to different genres along the way, pleasing embellishments and expansions to their core alt-country aesthetic. New album Showtunes provides another stylistic detour of sorts, building on the fresh direction put in place on 2019’s This (Is What I Wanted To Tell You) and 2016’s FLOTUS as Wagner takes indirect inspiration from showtunes, American standards from the first half of the 20th century.

These aren’t covers or close appropriations however, but rather typically impressionistic pieces that bring together Wagner’s songwriting strengths and his broader interest in musical experimentation. Given the sense of progression that has defined Lambchop’s recent releases it feels oddly apt that when we catch up with Wagner to talk about the album, the conversation begins on a travel-related note. “I’m out here in Las Vegas visiting my in-laws at the moment. We haven’t seen them in quite a while, so we just drove on out here. It feels weird to actually travel. I haven’t been on an interstate for over a year. It feels like things are transitioning with the pandemic. Having driven across the country, it feels like we’re on the cusp of a lot of people getting out and about.”

more here


Mdou Moctar – Chismiten

I read a few articles about this amazing musician from Niger the first one from Pitchfork. Their new album is listed as on of the top 6 you need to be listening to right now.

Some notes about who he is:

  • Mahamadou Souleymane,[1][2] known professionally as Mdou Moctar (also M.dou Mouktar; born c. 1986[3][1] or 1984[1]) is a Tuareg songwriter and musician based in Agadez, Niger, and is one of the first musicians to perform modern electronic adaptations of Tuareg guitar music.[4][5] He first became famous through a trading network of cellphones and memory cards in West Africa.[6]
  • Mdou Moctar is a popular wedding performer and sings about Islam, education, love, and peace in Tamasheq.[7][8][9] He plays a left-handed Fender Stratocaster guitar in a takamba and assouf style.

A little from the Pitchfork article:

If it were up to Mdou Moctar, the fiery, psychedelic rock music that has made him one of the most respected guitarists working today would be kept far away from professional recording studios. “With all due respect to all engineers,” the Tuareg virtuoso recently confessed to Reverb, “I find it much too square.” Late last year, the Nigerien musician gathered his bandmates outside a friend’s house in Niamey to test out material from Afrique Victime in a more comfortable environment. In the open air, the quartet quickly attracted an audience: adults dancing, children air-drumming, and others just watching in awe as Moctar’s songs ascended and burst in the desert sky like fireworks. As Sam Sodomsky writes in his Best New Music review: “You get the sense that when the lights go down and he looks out at his audience, he doesn’t just see his community: He sees the future.”

6 New Albums You Should Listen to Now: Mdou Moctar, CHAI, Erika de Casier, and More

and more from the Guardian

From the Guardian

‘We are modern slaves’: Mdou Moctar, the Hendrix of the Sahara

Kim Willsher

His first guitar was made from wood and bicycle parts and his first songs were shared via Bluetooth in the desert. But the Niger musician has become international – and is taking aim at France

How do you even dream of making music when your family and religious leaders disapprove, when you live at the edge of the Sahara desert, and you cannot afford an instrument?

It helps that the Tuareg musician Mdou Moctar, from Niger, is not easily discouraged. Unable to acquire a guitar, he made one out of a piece of wood with brake wires from an old bicycle for strings, and taught himself to play in secret. “I was from a religious family and music was not welcome, but I would go and listen to local musicians and dream of being like them,” the 32-year-old singer-songwriter says over the phone while on tour in the US.

“My parents didn’t have the means to buy me an instrument and wouldn’t have done so. To them, becoming a musician would mean I was a delinquent, a terrible person drinking beer and taking drugs. I never told them I wanted to play the guitar, I didn’t dare. So I made one.”

The next challenge was reaching an audience. Moctar, born in the village of Abalak in the Azawagh desert of northern Niger, began playing at weddings, singing in Tamasheq, the Tuareg language. His first album Anar – composed for a lost love – was recorded in Nigeria in 2008: it introduced Moctar’s simple, raw guitar sound and haunting lyrics, a style known locally as “assouf”, a word that does not easily translate, but evokes desert blues. Anar wasn’t officially released; instead, it spread across the continent via Bluetooth swaps between mobile phone data cards.

Mdou Moctar – Full Performance (Live on KEXP)

Mdou Moctar – Full Performance (Live on KEXP)

Mdou Moctar immediately stands out as one of the most innovative artists in contemporary Saharan music. His unconventional interpretations of Tuareg guitar and have pushed him to the forefront of a crowded scene. Mdou shreds with a relentless and frenetic energy that puts his contemporaries to shame.

(Bandcamp)


James Elkington & Nathan Salsburg – Reel Around the Fountain

James Elkington & Nathan Salsburg are an instrumental duo who play original compositions and a stunning diverse set of cover songs.  Who would think of covering The Smith’s, “Reel Around the Fountain”?

Reel Around the Fountain – James Elkington & Nathan Salsburg

Here’s the original version juxtaposed to scenes from the film, “Atonement.”  I guess both song and film have fountains?

The Smiths – Reel Around The Fountain

Nathan Salsburg is also the Curator of the Alan Lomax Archive at the Association for Cultural Equity. This is the website.  It is definitely worth diving into.

I mentioned Brador in passing.  In celebration of June 24th, here is a stubby of Brador!

Old Fellows with a Twist! Episode 13

some of the musicians for this week.

So, we tried something really fun and different this week. Instead of Bob and I choosing the music, we asked our wonderful grown-up kids to do the selections and then come on to talk about their choices. Almost all of them were able to make it to the show and everyone contributed.

Here is what they came up with

Misterwives – Superbloom

Dvsn – Angela

The Flatliners – Hang My Head 

The Halluci Nation – Land Back 

Andrew Bird – Sisyphus 

Bernice – He’s the Moon 

Belle & Sebastian – The Power of Three 

Gypsy Kumbia Orchestra – Pescador de Aguas Turbias 

The East Pointers – Country Cable 

What a wonderful thing to have them all together on the radio to share their music. It was a great show with lots more variety than Bob and I could have put together.

You can listen to their music and comments here on Mixcloud

Our recording from last Wednesday. Around 1:08 – hope you can listen!

So, fewer notes this week as the young ones speak best off the cuff. I will add here what they suggested plus a video or two.


Dvsn – Angela – by Colleen

This song is Angela by DVSN, who are an R&B duo from Toronto. I like this song because of their incredible vocal range, they can go really high and low which is beautiful. I heard this song on Marvin’s Room, which plays on CBC radio.”

Some of the lyrics

[Verse 1]

Everybody’s got different sides to ’em

She’s no exception to the rule

One day she’s hotter than the sun

Next she’s colder than the moon

They say you want to feel appreciated

So before you come around

Recognize how far it’s come

To be ready for us now

[Chorus]

Always thought she was the prettiest

But she don’t know

So nice to meet you, Angela

[Verse 2]

Now how shit begins, don’t represent the end

It’s not always what it’s about

There’s ups and downs, to the East and the West

Sometimes it’s north and south

I’m praying for her on my knees

And I hope to God, hope that he can hear me

Don’t let her get caught up now

Cause the world out there is less forgiving

Bob also mentioned that they are nominated for a Polaris this year – dvsn – A Muse In Her Feelings as are Lido Pimienta and William Prince who we played last week.

 


The Halluci Nation – Land Back – Liam

The Halluci Nation:

The Halluci Nation – Land Back Ft. Boogey The Beat & Northern Voice (Official Audio)

From the Toronto Star

TORONTO—A Tribe Called Red have released a free song in support of the Indigenous-led protests involving the Coastal GasLink pipeline.

The electronic producer duo say their track “Land Back” is a testament to using music as a mechanism to encourage unity and help give others a voice.

The collaboration with Boogey the Beat and Chippewa Travellers is available for free download on A Tribe Called Red’s SoundCloud page.

The performers say the song can be used by anyone working to promote Indigenous land sovereignty and “a true nation-to-nation discussion between the Indigenous nations of Turtle Island and our Canadian settlers.”

The Halluci Nation

Bernice – He’s the Moon – Mairi

They’re a Toronto based band- I haven’t listened to their other stuff but was really drawn to this song because it’s fun and different and draws on a couple different styles

We first heard it on After Dark on CBC. Perfect song to listen to on a cozy, dark evening!

Bernice – He’s the Moon (Official Video)

Gypsy Kumbia Orchestra – Pescador de Aguas Turbias – Liam

Montreal’ GKO is an explosion of music, dance and circus. The orchestra fuses Colombian Caribbean rhythms with musical styles from around the world in a melodic chaos.

Nominated for the prestigious Canadian Juno Awards, GKO is promoting their second album “VelkomBak”. A dozen songs that greatly expand the band’s musical palette and that invite us on a musical journey from the Andes to Quebec, passing through India, Spain and the Balkans.

A unique and tasty Canadian recipe, connecting disparate cultures and traditions through thecommon thread of the rhythmic language of Cumbia, with hints of ska, jazz and funk.

GKO has to its credit more than 300 concerts in Canada and 3 international tours (Colombia in 2014, France in 2015 and the Czech Republic and Austria in 2016). It is a rhythm machine getting ready to invade the world with its madness and magic.

Bob mentioned that he would love to see these folks live. I really agree. Here is a recording of a live performance

GKO Live at Le RIALTO

Here are a few videos of other bands we played this week – all would be great to see live!

This is a really fun video by the Flatliners, suggested by Brendan. You will have to listen to the show to heard about his connection to the band. I want to go!!

This is such a beautiful song. Thanks to Dylan for suggesting this one. I too love the whistling!

Andrew Bird – Sisyphus

I love this song and this great band that Brendan suggested. You really need to listen to what he has to say about the unique ability of this band. I found this, I hope it does justice to this great band.

Old Fellas New Music Episode 12 Notes

First, I want to thank Doug Peterson for giving us a shoutout on his blog. Thanks Doug, it is great to know you are listening! Here is his write-up.

So, for this week, we have two versions of the show. A 60-minute version that is already up on Mixcloud and an extended version for Saturday night on VoicEd Radio. So to make these easier to find – we will archive the 90-minute version on Spreaker and keep the recording of the live Mixcloud show archived there.

Here is the extended play version

Playing this Saturday at 7:30 PM on VoicEd Radio

Here is the 60-minute version we uploaded to Mixcloud earlier this week.

And here is our Spotify Playlist with all the tracks we have played on our show plus a few extras!

This week’s playlist!

Mother Mother – I Got Love 

The Linda Lindas – Racist Sexist Boy

Lido Pimienta – Eso Que Tu Haces

Mountain Goats – Clemency for the Wizard King

Pokey Lafarge – End of my rope

Plants and Animals – House on Fire

William Prince – The Spark from 2020 Reliever

Holly GoLightly – Satan is His Name

Real Estate – White Light


Mother Mother I Got Love

Mother Mother released two songs in March 2021 – I Got Love and Stay behind. The band has been producing great music on the west Coast of canada for years, but now seem to be best known for having a Tik Tok hit. Canadian Beats Media continues:

Mother Mother, the Vancouver-based alt-rockers have released two new songs; “I Got Love” and “Stay Behind.” The brand new music is Mother Mother’s first offering on the heels of their recent explosion on the platform TikTok. 

After over a decade of releasing music and touring, a new global audience discovered and organically began using the band’s catalogue on the platform, resulting in rapid growth in the millions across all streaming and social platforms, and a Rolling Stone feature on this unique artist development story.

The new music was written during the first wave of the COVID-19 pandemic and was produced by frontman Ryan Guldemond and Howard Redekopp, who produced much of the older music that is connecting with the global audience today. Both “I Got Love” and “Stay Behind” are available now. The release of “I Got Love” and “Stay Behind” also marks the first under the band’s deal with their new label Warner Music Canada.

Canadian Beats March 2021

A little about Mother Mother’s song Hayloft – In November 2020, Hayloft (10 years old) was the most searched set of lyrics in the US and the second most searched in the world. They were even featured in Rolling Stone Magazine!

The Linda Lindas – Racist Sexist Boy

The Linda Lindas are a group of LA youngsters playing punk rock.  In May 2021, the Los Angeles Public Library posted a video of the Linda Lindas playing “Racist, Sexist Boy” at a “TEENtastic Tuesdays” event. In the video, 10 year old Mila explains  the song’s origins. 


The band first came to Bob’s attention in Amy Poehler’s teen comedy Moxie.  Here, they perform a cover of Bikini Kill’s “Rebel Girl”

The Linda Lindas Perform REBEL GIRL (Official Video) | Moxie

Lido Pimienta – from Miss Columbia song Eso Que Tu Haces

I have loved her music and her style ever since she started out winning the Polaris for her first album.

From Pitchfork Magazine

“She is still an extreme rarity in Canadian music: an Afro-Colombian queer woman with indigenous Wayuu heritage, a single mother, a Spanish speaker. The great promise of Miss Colombia, and of her new leadership in a predominantly white scene, is that brown girls will hear it and be inspired to surge to the front.”

Pitchfork Magazine

Here is her video from the Emmys.

LIDO PIMIENTA: “ESO QUE TU HACES” | 63rd GRAMMY Awards Premiere Ceremony

Lyrics from the song

Today I understood, sitting in your sand

That it was because of you, that I stopped being me

You are not to blame for being like this

And don’t give me anything if you don’t want

You can read more about this great musician and rebel here


Mountain Goats – Clemency for the Wizard King


The Mountain Goats are an American band formed in Claremont, California, by singer-songwriter John Darnielle. The song selected was “Clemency for the Wizard King” In this Vanity Fair article, Darnielle gives some background to how Dungeons and Dragons inspired the album.

Anyone who has kept a project going for more than a quarter century has a right to be a little set in his ways. Which is why it might come as a bit of a surprise to hear that John Darnielle, songwriter and front man of the Mountain Goats, was willing to entirely change his attitude in the recording studio when he started to record his 17th album, In League with Dragons, out next month.

Vanity Fair March 2019

Here’s a video of The Mountain Goats performing their ode to reggae great Dennis Brown. 

The Mountain Goats “Song for Dennis Brown”

Pokey Lafarge – End of my rope

Pokey Lafarge is a discovery I made this week while listening to a great show on Mixcloud by David the Worm – his taste in music is amazing and I listen whenever I can. He is usually on at 2;00 PM Monday to Friday plus an extra show with his partner on Sundays.

David the Worm

More about Pokey Lafarge from his Bandcamp page

Pokey LaFarge is a musician, songwriter, bandleader, entertainer, innovator and preservationist, whose well-rounded arsenal of talents has placed him at the forefront of American music. His music transcends the confines of genre, continually challenging the notion that tradition-bearers fail to push musical boundaries.

Bandcamp

Here is a great ‘unplugged’ version on Youtube of this week’s song End of My Rope

POKEY LAFARGE END OF MY ROPE Round Chapel London 14th December 2018

If you want another great song by Pokey Lafarge, you have to listen to Something in the Water


Plants and Animals – House on Fire

Plants and Animals are a 3 piece band from Montreal. This the  video for their latest. “House on Fire”.  As one YouTuber put it, “ LCD Soundsystem meets Talking Heads. Love it.”

Plants and Animals – House on Fire (Official Video)

More on Plants and Animals, another Montreal band here from Under the Radar Magazine

“House on Fire” was inspired by Spicer’s concern for a friend of his. The band collectively further explain in more detail in a press release: “We started working on this a couple of years ago. Warren was afraid for a friend’s health. He thought he was self-medicating too much and not taking care of himself. He couldn’t let go of this image of an overworked dude swallowing too many sleeping pills and falling asleep with the stove on. So it began as the place next door, sometime before Greta Thunberg turned the expression into a rallying cry, where Earth is the house and the people are sleeping. It’s terrifying, and on the whole we’re not unlike this friend, are we?”

Under the Radar June 2020

William Prince – The Spark from 2020 Reliever

My last track is by William Prince who I saw on the underwhelming Juno production last week. His performance of this song was certainly the highlight on a show that could have done so much more.

William Prince The Spark

Holly GoLightly – Satan is His Name

Holly Golightly (born Holly Golightly Smith  is a British singer-songwriter. Her mother christened her after the main character of Truman Capote’s Breakfast at Tiffany’s.  She’s been performing her brand of garage rock for years.Perhaps she is best known for contributing the song “There is an End” to the movie Broken Flowers starring Bill Murray.

Holly Golightly & The Greenhornes – There Is An End

We featured the tempting little number “Satan is His Name” from 2018’s “Do the Get Along”

Satan is His Name

It’s a cover of an obscure  1962 single by Steve King

Steve King – Satan Is Her Name

If you like Holly,  this is the album to grab if you can find it.


Real Estate – White Light

We closed with a great indie band from New Jersey, “Real Estate”  

Real Estate – White Light (In Mind 2017)

Old fellas New Music Episode 11 Show Notes

Rumor has it these Angelas are our two most faithful listeners.


tracklist for this week

Bob:

Oodoo – Canopee  

Monowhales – RYLD

Mo Kenney – Slowdeath 

Sunfields – Got Some ( But It Ain’t Enough) 

Paul

Teke:Teke – Yori Ni 

Boston Levi – Thief

Jaffa Road – Until When

A Place to Bury Strangers – End of the Night

Melanie Durrant – Where I’m At

Our Spotify Playlist updates to this week’s songs

Here is the best place to find all our shows, on Mixcloud. We like followers so please go there and follow our shows!!

Our show notes for this week!

Teke:Teke album Shirushi 2021 Yori Ni 

’Yoru Ni (which translates from Japanese to ‘At night’) was literally written in the middle of the night, guitarist Nakauchi-Pelletier explains, ‘’I woke up suddenly at night and had this melody in my head, as if it had come to me from another world. After letting it simmer a little longer, I decided to actually get up and grab my guitar. It really felt like I was following some kind of spirit or ghost, it was taking my hand and wanted to take me somewhere. So it did, and it gave me the idea for the song lyrics which Maya took further and romanticized, while the music was basically ‘pushed’ into my brain by some strange unknown forces.’’

This part of my research was really interesting, but I don’t think this has anything to do with the band.

One of the many depictions available about this urban ghost story

From Wikipedia

Teke Teke (テケテケ),[1] also spelled Teke-Teke,[2] Teketeke,[3] or Teke teke,[1] is a Japanese urban legend about the ghost of a schoolgirl who is said to have been tied by her bullies onto a railway line, where her body was cut in half by a train. She is an onryō, or a vengeful spirit, who lurks in urban areas and around train stations at night. Since she no longer has a lower body, she travels on either her hands or elbows, dragging her upper torso and making a scratching or “teke teke“-like sound. If she encounters an individual, she will chase them and slice them in half at the torso, killing them in such a way that mimics her own disfigurement.[4]

TEKE TEKE – Full Performance (Live on KEXP at Home)

Oodoo – Canopee  

By Patrick Baillargeon

Formed from ex Vulvets, the new group Oodooo presents a very promising first EP. The Montreal group, in which we find some warriors from the local scene, offers in five tracks (three songs in French and two that they cover in instrumental version) a small glimpse of their universe. Combo mainly focused on studio work rather than the stage, Oodooo evolves in spheres that fans of vaporous 60’s tones, psyches and fuzzies will undoubtedly recognize and appreciate. If the references of the four musicians are obvious, they are nevertheless very well assimilated and skillfully mastered. Liminanas, Juniore, Gainsbourg de Vannier or de Colombier come first as much for the French-speaking fact as for the music and the subtle arrangements,just like the Allah-Las or La Luz on the American side. This nifty little album, impeccably produced and with a very pretty cover, has only one big flaw: it is much too short! We are waiting for the rest ..

Canopée

Boston Levi – Thief Album Prophecies

As I said on the show, this is one of those stories that leads to the song. Mike McNamee, former Carleton Ravens Captain is moving into music with this first release. Managed by Jay Emmons of The Glorious Sons, this is all still very new to him.

“The response has been a lot bigger than I thought it would be,” said McNamee, whose first song will officially be introduced on Apple Music and Spotify Friday at midnight. “I’m learning along the way. I’m not giving up everything. I’m a down to earth guy, but I think about it a lot. Four months ago, I didn’t know much about how to write a song or record a song. It has been wild.”

Article – Former Carleton captain Mike McNamee skates towards a music career
Ottawa Sun Jan 7 Ken Warren

He has a unique playing style that you can see on this video – not the song we played on the show.

Feel It All (Live at Sydenham Street Church) – Boston Levi

Monowhales – RYLD

As soon as it is safe, we will be back out on the road to play in your town. We are definitely ready to go! We feel the future is bright; it doesn’t really benefit us to think it’s going to be grim. In difficult times we humans find great innovation, especially in art. I look forward to that.

Some information on Monowhales – Canada’s most played unsigned artists on Canadian Alternative radio. From a recent article

Toronto’s Monowhales is set to roar back on March 5 with the new album, Daytona Bleach, but they’ve been building anticipation over the past year with the singles RWLYD (Really Wanna Let You Down) and All Or Nothing, which demonstrate the hard-hitting sonic diversity that marks the album as a whole.

The latest single from Daytona Bleach, Out With The Old, is the group’s most powerful statement so far, with its message of generational change delivered in a taut, modern hard rock package. Indeed, Monowhales has been leading its own indie-rock revolution, having earned the distinction of being 2020s’ most played unsigned artist on Canadian alternative radio.

Five Questions With… Monowhales’ Sally Shaar

MONOWHALES perform their session at Tweedside apart of the Live Series with RWLYD (Really Wanna Let You Down)

Jaffa Road – Until When (single)

I really love this band. This is their first single in awhile and I am really looking forward to the album release later this year.

Jaffa Road is from Toronto and they mix ancient and modern Hebrew, Arabic, Spanish and English poetry into their work.

About the song we chose, Until When

This traditional melody from the Maghreb is traditionally sung in either Hebrew or Darija (Moroccan dialect of Arabic). The Hebrew version ( Eli Shema Koli אֵלִי שְמַע קוֹלִי) is a liturgical poem where the protagonist cries out to God in the hope of redemption. The Darija version (Sidi Habibi سيدي حبيبي) is a secular love song about unrequited love between the protagonist singer and the imagined lover. We call our mash up of the two versions UNTIL WHEN named after the first line of the first Hebrew stanza – עַד מַתָי אֲקַוֶה לִרְאוֹת גְאוּלָתְךָ –Until when shall I wait to see your redemption?

from Bandcamp

UNTIL WHEN אֵלִי שְמַע קוֹלִי / سيدي حبيبي – Eli Shema Koli – Sidi Habibi

More about Until When

It has previously been recorded by many Jewish Algerian and Moroccan musicians in both Morocco and Israel as well as many Arab musicians from the Maghreb. As far as we know, this is the first recorded version to alternate complete verses of the Hebrew and Arabic versions of the song.

also from Bandcamp

Mo Kenney – Slowdeath 

Mo Kenney is an East Coast singer songwriter.  Her new lp; however, is a set of great cover versions.

Kenney has a new album coming out next year that will be all covers, performed with just the basics – her clear, rich voice and a guitar. 

“I was in the studio and recorded this right before the pandemic started,” Kenney said. She was thinking about doing an acoustic record of her own songs, but ultimately decided it would be more interesting to do an album of covers. “A lot of these songs are songs that I put in my live sets.” 

Kenney says she grew up listening to old country standards that played on the radio in her grandparents’ kitchen. “I don’t think I really fully appreciated it back then, but I have a real love for those old country songs now.” Her favourite Patsy Cline tune is You Belong To Me – Bill played Mo’s own cover on the show. “That song was written in the 50s and it still holds up,” she says. 

From A Tale of Two Mo Kenneys – CBC

Here is her cover of fellow Nova Scotian Dog Day’s Seth Smith’s song Slow Death

Slow Death

End of the Night – A Place to Bury Strangers

This is a really interesting band that has been around in some form since 2002. The song is jarring and really great and I found out about it through an online music magazine out of Toronto – Spill Magazine. It was their single of the week and you need to watch the video and listen to this great track.

A Place To Bury Strangers – End Of The Night (Official Video)

More from Spill Magazine

In 2003, Brooklyn’s A Place To Bury Strangers emerged on the scene out of Oliver Ackermann’s psychotropic vision. Often cited as “the loudest band in New York,” APTBS is known for their vicious live performances overloaded with all-consuming visuals, experimental sonic warfare, and treacherous stage antics.

2021 welcomes a lineup change for A Place To Bury Strangers. New members John Fedowitz (bass) and Sandra Fedowitz (drums) of Ceremony East Coast cement the most sensational version of the band to date. John and Oliver were childhood friends who had played in the legendary underground shoegaze band Skywave, crafting futuristic punk music together. This next phase is a sonic return to APTBS’s most raw and unhinged endeavors, pushed even further into a new chaotically apocalyptic incarnation.

During the ongoing global pandemic, Ackermann spent his time building this new band, raising money and awareness for those in need, establishing the record label Dedstrange, designing futuristic space synthesizers for his company Death By Audio, and producing this brand new A Place To Bury Strangers EP. The Hologram EP will be released July 16th on Dedstrange.

Spill Magazine Track of the Week


Sunfields – Got Some ( But It Ain’t Enough) 

Culture Addicts offers a nice little assessment of this Montreal Band’s latest effort.

SUNFIELDS shares new track Got Some (But It Ain’t Enough), which is lifted from their upcoming album ‘Late Bloomers’. It’s all too easy to feel defeated in life. This song pokes fun at that notion. Not everything in life needs to be taken so seriously; it’s okay to laugh at yourself sometimes.  

Got Some (But It Ain’t Enough) toys a lot with the notion of the bigger picture, the thing most of us fear and dread, the one thing lots of us avoid… the void. It’s got a toe-tapping, uplifting, anti-downer feel to it, with the lyrics taking a piss out of things. 

Culture Adicts, February 2021

Listen to Got Some (But It Ain’t Enough) via SoundCloud below.


Melanie Durrant – Where I’m At 2021

This was a great piece to finish off with from a young artist who has changed a great deal over the past few years.

From Hip Hop Canada

Canadian legacy artist Melanie Durrant drops her third studio album, Where I’m At. This album follows the release of her latest single “Listen,” and the song’s accompanying music video.

With the release of “Listen” and the drop of her new album, Ms. Durrant is flooded with support from notable American and Canadian talent. Many notable people, including Ray Robinson, Grammy-nominated artist Glenn Lewis, Grammy-Award winning artist Jill Scott, award winner and Walk of Fame inductee Tanya Mullings, JUNO-Award winner Dru Grange, and Grammy-nominated multi-platinum music producer Allstar (produced SWV) have shown their support and champion the new album release on Durrant’s Instagram page.

Where I’m At is fused with vintage 90s R&B, boom-bap, soul and encompasses faint sounds of latin and reggae. Written by Durrant, each track encompasses raw heartfelt emotion drawing upon personal experiences of the award-winner and her closest friends. Since 2013, Durrant has received three JUNO Award nominations. In 2013, “Made For Love” was nominated for Reggae Single of the Year, in 2014 her second single, “Gone,” was nominated for R&B/Soul Recording of the Year, and in 2015 Durrant picked up another nod in the R&B/Soul category with her single “Four Seasons.” She was also nominated for Soul/R&B Artist or Group of the Year at the 2015 SiriusXM Indie Awards.

This album encompasses themes of narcissistic abuse, personality disorders and the way it affects the mind. Every track on Where I’m At has different mindsets, but keeps true to the album’s overall theme.

Melanie Durrant – Listen (Official Video)

Next week, another 9 songs this upcoming week we will be on Mixcloud at 7:00 PM EDT. Come see us LIVE!!

Old Fellas new Music – Episode 10 Show Notes

Music This Week

Art D’Ecco – Desires

Sadies – Riverview Fog

Austra – Messiah

Kathleen Edwards – Options Open

Pierre Kwenders and Clément Bazin –  Ego 

Sloan – The Day Will Be Mine

Rae Spoon – There’s No End

John K Samson – Fantasy Baseball at the End of the World 

Rural Alberta Advantage – Beacon Hill

Our updated playlist
Our shows on MixCloud – you can follow us here!!

Art D’Ecco – Desires from the album In Standard Definition, May 19th 2021

Art d’Ecco – Full Performance (LIve on KEXP) – on 2019 album release  Trespasser 

I am the dancefloor from Art D’Ecco’s latest album

Reference – Grant Lawrence on CBC Radio 3 did a great feature on him.

CBC’s Grant Lawrence

There is more on Art D’Ecco in the article from the Georgia Straight

After years of self-doubt and spinning his wheels, Art d’Ecco is now on a mission to make his own fantastical myths (2018)

Consider this the latest page in a story he’s spent the past few years writing. His back story includes fleeing Vancouver years ago to hole up in a sprawling island home to care for an ailing grandmother, the relative solitude giving him ample time to invent the character that would become analogue-obsessed rocker Art d’Ecco. And what a great character that creation is, all pageboy hair, greasepaint-and-rouge makeup, and Rodney Bingenheimer fashion cues—right down to the retina-searing flares and platform shoes.

More on how he came up with his unique look:

I was getting my keys cut, and kind of stewing while I waiting,” the singer recalls with laugh. “Out of the corner of my eye I saw a wig store that had this $300 human-hair bob wig. I was like ‘I’ve never been more excited in my entire life.’ I was walking through the Bay on the way back to my car at after getting my keys cut, and figured I might as well go whole hog and buy some makeup. I had no idea what I was doing. I was just freewheeling.

Bob picked his selections from groups that he saw over the last five years at the wonderful Beau’s Oktoberfest in Vankleek Hill, Ontario.

Bob and Karen

Sadies – Riverview Fog

A group never fails to put on a great show, The Sadies.  Here performing this Riverview Fog

Bob mentioned on the show this very cool trick that the Sadies can do. Hard to imagine doing this!

Austra – Messiah Album Hirudin 2020

Austra is a singer I have liked for a long time. I first heard her on CBC with her 2011 song Lose It. Pretty amazing display. You can see a 2017 version of the song on CBC here. The voice is something very different.

This Pitchfork article explains the power of her voice better than I ever can:

Katie Stelmanis has a voice like a beacon, a sound that can shear through any accompaniment, no matter how drab. She shares this power with ANOHNI and Zola Jesus, singers who enchant their surroundings with the depth and richness of their timbres, who are instantly recognizable in any setting. Her voice comprises the central pillar of her synthpop project Austra, the feature around which her music crystallizes. The Canadian artist’s previous album, 2017’s Future Politics, shifted deeper into the icy trappings of club music, laminating Stelmanis’ voice inside the production styles of deep house and trance. On HiRUDiN, Austra’s fourth LP, the project breaks from that rut, swinging for big, embodied pop moments that let the warmth of Stelmanis’ voice shine through.

Pitchfork May 6 2020

Kathleen Edwards – Options Open

Kathleen Edwards is represented here this week with a song from her “return from exile” album, ” Total Freedom”. The song is “Options Open” and it looks like she hasn’t missed a beat.

Kathleen Edwards – Options Open (LIVE from her home)

A David Lettermen fave, Edwards was a frequent guest on The Late Show.  Dave discards his  usual sarcastic goof persona here as shows is a genuine fan.

Kathleen Edwards – “Change the Sheets” on Letterman 01-17-12

Ego by Pierre Kwenders and Clément Bazin

album – Classe Tendresse 2020 – on Bandcamp 

This is another artist heard first on CBC Frequencies, my go to place to hear new and exciting music.

From the bandcamp bio:

Born in Kinshasa and settled in Montréal since 2001, Pierre Kwenders learned music and found his voice in a catholic choir in the city. With his two EPs and two full-length records, the singer-songwriter has earned multiple awards. Passionate about offering music without borders, he’s also one of the founders of Moonshine, a collective that throws some of the best parties around the world.  

Bandcamp

Here is the great video we are playing from his most recent release, the song is Ego

Clément Bazin & Pierre Kwenders – Ego (Official Music Video)

From Exclaim MagazinePublished Oct 21, 2020

Pierre Kwenders has been known to allow every style of music he hears to influence his own. This is even more remarkable given the diversity of influence that would have entered his realm; he emigrated from Kinshasa to Montreal at the age of 16. French-Acadian, hip-hop and Congolese Catholic church music are just some of the many influences in his path. His latest project, Classe Tendresse, is a collaboration with Parisian musician Clément Bazin, who is equally in love with technology and the steelpan.

The blending of traditional African melodies with post-human electronica is complete and seamless. In a sense, this is nothing new. All popular music is influenced by traditional African music and is impacted by advances in musical technology. What is interesting here is that it is not really a blend at all, as one cannot tease out traditional and electronic elements; this is traditional African music as heard through digital technology.

Sloan – The Day Will Be Mine

Sloan perform “The Day Will Be Mine” as part of the East Coast Music Awards (ECMA’s) at the Marquee in Halifax, NS on May 3, 2018.  The Marquee is a legendary club in Halifax  which is one of the 2 bars immortalized in  the song, “ Marquee and the Moon” from the 1999 album “Between Two Bridges.” The Misty Moon closed down a number of years ago, but the Marquee lives on.   

Sloan – Live at the Marquee – The Day Will Be Mine

A clip advertising their upcoming 2018 appearance at Oktoberfest.  The concert clips were taken from the June 28 show at Ottawa’s 27 Club.  We were lucky to see both performances.

Rae Spoon There’s No End, album Mental Health 2019

Another feature heard on CBC Radio 3 Grant Lawrence. Very happy I heard this one. Rae Spoon is an artist I was totally unfamiliar with (I say that a lot).

A wonderful musician and author Rae Spoon is versatile and prolific with albums and books stretching back tp 2000

again from Georgia Straight:

Trailblazers 2021: Rae Spoon’s Green Glass Ghosts reflects Vancouver through lens of young trans adult

Georgia Straight – Apr 28 2021

The narrator is a queer, guitar-wielding musician who arrives in Vancouver in 2000 at the age of 19. Written in Spoon’s usual highly accessible style, the story of youthful exuberance, excessive drinking, and emotional angst plays out across Vancouver—on the bus system, at the beaches, and in various neighbourhoods.

It’s astonishing to consider how far the trailblazing Spoon has come from being a poor couch-surfing, sometimes homeless trans youth living on the East Side. In addition to four books, including the Lambda Award finalist collection of short stories that kicked off their career, Spoon has created a dozen albums. In addition, they achieved their dream of touring extensively.

Here is the trailer from the NFB film made about Rae Spoon. All the music in the film was composed and performed by them.

John K Samson – Fantasy Baseball at the End of the World 

“I manage my fantasy baseball team better than I manage my anger these days,” Samson sings. “And I’d trade my best pitcher for a draft-pick and picture of the president writhing in pain.” John K. Samson.  Great video from Manitoba’s finest that combines his love of baseball with his loathing of Trump.

Here he is at Beau’s Oktoberfest performing his classic “One Great City”

Rural Alberta Advantage – Beacon Hill

Bob asked during the show which Beacon Hill the Rural Alberta Advantage is singing about. This is another band that he saw at Oktoberfest.

I think if you look at the video below you may get a clue.

Old Fellas New Music – Episode 9

You can always find us here

Week 9

Soccer Mommy – Up the Walls

Kiwi Jr – Waiting in Line or Maid Marian’s Toastv  

Beach Slang – Future Mixtape For the Art Kids

Nick Ferrio – The Dam

Car Seat Headrest – Fill in the Blanks

Aviva Chernick – Ti Espanya 

Angel Olsen – Intern

Jon and Roy – Runner

James Clarke Institute – Should I Tell Her

Allison Russell – Persephone 

This is the Kit – Coming to get you nowhere

Our updated Spotify Playlist for Week 9
You can find Episode 9 and all our shows (from Episode 5) here on MixCloud

Also live here on VoicEd Radio at 7:30 PM Saturdays

This week’s notes

Soccer Mommy

 A nice slice of pop perfection.

Here in a performance on KEXP 

Kiwi Jr – Maid Marian’s Toast

Kiwi Jr. is from the PEI North Shore – CBC Grant Lawrence recommends this as his new favourite band. Album Cooler returns – was released January 2021

Kiwi Jr. is Jeremy Gaudet (mic, guitar), Brohan Moore (drums), Mike Walker (bass), and Brian Murphy (guitar). 

This is a very cool video that I watched as I prepared the show this week.

Directed by Sean Egerton Foreman, who also shot Kiwi Jr videos for “Cooler Returns”, “Maid Marion’s Toast” and “Gimme More”,No Trace Evidence is a short mini-documentary of Kiwi Jr’s recording process during the Summer of Covid 19, a candid peak into the recording studio as well as al fresco out-door mixing, isolation booths, temperature checks and black cats crossing their path.

No Trace Evidence

Here is the Pitchfork review of their latest album.


Beach Slang – Future Mixtape For the Art Kids

Beach Slang formed in 2013 as a vehicle for Alex James’  noisy teen anthems.  We featured his song “Future Mixtape For The Art Kids.” In 2017 he did an offshoot called “Quiet Slang “ where he rerecorded his songs as chamberpop using just vocals, piano and cello.

Nick Ferrio – The Dam

2021 single Sutton Ontario  album Television of  Roses  releases  June 18, 2021 heard first on CBC Radio 3

Performed by:

Nick Ferrio Tanner Paré Lewis Parker Nathan Truax

With: Jonas Bonnetta Evangeline Gentle Caylie Runciman

The album was recorded and co-produced by Evening HymnsJonas Bonnetta and features contributions by Said the Whale‘s Nathan Truax, Heaps‘ Tanner Paré, Boyhood‘s Caylie Runciman, Evangeline Gentle and For Esmé‘s Lewis Parker.

From an Exclaim! Magazine article – March 21, 2021 – this is a pretty incredible story

Georgina, ON-based folkster Nick Ferrio has shared plans for a new record titled Television of Roses. The artist will deliver the goods on June 18, but today he’s offering up a glimpse of what’s to come with a new single titled “The Dam.”

The new track is a response to a letter sent to Ferrio by his late mother, in which she asked if he remembered her from “before her struggles with alcohol began.”

“It explores those early years of my life, the poverty we experienced, but also my mother’s resilience and strength,” Ferrio explained of the track. “We were estranged from each other at times in our lives and she passed away a year ago after being diagnosed with leukemia. But, I played it for her before she passed and we made amends.”

Ferrio said: “When I grew up there were a lot of people in my household and not everyone was a fan of my constant singing and guitar playing, so I would go to the cliff in the woods near our house and sing out to the lake. We recreated that in the video. It was cool to go back there and explore. Brought back a lot of memories.

Here is the video – watch this.

There is also a good article on his indigenous roots and advocacy for local music in Peterborough 


Car Seat Headrest – Fill in the Blanks

Car Seat Headrest have been around since 2010. We featured a song from 2016’s Teens of Denial but they are still making waves as seen in this NY Times article from April discussing their latest release..

Will Toledo, the founder and principal songwriter of Car Seat Headrest, sat in his Seattle apartment, looking into his iPhone camera through the eyes of a modified gas mask.

His face wasn’t visible, but somehow he still seemed a little sheepish. Months ago, Toledo made up his mind to wear a costume, including the mask, while promoting his indie-rock band’s first album of new material since 2016, an atypically concise and beat-driven collection of songs called “Making a Door Less Open.”

NY Times By Alex Pappademas April 23, 2020

Here they are on The Tonight show in 2016 performing Drunk Driver/Killer Whale

Aviva Chernick A Ti Espanya –Album 2019 La Serena

This is a beautiful singer who has collaborated with a range of artists. From the Bandcamp page:

On Bandcamp

Singing in Hebrew, Ladino (Judeo-Spanish) Yiddish and English, she has had the pleasure of making music with many wonderful musicians including Frank London, Yair Dalal, Jackie Richardson and Flory Jagoda. Aviva’s collaborative recordings have garnered several nominations and awards, including Juno nominations for Jaffa Road’s albums Sun Place (2010) and Where The Light Gets In (2013), a Canadian Folk Music Award for Where The Light Gets In(2013), a Canadian Folk Music Award Nomination for When I Arrived You Were Already There(2012)as well as for Under the Canopy (2008). for her albums La Serena (2020) Aviva and her co-writers from Jaffa Road won the John Lennon International Songwriting Grand Prize for their rendition of “Lo Yisa Goy”, a prayer for peace.

Pocket Performance: Aviva Chernick with Joel Schwartz

Another incredible performance on the Aga Khan Museum YouTube site

Video of A Ti Espanya  

For you, Spain, my dear one.

Our mother, we love you

and throughout our whole lives 

your sweet language we will never let go of.


Angel Olsen – Intern

Angel Olsen performing “Intern”.  In her words, “A sarcastic take on synthpop.” 


Jon and Roy 2017 Runner

from 2017 The Road Ahead is Golden

Yet another band I have never heard before, but out west they are popular and well known. After 8 albums, this makes sense.

From an article Five things to know about Here by Jon and Roy in the Vancouver Sun

Jon Middleton is blessed with one of those perfect old-timey folk voices which quavers with just the right amount of blues, croons like a classic country singer, and can flow like lubricant over quiet fingerpicking (That Is You) or uptempo horn riffs (Headstrong) alike. It’s a pretty special sound, and brings all the material a sense of spirit that it might not otherwise possess.

Vancouver Sun

James Clarke Institute – Should I Tell Her

A single from the the just released album “The Colour of Happy” This wonderful melodic powerpop. Like Big Star, Badfinger and the Beatles?  This is right up your alley then. James is also a talented artist as ably demonstrated in his “Clartoons”


Allison Russell – Persephone 

“Bigotry and abuse are intergenerational traumas,” Russell said. “It’s not just my story.”
Credit…
Bethany Mollenkof for The New York Times

 Album – Outside Child release May 21 2021 

Really, for me this week, the stories are just as important as the music – this is another example. I learned about Allison Russell through the New York Times feature about her last Sunday:

Her solo debut, “Outside Child,” speaks bluntly about sexual abuse by her adoptive father. She spells it out, over a steadfast Memphis soul beat, in the first song she wrote for the album, “4th Day Prayer”: “Father used me like a wife/Mother turned the blindest eye/Stole my body, spirit, pride/He did, he did each night.”

The singer, songwriter and folklore explorer Rhiannon Giddens invited Russell to join Our Native Daughters along with Amythyst Kiah and Leyla McCalla — all four of them Black female banjo players — to make a 2019 album, “Songs of Our Native Daughters,” for Smithsonian Folkways that celebrated the banjo’s West African origins and encompassed narratives of slavery, perseverance and resistance.

The article is really worth reading and speaks to her Montreal roots and how she has overcome the terrible legacy of abuse she suffered at the hands of her mother’s partner and also how she was able to eventually get him arrested and put in jail.

Like always, the NY Times version of the article adds lots of great video material.

This is the Kit -Coming to get You Nowhere 

album 2020 – Off Off On – (found on BBC playlist on Spotify)

This Is the Kit is the alias of Paris-based British musician Kate Stables, as well as the band she fronts

This Is The Kit were a long-time favourite among various BBC Radio 6 Music DJs, which is where the musician and presenter Guy Garvey discovered them, playing their music frequently. Fellow 6 Music DJs Lauren Laverne, Radcliffe & Maconie, Cerys Matthews, and Mary Anne Hobbs have also been major supporters; DJ Marc Riley has hosted the band for three BBC live sessions to date.[2] BBC Radio 1 has offered the band spot plays via DJs Huw Stephens, Jen & Ally, and Phil Taggart.

Next week we will be going to an 8-song format to get the show down to 60 minutes. We will still be working to broadcast the show live on SoundCloud, Wednesday at 7:00 PM and it will be broadcasted on VoicEd Radio at 7:30 PM on Saturdays. We really appreciate the support of both of these great organizations for encouraging and supporting our weekly efforts!

Old Fellas New Music Notes for Episode 8 – May 14 show

This week’s list:

Fanclubwallet – C’mon Be Cool

Weyes Blood –  Andromeda

IsKwé – Little Star

Margo Price – Learning to Lose

Rich Aucoin – How it Breaks

Joan as Police Woman – The Silence

Junior Varsity –  Cold Blood

Julia Holter – Les Jeux to You

Sarah Jarosz – Blue Heron

Gabrielle Shonk – Habit

Unknown Mortal Orchestra – Not in Love We’re Just High

You can find all the songs for adding to your own personal playlist here

Our 11 songs for this week’s show

We also can be heard now on MixCloud – this is a new audio adventure that we are working our way through! We hope to be able to go live on this site once we can figure out the technology. I am thinking we have one or two many things playing at the same time right now to make this work – Audio Hijack, Zencastr, OBS, Rodcaster and eventually Hindenburg. Maybe a bit too confusing right now!

Stuff from the show

Bob mentions Mojo Magazine several times during the show – for more you have to listen to what he says! But, we wanted to include some material for you here so you know what the magazine is all about. Really, you need to look at The Mojo List a be prepared to get lost in their great collection of material.

From the Mojo Magazine website

Bob also mentions Uncut Magazine. Both magazines are British and have options for digital and magazine subscriptions. With Uncut you also get a CD every month with the magazine which is pretty cool.

Fanclubwallet – C’mon Be Cool – single 2021

I had to find out what a fan club wallet is so I found one on ebay and included this below. Hannah Judge, from Ottawa has a great sense of humour and a healthy perspective on life. This comes out in her music and the stories she tells.

Beano Dennis The Menace Fan Club Wallet Set

Lyrics form C’mon Be Cool

I went to bed and didn’t get out for ten months

I learnt every twenty eight days your skin falls off

Did you get a new set of eyes since we last 

talked I don’t see what you see in making all this fuss

music video from C’mon Be Cool

Prior to the pandemic, Hannah was in bed for months suffering from Crohn’s Disease. The quote below is from Exclaim! Magazine, I have bolded some of their lines because this musician is really talking about things we all need to take seriously and reflect on after 14 months in a pandemic.

Written during and about the pandemic (with the added stress of a 10-month recovery from an unrelated health flare-up), fanclubwallet’s debut EP, Hurt Is Boring, is a testament to the creative benefits of enforced solitude. Ottawa-based musician Hannah Judge’s five-track release is a deeply-felt — but not necessarily depressing — slice of bedroom indie-pop dealing with experiences many of us are likely familiar with these days, including isolation, boredom and the rehashing of minor events that take on looming proportions in our memories. The specifics may be personal, but the vibes are relatable. Produced by grade-school friend Michael Watson and recorded with guitars and lo-fi synths kicking around the house, Hurt Is Boring is a friendly and unpretentious mix of indie folk and pop sensibilities.

Exclaim! Magazine

Weyes Blood –  Andromeda

Weyes Blood (Natalie Laura Mering) took her stage name from the 1952 Flannery O’Connor Southern Gothic novel Wiseblood.

A beautiful song, I really should have come up with a more intelligent comment for this work.

Iskwe  – Little Star

This is one of those songs where the story, and the video almost outshine the song. The video for Little Star won a Juno in 2020 for best video.

Iskwē video Little Star

Iskwē, originally from Manitoba now lives in Hamilton. The story behind Little Star is one that centers on the the continuing sad story of reconciliation in Canada with Indigenous People. Little Star focuses on the media treatment during the murder trails of Gerald Stanley and Raymond Cormier – From CBC Tapestry:

‘They’ in the lyric refers to iskwē’s response to the press coverage of the trials of Gerald Stanley and Raymond Cormier — the men charged for the murders of Colton Boushie and Tina Fontaine.

Little Star was a direct response to media [reports] and the way they were – in my opinion – being reckless during the trials of Gerald Stanley and Raymond Cormier,”  singer iskwē said in an interview with Tapestry guest-host Laurie Brown.

“I felt endangered. I felt angry. I felt hurt. I felt afraid… The way our [Indigenous] bodies are viewed as disposable and how that sentiment seems to be in repetition when we see the way the media represents these stories.”

“It’s not just scary for Indigenous people… if we’re living in a country where we can truly say there is a demographic of people that is considered lesser than others, then we’re not doing very good as a society.”

You can hear her interview on CBC Tapestry here. The interview is a great way to get a good sense of what drives her music. The video is really something you should watch. The story is tragic and compelling.

Margo Price – Learning to Lose

on Saturday Night Live

Rich Aucoin – How It Breaks

from 2020 album United States

Rich Aucoin is a really interesting artist from the Maritimes. Apart from the fact that he has written an alternate soundtrack to How the Grinch Stole Christmas, he supported the release of his first EP by riding his bike across the country. On a later tour, he ran partial marathons between gigs.

You can hear his most recent album here on Bandcamp.

I would like to explore the ideas behind his music more. There is no question that this is a very political album.

From a verse in How it Breaks:

Someone will dig it up maybe make em lose their piece of mind

We wanna see it come undone by the picket sign

Someone will call it out maybe when it’s children caught behind

We wanna hear it tearing free from their thin blue line

I read the news today oh boy

She was a young American

Opressed by old established men

I heard the news today oh boy

He was a young American

Killed cause the colour of his skin

Junior Varsity Cold Blood – single 2021

This is just a great song and we really need great songs.

and a fun video

From Fader – The best rock songs right now

Junior Varsity, LA-based duo Greg Aram and Zach Michel, load their swaggering pop-punk anthems with a rap production style that makes every beat sound cavernous. Custom-built for big stages, “Cold Blood” is a fearless shot at the moon that emits enough confidence to make you think they might just make it.

Julia Holter – Les Jeux to You

from a KEXP live session – these are all so compelling

“Julia Holter is Siouxsie Sioux meets Kate Bush, with a matchstick intensity, relighting her own wick by the conversation in her voice, her diaphragm shifting between instruments” – got to love this quote from Under the Radar Magazine.

Sarah Jarosz – Blue Heron Suite 2021

I love this song and Sarah Jarosz’s voice you can see her here performing Blue Heron

Live From Here recording 2017. Just a beautiful song

The song has a beautiful, healing message in it about hope and recovery, again a message we are all looking for right now.

“2017 was an emotional year for me—my mom had been diagnosed with breast cancer the previous winter and the town of Port Aransas was severely impacted by Hurricane Harvey,” recalls Jarosz. “Those two events caused me to think back to the early morning walks my mom and I would take along Mustang Island beach—we would always spot the Great Blue Herons along the shore… The bird came to be a symbol of hope for my family during a difficult time, and even now, throughout my travels, whenever I spot a Blue Heron, I always think of it as a good omen; a little reminder of the important things in life, especially family.”

Jarosz notes, “Thankfully, my mom is now in remission and Port Aransas is slowly on the mend, but Blue Heron Suite still encapsulates so many of the feelings associated with that time – I like to think of the song cycle as a quiet acknowledgment of life’s many uncertainties; you never know what will be thrown your way, but you can always work to try to face the highs and the lows with grace and strength.”

Music Row, April 14, 2021

Sarah Jarosz. Photo: Kaitlyn Raitz

Gabrielle Shonk – Habit

This is a great video and really shows why people stopped in the middle of what they were doing when she started to play at the Bronson Centre

photo Gabrielle Shonk 2018 @ The Bronson Centre Ottawa